Top 100 Anime Movies, Best Anime Movies Must Watch

The 100 Best Anime Movies of All Time. These anime movies are an absolute must watch, all anime movies on this list have high IMDB ratings and fresh ratings on rotten tomatoes. Some of the movies are even critically acclaimed.

100. Mobile Suit Gundam F-91 (1991) 

Director: Yoshiyuki Tomino

The setting places the movie 30 years after the events of Mobile Suit Gundam: Char's Counterattack and 27 years after the events "Mobile Suit Gundam Unicorn", and none of the characters that had previously appeared in the series were present in the film.
Renewed conflict breaks out after a generation of peace in this continuation of the "Mobile Suit Gundam" anime saga. To accommodate the growing population, the Earth Federation has built new space colonies. But the Crossbone Vanguard decides to seize these cities to help establish its extraterrestrial empire. Now, reluctant hero Seabook Arno and his Gundam F91 must lead a fierce struggle for survival.

99. The Secret World of Arrietty (2010) 
Director: Hiromasa Yonebayashi

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A boy named Shō tells the audience he still remembers the week in summer he spent at his mother's childhood home with his maternal great aunt, Sadako, and the house maid, Haru. When Shō arrives at the house on the first day, he sees a cat, Niya, trying to attack something in the bushes but it gives up after it is attacked by a crow. Shō gets a glimpse of Arrietty, a young Borrower girl, returning to her home through an underground air vent.

At night, Arrietty's father, Pod, takes her on her first "borrowing" mission, to get sugar and tissue paper. After obtaining a sugar cube from the kitchen, they travel inside a hollow wall to a bedroom which they enter through an intriguing dollhouse with working electric lights and kitchen utensils. However, it is Shō's bedroom; he lies awake and sees Arrietty when she tries to take a tissue from his night table. Startled, she drops the sugar cube. Shō tries to comfort her, but Pod and Arrietty quietly leave and go home.

The next day, Shō puts the sugar cube and a little note beside the air vent where he first saw Arrietty. Pod warns Arrietty not to take it because their existence must be kept secret from humans. Nevertheless, she sneaks out to visit Shō in his bedroom. She drops the sugar cube on the floor, letting him know that she is there. Without showing herself, she tells Shō to leave her family alone and that they do not need his help. On her return, Arrietty is intercepted by her father. Realizing they have been detected, Pod and his wife Homily decide that they must move out. Shō learns from Sadako that some of his ancestors had noticed the presence of Borrowers in the house and had the dollhouse custom-built for them. The Borrowers had not been seen since, however.

Pod returns injured from a borrowing mission and is helped home by Spiller, a Borrower boy he met on the way. He informs them that there are other places the Borrowers could move to. While Pod is recovering, Shō removes the floorboard concealing the Borrower household and replaces their kitchen with the kitchen from the dollhouse, to show he hopes them to stay. However, the Borrowers are frightened by this and instead speed up their moving process.

After Pod recovers, he goes to explore possible new living quarters. Arrietty goes to bid farewell to Shō, but in the course of the conversation he suggests to her that the Borrowers are becoming extinct. Arrietty tells him fiercely that they will not give up so easily. Shō apologises that he has forced them to move out and reveals he has had a heart condition since birth and will have an operation in a few days. The operation does not have a good chance of success. He believes that there is nothing he can do about it, saying that eventually every living thing dies.

While Sadako is out, Haru notices the floorboards have been disturbed. She unearths the Borrowers' house and captures Homily. Alerted by her mother's screams, Arrietty leaves Shō in the garden and goes to investigate. Saddened by her departure, Shō returns to his room. Haru locks him in and calls a pest removal company to capture the other Borrowers alive. Arrietty comes to Shō for help; they rescue Homily and he destroys all traces of the Borrowers’ presence.

On their way out during the night, the Borrowers are spotted by the cat Niya. Sleepless, Shō goes into the garden for a stroll and the cat leads him to the "river", where the Borrowers are waiting for Spiller to take them further. Shō gives Arrietty a sugar cube and tells her that her courage and the Borrowers' fight for survival have made him want to live through the operation. Arrietty gives him her hair clip as a token of remembrance. The Borrowers leave in a floating teapot with Spiller.

The Disney international dubbed version contains a final monologue, where Shō states that he never saw Arrietty again and returned to the home a year later, indicating that the operation had been successful. He is happy to hear rumors of objects disappearing in his neighbors' homes.

98.The Boy and the Beast (2015) 
Director: Mamoru Hosoda

 

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Nine-year-old Ren has recently lost his divorced mother. With no news of his father and refusing to live with his legal guardians, Ren flees into the streets of Shibuya. Ren steals some food and sleeps in an alley, reminiscing the aftermath of his mother's funeral.

In the Beast Kingdom, the lord has decided he will retire in order to reincarnate as a deity and names two potential successors: the popular Iōzen, who is also the father of two children, and the powerful Kumatetsu, who is lonely and lazy. The Grandmaster suggests that Kumatetsu find a disciple in hopes of inspiring him to succeed him.

While wandering the streets of Tokyo with his makeshift companion, Tatara, Kumatetsu meets Ren and suggests that the boy becomes his disciple. Though Ren is fiercely opposed, he follows Kumatetsu back to the Beast Kingdom out of curiosity but is unable to go back to the human world. As he watches a battle between Iōzen and Kumatetsu, Ren is impressed with Kumatetsu's persistence despite the lack of support from onlookers. When Ren cheers for him, Kumatetsu is easily defeated. However, the Grandmaster declares the actual duel of succession has not come yet.

Taking Ren as a disciple, Kumatetsu gives him a new name, Kyūta in relation to his age. Their initial training sessions go poorly, but Kyūta realizes that he can learn from Kumatetsu by imitating him by performing household tasks. The boy gradually finds that he can predict his master's movements to improve his fighting skills and they soon begin in training together for eight years.

Now as a teen, Kyūta has become a distinguished kendo practitioner. Through his relationship with Kyūta, Kumatetsu gained his own following of supporters, including the younger son of Iōzen, Jirōmaru, who wishes to be trained by Kumatetsu. Kyūta finds a way back to the human world, and befriends Kaede, a young student. In the process, Kyūta finds his father, who had been searching for Ren since he disappeared and wants to catch up. Torn by his double life, he is unable to reconcile the resentment he had as Ren and the lack of connections he has as Kyūta. When he rejects both his father and Kumatetsu, he discovers a powerful void within himself that nearly overwhelms him until Kaede calms him down and gives him a bracelet that has helped her when she becomes anxious.

On the day of the succession duel, Kumatetsu loses confidence without Kyūta's encouragement and is nearly subdued by Iōzen. However, Kyūta has been secretly watching and reveals himself, helping Kumatetsu defeat Iōzen. When Kumatetsu is declared the winner and the new lord, Iōzen's elder son Ichirōhiko is revealed to be a human who had been found on the streets of Tokyo as an infant and adopted by Iōzen. Having developed a vacuum in his heart like Kyūta, unwilling to believe that he is a human and not a beast, Ichirōhiko manifests telekinetic powers and seriously injures Kumatetsu with Iōzen's sword. Kyūta is nearly overtaken by his own emptiness and tries to kill Ichirōhiko, but regains his senses with Kaede's bracelet as Ichirōhiko is consumed by darkness and disappears.

Kyūta decides to leave for the human world to fight Ichirōhiko. When Kaede refuses to leave him, they are attacked by Ichirōhiko, who takes the form of a destructive whale. Unable to hold his own against Ichirōhiko, the young man decides to use the vacuum within himself to absorb his opponent's negative energy and then kill himself, saving everyone else. However, Kumatetsu uses his new privilege as the lord and reincarnates as a deity, taking the form of a sword "to be handled with the heart" in reference to their first training session together. He merges with his pupil's form, filling his empty void within him, and defeats his enemy without killing him. Ichirōhiko wakes up surrounded by his adoptive family.

In the aftermath, Ren celebrates his victory with Kaede in the Beast Kingdom and returns to the human world. After reconciling with his father and himself, he attends the local university and keeps Kumatetsu within his heart.

97. Ah! My Goddess: The Movie (2000) 
Director: Hiroaki Goda

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Three years prior to the events depicted in the film, Belldandy, a goddess from heaven, comes to live with Keiichi, an engineering student attending the Nekomi Institute of Technology.

Celestine, a high-ranking god who served as Belldandy's mentor for most of her training, returns from imprisonment with a plan to infect the Goddess System with a virus. Celestine needs Belldandy to effect his plan, but must first destroy the bond between Belldandy and Keiichi.

96. A Dog of Flanders (1997) 
Director: Yoshio Kuroda

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 is a 1997 Japanese anime film. It was based on the Japanese television series aired on Nippon Television from 10 October 1992 to 27 March 1993. Both the television series and this film are inspired by the book A Dog of Flanders by Ouida.

95. Fullmetal Alchemist the Movie: The Conqueror of Shamballa (2005)
Director: Seiji Mizushima

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After Edward Elric recovers his arm and his brother Alphonse's body, Edward is dragged from his homeworld through the Gate of Alchemy—the source of alchemical energy—to a parallel world of Earth in 1923. The world is fundamentally governed by the laws of modern science instead of alchemy. When Edward arrives there, he discovers that he has been stripped of his alchemical powers and his newly restored arm and leg.

Two years later, in MunichGermany, Edward researches rocketry with his friend Alfons Heiderich, a young man who resembles Alphonse, in the hopes of returning to his world. Edward rescues a persecuted Romani woman named Noah from being sold. Noah is taken in by Edward to live with him and Alfons, and begins having visions concerning Edward's life in his world. The next day, Edward meets Fritz Lang, a Jewish film director resembling King Bradley, who persuades Edward into helping him hunt down a dragon he has been seeking for inspiration for his next film. The dragon, which turns out to be homunculus Envy, attacks Edward, but is then weakened and captured by members of the Thule Society.

The Thule Society, led by Karl Haushofer and Dietlinde Eckhart, use Envy and Edward's kidnapped father Hohenheim as catalysts to open a portal to Edward's world, believing it to be the utopia Shamballa after learning about it from Hohenheim. A number of armored soldiers are sent through the portal, only to emerge on the other side in the city of Liore as mutated zombie-like creatures. Alphonse, who is visiting Liore, fights off the armored soldiers and merges parts of his soul to three of their suits to aid him in combat. Meanwhile, Edward breaks into the Thule Society headquarters and accidentally reopens the portal, returning the dead armored soldiers to Earth and allowing Alphonse's armored form to briefly reunite with his brother before his soul returns to his body, increasing Edward's determination to return to his world.

Alphonse is guided by the homunculus Wrath to the underground city beneath Amestris' Central City to reopen the Gate of Alchemy. There, they are attacked by the homunculus Gluttony, who fights and mortally wounds Wrath. At Wrath's insistence, Alphonse transmutes and sacrifices the two homunculi to use as material to open the Gate. Meanwhile, in Munich, the Thule Society persuades Noah into guiding them on how to correctly open the Gate based on what she had learned from reading Edward's mind. Edward learns from Lang that the Thule Society plans to use the weapons from his world to help Adolf Hitler in his attempt to start a revolution, and heads to stop them. Hohenheim and Envy are both transmuted at the same time that Alphonse transmutes Gluttony and Wrath. With the Gate opened, Eckhart leads a fleet into the other world, where she gains the ability to use alchemy. However, she begins to go mad with power and fear of her new surroundings and launches an attack on Central City. Alfons launches Edward in a rocket-powered plane to return him to his world before being gunned down.

Edward appears in his world, reunited with Alphonse and their friend Winry Rockbell, who fits Edward with new automail limbs. The Amestris military manages to stop most of Eckhart's soldiers with the help of Roy Mustang. Edward battles Eckhart before Alphonse transmutes parts of his soul to a group of armors, which attack her and force her to retreat. Upon reappearing in her own world, Eckhart is covered with shadow creatures from the Gate and killed by an officer out of alarm of her new, monstrous appearance. Understanding the danger posed by the connection between the two worlds, Edward returns to Earth to seal the Gate on the other side, knowing he will be trapped there forever. Instead of sealing the Gate on the other world's side as per Edward's request, however, Alphonse has Mustang seal the Gate and follows Edward to remain with his brother. Following Alfons' funeral, the Elric brothers leave Munich with Noah, intending to close the gate and destroy the weapons meant to be used in Hitler's attack.

94. Golgo 13 The Professional (1983) 
Director: Osamu Dezaki

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Professional contract killer Duke Togo—codenamed "Golgo 13"—is hired to assassinate Robert Dawson, the son of oil baron Leonard Dawson and the heir of Dawson Enterprises, and succeeds. Later, after accomplishing a hit on a powerful crime boss in Sicily, Golgo is suddenly attacked by the U.S. military and discovers that his informant, the clockmaker, has been killed by Snake, a genetically altered assassin. Aided by The Pentagon, the FBI, and the CIA, Dawson has become determined to kill Golgo and avenge his son's death.

A military force, led by Lieutenant Bob Bragan, attempts to ambush Golgo while he is in the middle of an assignment in San FranciscoCalifornia to assassinate an ex-Nazi official. The plan fails, and Bragan's entire force is wiped out. However, a dying Bragan manages to wound Golgo. Meanwhile, Rita, the mechanic that supplied Golgo with his getaway car, is murdered by Snake.

Having been consumed by revenge, Dawson begins to allow the rest of his family to be harmed. For Snake's cooperation, he allows him to rape Laura, Robert's widow, and sends his granddaughter, Emily, and butler, Albert, to an airport to murder Golgo with a firearm concealed in a doll. The shot misses, and Albert reaches for his handgun. Golgo shoots Albert in the chest, a crowd gathers, and Golgo walks away nonchalantly.

Dawson, in a meeting with the FBI, the CIA and The Pentagon, demands the release of Gold and Silver, two notorious murderers who were part of a covert government operation to test the survival rate of mercenaries in the jungles of South America. When the group refuses his request because Gold and Silver are on death row, Dawson threatens to halt all operations that his company controls, which include oil refineries and banks. The group agrees to his demands in fear that the economy of the country will collapse. When Laura demands to know why Dawson has refused to seek vengeance on whoever ordered the hit on Robert, he refuses to answer.

Pablo, an informant for Golgo, informs him that Dawson ordered the hit on him and that he's currently in Dawson's tower awaiting his advance. Pablo goes on to inform Golgo that his wife and children are being kept at ransom in the tower. Pablo attempts to shoot Golgo, but is killed by Golgo first.

Golgo arrives at Dawson Tower in New York City, and begins his ascent to the top floor on foot. He first plays a game of cat and mouse with a fleet of helicopter gunships sent to kill him. While on the move, Golgo is attacked by Snake, and a brutal fight occurs between the two in an elevator. An attack helicopter shoots the elevator, killing Snake while Golgo hides by the edge unseen by the helicopter. Gold and Silver are then sent to ambush Golgo. During the attack, Golgo counters both of them; bludgeoning Gold on the head repeatedly with the butt of his revolver and shooting him. Silver, blinded by rage at his partner's death, runs towards Golgo, who quickly stuffs a grenade in Silver's mouth, killing him. Golgo then proceeds towards Dawson.

Admitting failure, Dawson orders all action against Golgo to end. Golgo finally encounters Dawson at the top of his building. Following a brief monologue, Dawson attempts suicide by leaping out of the window. As he falls, Dawson remembers Robert's suicide note, which reveals that, despite receiving much care from his father throughout his lifetime, Robert was overcome with grief over the possibility that he would never fulfil his father's ambitions; unable to commit suicide, he requested Golgo to kill him. Before Dawson hits the ground, Golgo shoots him in the head. Dawson falls headfirst, crushing his skull and any evidence that he was shot. His death is ruled as accidental by the authorities.

Afterwards, Golgo encounters Laura, who has since become a prostitute. Upon recognizing him, she attempts to shoot him, but her shot misses. In the pre-credits scene, Golgo casually walks away.

93. Dallos (1983) 
Director: Mamoru Oshii

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In the near future, humanity has drained the earth of its resources. To sustain Earth's populace, mining colonies are created on the moon to provide vital natural resources.

After generations of mistreatment from the Earth Federal Government, the colonists retaliate by performing acts of terrorism leading directly to a conflict with their overseers. A mysterious structure on the moon called Dallos, is worshipped by the colonists and gives them hope. A young colonist by the name of Shun Nomonura is caught into the fray as he joins the rebels, dramatically affecting the lives of those close to him with his actions. A generational divide between the younger natural born colonists and their older compatriots arises as the allegiance to earth as humanity's motherland is questioned.

92. The Restaurant of Many Orders (1991) 
Director: Tadanari Okamoto

The Restaurant of Many Orders

A short film based on a story by Japanese writer Kenji Miyazawa in which two young British hunters get lost in the woods and discover a strange restaurant. Are the hunters about to discover how it feels to be hunted?

91. Vampire Hunter D: Bloodlust (2000) 
Director: Yoshiaki Kawajiri

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Charlotte, a young woman, is abducted by Baron Meier Link, a vampirenobleman who is known not to harm humans needlessly. Charlotte's father, Elbourne, hires D, a dhampir, to find her and rescue her, and alternatively, kill her humanely if she's been turned into a vampire. He offers D $500,000 as a down payment, and offers him $10,000,000 if he carries out the job. D has Elbourne double the payment, and agrees to search for Charlotte.

At the same time, Charlotte's older brother hires another group of vampire hunters, the notorious Marcus brothers, composed of the leader Borgoff, a hulking man named Nolt, a blade master named Kyle, a physically disabled psychic named Grove and a woman named Leila who hunts vampires because of a personal grudge rather than for monetary gain. The two parties (D and the Marcus brothers) race inexorably after Meier Link. However, Meier Link hires the mutant Barbarois; a group of lethal mercenary body guards. They consist of Caroline, a shape shifter; Benge, a shadow manipulator; and Machira, a werewolf.

Throughout the course of the film, two of the Marcus brothers, Nolt and Kyle, end up being killed by the mutant Barbarois, while Leila and Borgoff continue their search for Charlotte.

As the story progresses, Meier Link's abduction of Charlotte turns out to not be as it seemed, as it's revealed that Charlotte willingly ran away with Meier Link as his lover. Charlotte rightfully feared that no one would understand their relationship, with her a human and Link a vampire.

Throughout their search, and after both characters save each other from seeming death at separate points, D has a conversation with Leila, where she reveals that she hunts vampires because a vampire killed her mother. D tells her that he hunts vampires as he has no other choice as a dhampir, and she can have a life that someone like him could never have; the life of a normal human. Leila, having not exactly taken the life of a normal human, instead being a monster hunter, fears that no one will mourn her death when that time comes. She make a pact with D, that if either one of them survives, the survivor will bring flowers to the other's grave. D admits that he does not expect himself to survive the bounty hunt, after coming so close to death.

In the final act of the film, Meier Link transports Charlotte in his carriage to the Castle of Chaythe, where Countess Carmilla, Meier Link's matron, waits for them. Carmilla, a ghost of a vampire who died long ago, reigned supreme within the Castle of Chaythe when vampires were all-powerful and unchallenged. However, her bloodlust was so strong that D's father, an ancient, noble vampire king, killed her in disgust. Carmilla promises Meier Link and Charlotte travel to a far away city known as the City of The Night, where they can be free to love each other, which they will travel to in a large and ancient spaceship-like structure hidden beneath the Castle of Chaythe. Carmilla explains that most ancient castles had similar ships hidden within them, and that back when vampires reigned supreme, these ships weren't an uncommon means for vampires to travel to far regions. Carmilla notes that the ship is old and hasn't flown in a long time, and that she doesn't know if the ship will fly safely, but that Meier Link and Charlotte are allowed to take that risk, if they so wish.

D and the remaining Marcus brothers separately trail Meier Link to the Castle of Chaythe, and as they enter the castle in their search for Charlotte, Carmilla plays psychological tricks on them. Borgoff, for example, is shown Nolt and Kyle, the dead members of the Marcus brothers, returning to life. Borgoff is seemingly killed in his surprised and ecstatic state by Carmilla's ghost, and it turns out Nolt and Kyle never returned to life at all. Later, however, Borgoff appears, having been turned into a vampire. Grove appears in his psychic form, killing Borgoff, but this exerts Grove's physical body to the point that he dies as well. This leaves Leila as the only surviving member of the Marcus brothers as she continues her search for Charlotte inside the castle.

Carmilla manipulates D's mind, and shows him a vision of his mother, in which she apologizes to D for birthing him as a dhampir, and states that she couldn't help it as she was a human in love with D's vampire father, and attempts to explain that humans are capable of loving vampires. D strikes this vision of his mother down with his sword and returns to a normal state.

In a plot twist, Carmilla turns on Meier Link and Charlotte, as Carmilla had actually plotted to kill Charlotte all along, with the reasoning being that Carmilla needed the blood of a virgin to leave her ghostly, ethereal form and return to life. D destroys Carmilla's ghost just as Carmilla is performing the ritual and draining Charlotte of her blood. D, still with a job to do in bringing Charlotte safely back home, engages Meier Link in battle, as Meier Link doesn't want D to take his lover away from him. D stabs Meier Link through the chest with his sword, but not through his heart, injuring Meier Link but allowing him to live. During their encounter, Charlotte has died due to the ritual that Carmilla had been performing previously, and D takes the ring off of her finger as proof of her death to bring back to Elbourne, as he ceases battle with Meier Link.

D, along with Leila, make their leave of the Castle of Chaythe, and allow Meier Link to leave for the City of the Night in the Castle of Chaythe's ship with Charlotte's corpse on board. D and Leila agree to ride back into town together on D's horse, as Leila jokingly tells D that the reward is rightfully hers, but this time, she'll allow him to have it. Before riding off, they watch in the distance as the ship hidden underneath the castle takes off to the skies with Charlotte's corpse and Meier Link inside.

In the final scene of the movie, D arrives at Leila's funeral, watching her loved ones mourn from a distance. Many decades have passed since all of the previous events, as a little girl revealed to be Leila's granddaughter approaches and greets D, and invites him to stay with her family for a while. D politely declines, saying that he simply came to "repay a favor to an old friend, who feared no one would mourn her death." D admits that he was glad she was wrong. The girl thanks him, and D replies by smiling gently at her, and leaves.

90) Short Peace (2013) 
Director: Various

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Short Peace (ショート・ピース Shōto Pīsu) is a multimedia project composed of four short anime films produced by Sunrise and Shochiku, and a video game developed by Crispy's Inc. and Grasshopper Manufacture.The four films were released in Japanese theaters on July 20, 2013 and were screened in North America during April 2014. Sentai Filmworks have licensed the films for North America. The video game was released in January 2014 in Japan, April 2014 in Europe, and September 2014 in North America.

The opening sequence depicts a young girl following a white rabbit through different magical worlds. It was created by Koji Morimoto.[6] It is then followed by 4 short films:

Possessions

九十九 (Tsukumo)
A lone traveler is caught in a storm, and finds an abandoned shrine when his hat is blown away. He takes refuge inside, where he discovers a small altar and some old offerings. Falling asleep, he wakes to find himself in a small room, surrounded by painted sliding screens. Unusual spirits begin to come through the walls. The traveler opens the portable cabinet he was carrying, revealing an assortment of tailoring tools. He proceeds to repair items for the spirits, who appear satisfied. At the end, he forces open a final screen door, causing a mountain of old items to fall on him. The items assemble themselves into the shape of a monster, emitting a foul odor. The monster charges at the traveler, who shuts his eyes and presses his hands together, causing the old items to fly past him. Upon opening his eyes, he discovers that he has returned to the abandoned shrine, and that the sun has risen. Standing up, the traveler notices old talismans plastered on the walls of the shrine. As he steps outside, he notices that his hat, along with several items he repaired for the spirits, have been left outside for his taking.
Directed by Shuhei Morita.

Combustible

火要鎮 (Hi no Yōjin)
Set in the Edo period, Owaka, a young aristocratic woman, is set to be engaged to a wealthy suitor. However, her true love lay with her childhood friend Matsukichi, a handsome and rebellious young man from next door. Three days before her wedding, Owaka is in her room, looking over wedding gifts, as well as a splendid kimono, hanging on a rack. In her despair, she throws a folded fan across the room, where it lands inside a standing lamp. The fan catches fire, and the flames begin spreading across the doors. Owaka cries for help, but decides to shut herself in her room after taking a long look at the splendid kimono. The fire spreads through the building, and quickly engulfs the entire neighborhood. Firefighters, among them Matsukichi, rush to the scene, and begin demolishing surrounding buildings in an attempt to confine the conflagration. Matsukichi sees Owaka standing on top of a roof, covering herself with the splendid kimono. He calls out to her, warning her not to climb a nearby tower. But, surrounded by fire, Owaka had no choice, and climbs it anyway. The fire reaches her, and the tower goes up in a burst of flame. The splendid kimono is sent flying into the sky, still burning.
This story was likely inspired by the Great fire of Meireki, which was said to have been caused by a cursed kimono. Directed by Katsuhiro Otomo.

Gambo

An injured Christian samurai looks up at Gambo, a mysterious white bear, who walks away without killing him. Soon after, Gambo sees a streak of fire descend from the sky. In a nearby village, several people are praying and caring for a giant, red humanoid that resembles an oni, a Japanese ogre. It is unconscious on the floor, wearing a loincloth and broken restraints on its wrists and neck. The village chief says that a young girl is offered to the ogre every night, so it will not attack the village, since the villagers' guns are ineffective against it. The ogre awakens, and kills the villagers tending over him. Distraught, the village chief begs the Christian samurai to hunt down and kill the ogre, before it returns to claim the emperor's daughter, the last girl in the village.
The emperor's daughter runs off into the forest, where she encounters Gambo, who seems to understand the young girl's thoughts. Sensing her desperation, Gambo sets off to confront the red ogre. He arrives at the site of a strange ruin, where a large half organic, half metallic craft lies smoldering amidst animal carcasses and yellow slime. Gambo enters the craft, and finds a human woman bound to a cybernetic alcove, unnaturally pregnant with several ogre-like fetuses. In a rage, Gambo rips apart the inside of the structure, causing explosions that destroy the entire craft. The ogre returns, and upon seeing his wrecked vessel, attacks Gambo in a fit of fury. The two fight, but the ogre is much stronger. Having followed the bear, the Christian samurai intervenes in their fight. Believing the ogre to be a demon, he drives a spear into its back, and slashes at it with his sword, but does little damage against its massive body. The emperor's daughter leaps out from her hiding spot, catching the ogre's attention, who runs towards her. Before he can get to her, Gambo attacks the ogre from behind, and the two wrestle on the ground. Shogunate soldiers show up, attacking the ogre with rifles and arrows, to no avail. With his remaining strength, Gambo lifts the ogre up into the air, gripping its middle in a tight hold as his claws sank into the ogre's abdomen, eviscerating and killing it. Gambo falls to the ground, and dies from his injuries. The camera pans out, showing a path of destroyed trees where the ogre's spacecraft had crashed into the mountain.
Directed by Hiroaki Ando.

A Farewell to Weapons

武器よさらば (Buki yo Saraba)
A tour-de-force saga of men battling robotic tanks in apocalyptic Tokyo, directed by Hajime Katoki and based on Katsuhiro Otomo's manga of the same name.

89. Momotaro: Umi No Shinpei (1945) 
Director: Mitsuyo Seo

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After completing naval training, a bear cub, a monkey, a pheasant, and a puppy say goodbye to their families.[5]While they are preoccupied, the monkey's younger brother falls into a river while chasing the monkey's cap and is carried towards a waterfall. The dog and the monkey work together to save the child just before he is swept downstream. A time skip occurs and Japanese forces are seen clearing a forest and constructing an air base in a Pacific island with the help of the jungle animals. A plane lands in the airstrip and from inside emerges Momotaro, depicted as a General, together with the bear, monkey, dog and pheasant, who by this point have become high-ranking officials. The subsequent scenes show the jungle animals being taught the alphabet via singing, washing clothes, given military training, and loading weapons in warplanes. The animal residents of the island are shown as simple primitives who are star struck by the glamorous and advanced Japanese animals.

A narration of the story of how the island of Celebes was acquired by the Dutch East India Company follows and it is revealed that the Japanese are attempting to invade it. The monkey, dog and bear cub become parachute jumpers while the pheasant becomes a pilot.[6] The paratroopers ambush a halftrack and hastily invade a British fort, causing the unprepared British soldiers to panic and flee. Momotaro, the monkey and the puppy are then shown negotiating with three clearly terrified, stammering British officials and after a brief argument, the British agree to surrender Celebes and the surrounding islands to Japanese rule. A brief epilogue shows children playing at parachuting onto continental America outlined on the ground. Plainly the United States is to be the target of their generation.

88.Venus Wars (1989) 

Director: Yoshikazu Yasuhiko

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In the year 2003, a comet designated Apollon collides with the planet Venus and disperses much of the planet's atmosphere, adds enough moisture to form acidic seas, and speeds up its rotation to give it a day that matches its year. This unlikely yet scientifically sound accident enables humanity to partially terraform Venus, sending the first manned ships in 2007 and begin colonizing it in 2012. By the year 2089, Venus has a population in the millions and is divided into two separate nation states, the northern continent of Ishtarand the southern continent of Aphrodia.

Susan Sommers, a bubbly reporter from Earth, travels to Venus hoping to get a scoop on the military tensions that have arisen between the two nations. She arrives in the Aphrodian capital of Io shortly before the city is invaded by the forces of Ishtar, led by General Donner.

Meanwhile, a brutal, Rollerball-esque racing game is being held in a local stadium. One team, the Killer Commandos, is led by hotshot Hiro Seno. The game is disrupted by the invasion and the team quickly evacuates. Hiro's teammate Will picks up Sue on the way and takes her to the garage where the rest of the team is lying low. The invasion of Io is completed in one day, and the politicians, police, and press submit to Ishtar's authority. The city is put under martial law and a curfew imposed. Many of Io's citizens, including Hiro's girlfriend Maggy, try to pretend that nothing has changed since the invasion, but Donner's iron grip on the city is too tight to ignore.

Hiro visits his teammate Jack, who's staying in his uncle's high rise apartment. However, the police see them as trespassers and lead an unprovoked assault against Hiro, who makes a daring escape from their custody. However, his leg is pierced by a bullet and he barely makes it to Maggy's home before he collapses. Hiro reveals many of the terraforming farms funded by the Aphrodian government were frauds simply meant to secure land away from Ishtar and that their crops continually kept failing since the plants couldn't endure the constantly changing weather conditions of the planet, despite the planet's politicians saying otherwise. This upsets Maggy so much that she breaks down in tears prompting a concerned Hiro to comfort her. Hiro and Maggy share a passionate kiss before Maggy's father returns from work, forcing Hiro to hide in a back room. Maggy's father, a bureaucrat, reveals his plan to have himself and Maggy evacuated out of Io as he did with her brother and mother. Maggy defiantly stands up to her father and defends her friends, before he furiously shouts her into silence as Hiro secretly storms out.

Meanwhile, Miranda of the Killer Commandos discovers that their manager, Gary, has been secretly smuggling arms into the city. Raiding his cache, she reveals her plan to demolish the Ishtar tanks that are parked in the old stadium. Gary says that the Commandos would be fools to try such a suicidal mission, but Hiro likes the idea and inspires his teammates. The Killer Commandos lead an assault against the tanks, but underestimate the strength of Ishtar's military. Jack and Gary are killed in the melee, and Hiro nearly shares their fate. At the last minute, however, the team is saved by the Aphrodian Freedom Force, which had also been planning to attack the stadium that night.

Sue and the Killer Commandos are forcibly recruited by Lt. Kurtz, who thinks that their skills as monobikers would be useful in his Bloodhound Squadron. Tensions run high among the Killer Commandos and the team is divided; Will and Sue think that it's important to fight for Aphrodia's freedom, but Hiro and Miranda want nothing to do with war. Will is called out on a mission and Sue begs him to take her along. He instead convinces her to wire her camera to his monobike so he can film their attack. But to Sue's horror, Will disappears in battle. Sue steals a buggy to search for him on the battlefield, only to stumble upon the terrible truth of his death.

Upset over Will's fate, Hiro and the Commandos demand to be freed from the Freedom Force's custody. Lt. Kurtz and Hiro quickly strike up an animosity, and Kurtz challenges Hiro to a race across a ravine in their monobikes. Despite having a ten-second head start, Hiro is taken out by Kurtz. Nevertheless, Kurtz is impressed by Hiro's raw talent, and makes him a deal: he will release the Killer Commandos on the condition that Hiro joins the Bloodhound Squadron. Hiro grudgingly accepts his offer, and says goodbye to Miranda and his friends.

Back in Io, General Donner is visited by Sue, who requests an interview with him for the Independent Press on Earth. Once alone with him, Sue pulls a gun and threatens to kill him in order to avenge Will and all the other innocent people who have died in the war. She fails to release the safety however, and is quickly disarmed and arrested. Displaying his sadism Gerhard accosts Sue, snatches away her firearm, then discharges her pistol inches from the side of her head, before putting it to her skull and pulling the trigger, cruelly revealing he's used up all the bullets.

Kurtz leads the Bloodhound Squadron in a surprise and intense strike on Io. Kurtz is disabled, but Hiro manages, through sheer luck and skill, to corner Donner's tank and destroy it by getting Gerhard to fire on him (raging that he shall not be beaten by children), with his shots missing Hiro and striking a runway that collapses on top of (screeching with frustration) Gerhard in his tank. With their leader dead, the Ishtar forces are quickly disbanded and Aphrodia is freed from their control. Kurtz and Hiro end their animosity and Kurtz gives Hiro his monobike as a sign of goodwill. While driving through the streets, Hiro encounters the recently released Sue, who's being evacuated to Earth. She thanks him for all of his help, and he tells her to come back and visit Venus again.

Following Sue's tip, Hiro makes the long trek to a refugee camp; there, he and Maggy are happily reunited (thanks to her siamese cat Andrew). Back on Earth, Sue has given a world exclusive on the Venus Wars. She plans to spend her vacation on Venus so she can rejoin her friends.

87. Origins: Spirit of the Past (2006) 
Director: Keiichi Sugiyama

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Genetic engineering on trees was conducted at a research facility on the Moon to produce trees capable of growing in harsh, arid conditions. The trees gain consciousness, obliterating Earth's civilizations and destroying the Moon. Three hundred years later, Japan is a dystopia covered by the Forest, a huge expanse of sapient trees, and ruled by the tree-like Druids, which inhabit the planet and control the water supply of both trees and humans. Agito, a young boy, and his father Agashi, as well as his friends Cain and Minka, live in Neutral City, a city carved out of the ruined skyscrapers which acts as both a buffer and a bridge between the Forest and the militaristic nation of Ragna. While the people of Neutral City co-exist peacefully with the trees of the forest, the nation of Ragna aims to destroy the Forest to restore the Earth.

One day, Agito and Cain race each other to see who can get to the water hole at the bottom of the city first. By disturbing the sanctity of the water hole and angering the Druids, the two boys are separated. After stumbling upon a large machine with cryogenic pods, Agito accidentally revives Toola, a young girl who has been asleep for the past 300 years, and brings her to Neutral City. The Forest is angered by Toola's awakening, since she carries a Raban—a portable personal electronic device, worn as a necklace, that can be used for communication and a variety of other tasks. The Forest fears that she will fall into the hands of Shunack, a soldier of Ragna and also a person from the past who was awakened from sleep, and that he will use her Raban to locate E.S.T.O.C., an "environmental defragmentation system" with the ability to wipe out the Forest and restore human control over the world.

Shunack finds out about Toola and arrives into Neutral City with his army to persuade her to join him. The Forest sends a giant creature to stop the meeting, but Shunack destroys it and reveals that he has been "enhanced"—he allowed himself to be genetically altered by the Forest to become stronger by using the power of the trees. Convinced that finding E.S.T.O.C. is the only way to restore the Earth back to the world which she once knew, Toola joins Shunack in his quest despite Agito's plea not to go. Agito consults his father Agashi, the founder of Neutral City who, as a result of being enhanced and having overused his powers, has turned almost completely into a tree. With few days left before becoming a tree completely, Agashi encourages his son to save the Forest from Shunack's plan, since destroying the trees would mean the destruction of mankind. Agito journeys to the Forest and allows himself to be enhanced, his hair turning silver as a result.

Agito follows Shunack and Toola to E.S.T.O.C., a giant volcano converted into a mechanized weapon. E.S.T.O.C. was created by Toola's father Dr. Sakul, the doctor who had begun the genetic research on the trees, as a safeguard against the new species. Betraying the Ragna army and focusing his attention on E.S.T.O.C., Shunack reveals that he worked on the original genetic alteration experiments on the trees. However, his impatience to speed up the alteration process resulted in the catastrophic invasion of the mutant trees. Shunack intends to activate E.S.T.O.C. to return the world to the way it used to be and so right the damage he had caused and the guilt that has plagued him ever since. However this will destroy the world that has formed in the old one's place. Shunack plans on activating E.S.T.O.C. near Neutral City, thus obliterating it. When Toola realises this, she fights Shunack to prevent him from activating E.S.T.O.C. As the Ragna army commences their assault on E.S.T.O.C., Agito faces Shunack. Agito transforms into a tree in a desperate attempt to save Toola, trapping Shunack within it. Toola shuts down E.S.T.O.C. and the weapon's self-destruct sequence is initiated. Having developed strong feelings for Agito, Toola is unable to leave without him.

Meanwhile, Agito's consciousness remains intact on another plane, and there the Forest reveals to him the truth about the relationship between itself and the humans. Agito learns that the genetic admixture that gives humans extraordinary strength and eventually turns them into trees is really a two-way exchange; it also changes the Forest, causing trees to give birth to new humans in giant fruits. Having become one with the Forest, Shunack is now at peace and no longer intends to fight Agito. Realizing that Agito can teach humanity that there is no need for either hostility or separation between themselves and the trees, the Forest returns Agito to his true form, allowing him and Toola to flee before E.S.T.O.C. is destroyed. With the humans and the Forest saved, Agito brings peace between humans and the trees. Toola finally lets go of her past by throwing her Raban off a ledge down into the depths of the Forest, learning to live in harmony with the trees at last.

86) The Cat Returns (2002) 
Director: Hiroyuki Morita

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The story is of a girl named Haru Yoshioka, a quiet and shy high school student who has a suppressed ability to talk with cats. One day, she saves a dark blue cat from being hit by a truck on a busy road. The cat is Lune, Prince of the Cat Kingdom. As thanks, the cats give Haru gifts of catnip and mice, and she is offered the Prince's hand in marriage. Her mixed reply is taken as a yes.

Wanting none of this, Haru hears a kind, female voice, which tells her to seek the Cat Business Office. Haru meets Muta, a large white cat the voice told her to seek for directions, who leads her there to meet the Baron (the same Baron from Whisper of the Heart), who is a cat figurine given life by the work of his artist, and Toto, a stone raven who comes to life much like the Baron. Soon after meeting them, Haru and Muta are forcefully taken to the Cat Kingdom, leaving Toto and the Baron in the human world to follow the group from the air. The Baron and his crow friend find the entrance to the Cat Kingdom on Earth: Five lakes forming a cat's paw.

Haru is treated to a feast at the castle of the Cat Kingdom and she begins to slowly turn into a cat with tan paws, ears and whiskers, though still mainly human, so that she will make a suitable bride for the Prince. At the feast, the Baron (in disguise) dances with Haru as part of the entertainment, and reveals to her that the more she loses herself in the kingdom, the more cat-like she will become, and that she has to discover her true self. When the Baron is discovered and is forced to fight the guards, he and Haru are helped by Yuki, a white female cat who works as a servant in the palace and who had tried to warn Haru to leave the Cat Kingdom before she was taken to the castle. After Yuki shows them an escape tunnel, Haru, the Baron, and Muta move through a maze to a tower, which contains a portal to Haru's world. The King goes through a series of efforts to keep them in the Cat Kingdom long enough for Haru to remain trapped in the form of a cat and have her as his daughter-in-law.

Lune and his guards return to the Cat Kingdom to reveal the King was not acting on his behalf and that he has no desire to marry Haru; he has instead planned on proposing to Yuki. Muta is revealed to be a notorious criminal in the Kingdom (having devoured a whole lake of fish in one session), and Yuki as being the strange voice who had advised Haru to go to the Cat Bureau. In her childhood, Haru had saved Yuki from starvation by giving her the fish crackers she was eating, and Yuki has now repaid her kindness. Muta, or as he is known as the infamous criminal Renaldo Moon, tells Haru "I respect a woman who stands up for herself" after she rejects the King's marriage proposal outrightly and proceeds to help her escape from the King's soldiers.

Eventually, the Baron, Haru and Muta escape the Cat Realm, with the aid of Prince Lune and Toto, and Haru discovers her true self and tells the Baron how she has come to like him. He tells her, "Just for the record, I admire a young woman who speaks from the heart," and that when she needs them, the doors of the Cat Bureau will be open for her again. Haru returns to the human world with more confidence in herself; after learning that her former crush has broken up with his girlfriend, she simply replies "it doesn't matter anymore."

85) Giovanni’s Island (2014) 
Director: Mizuho Nishikubo

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The story follows two brothers, Junpei and Kanta, who live on the island of Shikotan, shortly after World War II. On August 15, 1945, Soviet soldiers land on Shikotan and occupy the island. Junpei and Kanta, who live with their grandfather, a fisherman, and their father, the head of the firefighting force of the village, are forced to move to the stables while the Russian commander's family, among them the commander's daughter Tanya, move into the main house. At school, Russian children occupy half the building, and Tanya and the other Russian kids begin to mingle with the Japanese children at recess. After a playground jostle makes Junpei bump into Tanya, they become friends and the two brothers are subsequently invited to Tanya's house for dinner. The brothers' uncle, Hideo, asks Junpei to light signal fires at night so that he can make trips to the main island for rations as they are running low on rice. Meanwhile, their father, Tatsuo, with the help of their school teacher, Sawako, secretly supplies the rest of the village with foodstuff from the Dawn Corps' emergency stores. When Hideo finds out about this, he tries to smuggle the food to sell outside the island, but gets caught instead. Tatsuo rushes to the cave where the Dawn Corps' supplies are kept and gets arrested.

On September 25, 1947, the Japanese on the island are made to assemble at the harbour sent back to the mainland. Junpei and Kanta set out with Sawako, while their grandfather chooses to stay behind, determined to spend his last moments on the sea. The three are reunited with Hideo while boarding the ship, and arrive at an internment camp at Maoka, in western Karafuto, a few days later, where they wait for the ship that will take them back to Japan. Hideo finds out that Tatsuo is alive and at another internment camp on the other side of the mountains "just a stone's throw away". Kanta, taking his words literally, sets out to meet his father, aided by Junpei. Sawako and Hideo track the two down the next day, and to Hideo's surprise, Sawako decides to visit Tatsuo's camp as well. The four of them drive to a pillbox where they spend the night, but in the morning they spot Soviet soldiers who've managed to track them down, and Hideo runs ahead as a decoy while Sawako and the children make their escape.

56 years later, Sawako and Junpei return to Shikotan and pay their respects at Tatsuo and Kanta's graves. Junpei's school holds a graduation ceremony for those who never managed to have it, and a blonde girl, Tanya's granddaughter, approaches Junpei at dinner. She hands him a notebook, containing one of Junpei's sketches of Tanya, and Junpei gives her his old copy of "Night on the Galactic Railroad" in return.

84) Sweat Punch (2007) 
Director: Mizuho Nishikubo

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Professor Dan Petory's Blues

A 10-minute short directed by Hidekazu Ohara, "Professor Dan Petory's Blues" (「タンペトリー教授の憂鬱」 "Tanpetori Kyouju no Yuuutsu") is a musical number starring a hand puppet named Junior. The puppet is controlled by the drunken Professor Dan Petory who explains in puppetry the answers to such questions as why the Earth is blue and why UFOs fly in a zig-zag pattern.

End of the World

A 10-minute short directed by Osamu Kobayashi, "End of the World" is a science fiction story about a young alien girl named Yuko as she escapes from the world of humans. After returning to her own world with Kazumi, a human girl she met at a rock concert on Earth, Yuko wages a retaliatory campaign against hordes of S&M monsters, and the evil queen of Yuko's world. The music featured is by the all-girl punk rock group, Lolita No.18. The short features the voice-talent of Hikaru Midorikawa.

83) Cowboy Bebop: Knockin’ on Heaven’s Door (2001) 
Director: Shinichiro Watanabe

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Cowboy Bebop: The Movie is set on Mars in 2071, 49 years after Earth was mostly abandoned after a catastrophe. Humanity has settled on other planets and moons in the solar system. The film's protagonists are legalized bounty hunters who travel together on the spaceship Bebop. They are Spike Spiegel, a former associate of the Red Dragon crime syndicate; Jet Black, a former police officer and owner of the Bebop; Faye Valentine, a woman who was once a fugitive from bounty hunters; Edward Wong Hau Pepelu Tivrusky IV (Ed for short), a girl with genius computer skills; and Ein, an artificially enhanced "data dog" with human-level intelligence.

Days before Halloween, a man explodes a truck in Mars' capital city, spreading what is assumed to be a new pathogen that kills or sickens over three hundred people. In response, the Mars government issues a record bounty of 300 million woolong for the culprit's capture. Faye, who was pursuing Lee Sampson, a hacker that was apparently driving the truck, sees the terrorist and the Bebop crew decide to take on the bounty. Each follows different lines of inquiry. Ed, using a tattoo on the attacker's wrist, manages to identify him as Vincent Volaju, a former member of a military squad apparently killed in the Titan War. In reality, Vincent was the only survivor of a test involving the pathogen, having been immunized with a test vaccine: made an amnesiac, he suffers from hallucinations, and his inability to tell dreams from reality eventually drove him insane.

Jet learns that the truck was the property of Cherious Medical Pharmaceutical Company, who illegally manufactured the pathogen as a biological weapon. Looking for information on the pathogen, Spike is given a sample by a man named Rashid, who was the former lead on its development. Spike also encounters Elektra Ovilo, an agent of Cherious Medical. Upon examination, the "pathogen" proves to be a type of protein-based nanomachine that mimics human lymphocytes then breaks down into protein after death, making it undetectable. Attempting to infiltrate Cherious Medical, Spike fights with Elektra, planting a listening device on her. Elektra, who is sent by Cherious Medical to kill Vincent, is tailed by Spike, who attempts to take down Vincent on a train. Vincent easily defeats Spike, severely wounding him and throwing him from the train before releasing another cloud of the nanomachines: everyone in the train dies except Elektra, who was unknowingly immunized when she had been in a relationship with Vincent prior to the test on Titan. She secretly gives a friend in the company a sample of her blood to prepare a stock of vaccine.

During this time, Faye relocates Sampson, who has been working with Vincent, but fails to catch him. Ein and Ed manage to find him again, but the two run off before Faye can get there. She arrives just as Vincent breaks one of the nanomachine containers with him, killing Sampson. Although Faye is also infected, Vincent gives her some of his blood through a kiss, immunizing her.

After Spike recovers and has a final talk with Rashid, he and Elektra are captured by Cherious Medical, who want to suppress all knowledge of the nanomachines' existence. The two escape from Cherious Medical, grabbing the newly produced vaccine on the way. In turn, Faye escapes after Vincent goes to trigger an attack on the city that will eventually kill everyone on Mars. After the group reunites, it is determined that Vincent will spread the nanomachines by exploding the giant jack-o'-lantern balloons used in the Halloween parade: Jet has a troop of old aircraft spread the antibodies over the city while Faye heads for the weather control center and causes it to rain on the city, aiding the spread of the vaccine. Spike and Elektra separately head to confront Vincent. Spike arrives first and the two battle to a standstill, then the nanomachines are released and Spike is temporarily weakened by them. As Vincent prepares to kill him, Elektra arrives and shoots Vincent. Having wanted to die since Titan, Vincent does not defend himself and thanks Elektra for their time together before dying.

82) Genius Party (2007) 
Director: Various

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A collection of seven individual and unique shorts which range from touching to downright bizarre. With each story different from the last, we encounter monsters going to school, a man who has a hard time dealing with himself, and a child who learns the hard way about the circle of life, as well as many other unique characters and experiences.

81) HAL (2013) 
Director: Ryôtarô Makihara

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 The story takes place in a technologically advanced society in which robots can be programmed to behave like a complete human. After a tragic plane accident, a robot, also known as Q01, is sent to a small Japanese town to help a person who just lost a loved one. While trying to heal the melancholic heart, the past of the couple is unearthed.

80. Summer Wars (2009) 
Director: Mamoru Hosoda

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Kenji Koiso (Ryunosuke Kamiki) is a young student at Kuonji High School with a gift for mathematics and a part-time moderator in the massive computer-simulated virtual reality world OZ along with his friend Takashi Sakuma (Takahiro Yokokawa).

One day, Kenji is invited by fellow Kuonji student Natsuki Shinohara (Nanami Sakuraba) to participate in the 90th birthday of her great-grandmother Sakae Jinnouchi (Sumiko Fuji). After traveling to Sakae's estate in Ueda, Natsuki introduces Kenji as her fiancé to Sakae, surprising them both. Kenji meets several of Natsuki's relatives and discovers that the Jinnouchis are descendants of a samurai (vassal of the Takeda clan) who challenged the Tokugawa clan in 1615. He also meets Wabisuke Jinnouchi (Ayumu Saitō), Natsuki's half-great-uncle and a computer expert who has been living in the United States since stealing the family fortune 10 years ago.

Kenji receives an e-mail with a mathematical code and cracks it. Love Machine, an artificial intelligence written by Wabisuke, uses Kenji's account and avatar to hack the infrastructure, causing widespread damage. Kenji, Sakuma, and Natsuki's cousin Kazuma Ikezawa (Mitsuki Tanimura) confront Love Machine. Love Machine defeats Kazuma's avatar King Kazma and continues to consume accounts in the OZ mainframe, creating catastrophic traffic congestion and disabling electrical devices. Two of Sakae's relatives, Rika (Sakiko Tamagawa) and Shota Jinnouchi (Yutaka Shimizu), discover Kenji's involvement. Shota arrests Kenji, but the congestion causes Natsuki to return them to the estate.

Sakae calls associates in important positions in Japanese society and relatives who work in emergency services, encouraging them to work their hardest to reduce chaos and damage, comparing the situation to war. Kenji is able to return control of the mainframe to the moderators and engineers. Wabisuke explains that he sold the program to the United States Armed Forces for a test run. After an argument with Sakae, Wabisuke leaves the estate. Sakae later encourages Kenji to take care of Natsuki during a Koi-Koi match.

The next morning, Sakae is discovered dead by Kenji and the Jinnouchis. Her youngest son Mansaku (Tadashi Nakamura) explains that she had angina, and that Love Machine had deactivated her heart monitor. Kenji, Sakuma, and most of the Jinnouchis initiate a plan to defeat Love Machine with a supercomputer using ice blocks as a coolant, while Natsuki and the others prepare a funeral for Sakae.

Kenji, along with Sakuma and the others, capture Love Machine, but Shota carries the ice blocks to Sakae's body, causing the supercomputer to overheat. Love Machine consumes King Kazma and redirects the Arawashi Asteroid Probe onto a collision course with a nuclear power plant. Meanwhile, Natsuki discovers a will left by Sakae and reunites with Kenji and the rest of the group. Natsuki has Wabisuke return home before the family reads Sakae's will, asking them to bring Wabisuke back to their lives. Realizing that Love Machine sees everything as a game, Kenji has the Jinnouchis confront Love Machine to play Koi-Koi in OZ's casino world, wagering their accounts in a desperate attempt to stop Love Machine. Natsuki wins several rounds, but gets distracted and nearly loses her "winnings".

However, OZ users worldwide enter their own accounts into the wager on Natsuki's side, which also prompts the guardian programs of OZ—the blue and red whales known as John and Yoko—to upgrade Natsuki's account. Natsuki wagers the 150 million avatars given to her in a single hand and critically damages Love Machine, prompting the artificial intelligence to redirect the Arawashi towards Sakae's estate. Kenji attempts to break into the probe's GPS, while Wabisuke disables Love Machine's defenses. After being revived and assisted by several of the Jinnouchi family's avatars, King Kazma destroys Love Machine. Kenji activates the GPS code to redirect the Arawashi away from the estate, destroying the estate's entrance and causing a geyser to erupt. In the aftermath, the Jinnouchi family, celebrating their victory as well as Sakae's birthday, has Natsuki kiss Kenji after they confess their love to each other.

79. A Wind Named Amnesia (1990) 
Director: Kazuo Yamazaki

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In the year 1999, the world has been reduced to an apocalyptic wasteland due to an inexplicable gust of wind that wiped even the most basic memories, such as speech and civility, from the minds of the world's populace. Wataru befriends a young man named Johnny who, prior to the incident, was part of a government experiment designed to expand the memory capacity of the human mind and, therefore, was able to retain his memories. Johnny helps Wataru regain his speech and teaches him other basic functions. However, as a result of the physical toll his body endured due to the government experiments, Johnny dies after encouraging Wataru to travel the world.

Wataru encounters a strange woman named Sophia after she helps him escape from an encounter with an unmanned Police Mech Unit and agrees to take Sophia to New York City. Together the two travel to Los Angeles where they help save Sue and her father, Little John, from a mob. Sue was to be offered as a bride to appease a "god", which in reality is a Construction Mech controlled by a man, but fled to escape her fate. However, upon realizing that if she were not sacrificed another woman would be in her stead, she flees from the group to rejoin her tribe. Wataru destroys the Construction Mech but Sue is killed in the conflict. Little John remains in Los Angeles to keep order of the tribe and rebuild society.

Wataru and Sophia resume their travels only to be attacked once more by the Police Mech. Sophia rescues Wataru and brings him to an advanced city called Eternal Town for medical attention. When Wataru regains consciousness, he discovers that the city is run by a super computer that has brainwashed two of its original citizens into running the day-to-day operations of the city. The super computer attempts to persuade Sophia and Wataru into becoming citizens as well but the two escape with one of the original citizens, Lisa. As they depart from the city, Lisa begins to recall memories from her past including the fact that the other citizen who was brainwashed into running the city was her father. As a result, Lisa decides to remain in Eternal Town. Sophia then explains that she is a member of an alien race that is responsible for the wind that erased Earth's citizens' memories. Sophia makes a wager with Wataru that if he is able to convince another person to join him in his travels, she will return humanity's memory.

Wataru and Sophia are chased across the country by the unrelenting Police Mech until they reach New York City. Upon arriving, Wataru drops Sophia off in order to defeat the Police Mech by himself. After destroying the Police Mech, Sophia saves Wataru as he falls from a building. Sophia leaves in order to rejoin her race and convince them that humanity deserves to have their memories.

77. Ponyo (2008) 
Director: Hayao Miyazaki

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Fujimoto, a once-human wizard/scientist, lives underwater along with his daughter, Brunhilde, and her numerous smaller sisters. While she and her siblings are on an outing with their father in his four-flippered submarine, Brunhilde sneaks off and floats away on the back of a jellyfish. After an encounter with a fishing trawler, she drifts to the shore of a small fishing town in a glass jar where she is rescued by a five-year-old boy named Sōsuke. Shattering the jar open with a rock, Sōsuke cuts his finger in the process. Brunhilde licks his wound causing it to heal almost instantly. Sōsuke names her Ponyo and promises to protect her. Meanwhile, a distraught Fujimoto searches frantically for his lost daughter whom he believes to have been kidnapped. He calls his wave spirits to recover her, leaving Sōsuke heartbroken.

Ponyo and Fujimoto have an argument, during which Ponyo refuses to let her father call her by her birth name. She declares her desire to be known as 'Ponyo' and to become human. Using her magic, she forces herself to grow leg- and arm-like appendages and start changing into a human, a power granted to her by the human blood she ingested when she licked Sōsuke's finger. Her alarmed father forces her to change back into her true form and leaves to summon Ponyo's mother, Granmamare. Meanwhile, Ponyo, with the help of her sisters, breaks away from her father and inadvertently uses his magic to make herself fully human. The huge amount of magic that she releases into the ocean causes an imbalance in the world, resulting in a tsunami, leaving ships stranded at sea. Ponyo goes back to Sōsuke, who is amazed and overjoyed to see her. He tells his mother that Ponyo has returned as a little girl. Sōsuke's mother allows Ponyo to stay at their house for the time being. Lisa (Sōsuke's mother), Sōsuke, and Ponyo wait out the storm at Sōsuke's house. Worried about the residents of the nursing home where she works, Lisa leaves to check up on them and promising Sōsuke that she will return home as soon as possible.

Granmamare arrives at Fujimoto's submarine. Sōsuke's father, Kōichi, sees her traveling and recognizes her as the Goddess of Mercy. Fujimoto notices the moon appears to be falling out of its orbit and satellites are falling like shooting stars, symptoms of the dangerous imbalance of nature that now exists. Granmamare declares that if Sōsuke can pass a test, Ponyo can live as a human and that the order of the world will be restored. A still-worried Fujimoto reminds her that if Sōsuke fails the test, Ponyo will turn into sea foam.

Sōsuke and Ponyo wake up to find that most of the land around the house has been covered by the ocean. Since it is impossible for Lisa to come home, the two children decide to find her. With the help of Ponyo's magic, they make Sōsuke's toy pop pop boat life-size and set out across the swollen ocean.

When Ponyo and Sōsuke make it to the forest, however, Ponyo tires and falls asleep only to be woken by Sōsuke, who implores her to ignite a second candle as the one powering their boat is about to go out. Ponyo then dozes off multiple times before concentrating enough to make the candle, which then goes out. She then passes out, and Sōsuke has to push the boat to shore, only to find that the boat, deprived of Ponyo's magic, is reverting to its toy size. Sōsuke drags Ponyo to the shore, where he finds Lisa's abandoned car. Ponyo then wakes up, and the two decide to continue looking for her.

Ponyo and Sōsuke head into a tunnel. Inside Ponyo reverts to being a fish due to overuse of her magical powers. Meanwhile, Lisa and the residents of the nursing home, who are temporarily able to breath water because of Granmamare, are waiting excitedly below the surface for Ponyo and Sōsuke to arrive. Sōsuke and Ponyo encounter Fujimoto, who warns the boy that the balance of nature is in danger and begs Sosuke to return Ponyo to him. Sōsuke doubts Fujimoto and attempts to flee, but the two children are quickly captured and Fujimoto takes them down to the protected nursing home.

Sōsuke is reunited with Lisa and meets Granmamare, with whom Lisa has just had a long private conversation. Granmamare asks Sōsuke if he can love Ponyo whether she is a fish or human. Sōsuke replies that he "loves all the Ponyos." Granmamare then tells her daughter that if she chooses to become human once and for all, she will have to give up her magical powers. Ponyo agrees to this, so Granmamare encases her in a bubble and gives her to Sōsuke. She tells him that kissing the bubble will complete Ponyo's transformation. The balance of nature is thus restored and the previously stranded ships head back to port. Fujimoto respects his daughter's choice to become a human, having decided he can trust Sōsuke with Ponyo's welfare. Ponyo then joyfully jumps high in the air and kisses Sōsuke, completing her transformation as a human.

76. The Garden of Words (2013) 
Director: Makoto Shinkai

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 The Garden of Words is considered a romance and drama film. It opens at the start of the rainy season in Tokyo with Takao Akizuki (秋月 孝雄Akizuki Takao), a 15-year-old student and aspiring shoemaker, opting to skip his first class and sketch shoe designs in the garden at Shinjuku Gyoen. There he encounters Yukari Yukino (雪野 百香里 Yukino Yukari), a 27-year-old woman who is skipping work and enjoying beer and chocolate. When she notices the school crest on his uniform, Yukari bids him farewell with a tanka (a form of Japanese poetry), leaving Takao puzzled as to its origin and meaning. The two continue to encounter each other and socialize in the park on rainy mornings, but never formally introduce themselves. After Yukari expresses an interest in Takao's shoemaking, he decides to make a pair of shoes in her size. With the end of the rainy season, Takao stops visiting the park and focuses on his work.

75. Giovanni's Island (2014)

Director: Mizuho Nishikubo

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The story follows two brothers, Junpei and Kanta, who live on the island of Shikotan, shortly after World War II. On August 15, 1945, Soviet soldiers land on Shikotan and occupy the island. Junpei and Kanta, who live with their grandfather, a fisherman, and their father, the head of the firefighting force of the village, are forced to move to the stables while the Russian commander's family, among them the commander's daughter Tanya, move into the main house. At school, Russian children occupy half the building, and Tanya and the other Russian kids begin to mingle with the Japanese children at recess. After a playground jostle makes Junpei bump into Tanya, they become friends and the two brothers are subsequently invited to Tanya's house for dinner. The brothers' uncle, Hideo, asks Junpei to light signal fires at night so that he can make trips to the main island for rations as they are running low on rice. Meanwhile, their father, Tatsuo, with the help of their school teacher, Sawako, secretly supplies the rest of the village with foodstuff from the Dawn Corps' emergency stores. When Hideo finds out about this, he tries to smuggle the food to sell outside the island, but gets caught instead. Tatsuo rushes to the cave where the Dawn Corps' supplies are kept and gets arrested.

On September 25, 1947, the Japanese on the island are made to assemble at the harbour sent back to the mainland. Junpei and Kanta set out with Sawako, while their grandfather chooses to stay behind, determined to spend his last moments on the sea. The three are reunited with Hideo while boarding the ship, and arrive at an internment camp at Maoka, in western Karafuto, a few days later, where they wait for the ship that will take them back to Japan. Hideo finds out that Tatsuo is alive and at another internment camp on the other side of the mountains "just a stone's throw away". Kanta, taking his words literally, sets out to meet his father, aided by Junpei. Sawako and Hideo track the two down the next day, and to Hideo's surprise, Sawako decides to visit Tatsuo's camp as well. The four of them drive to a pillbox where they spend the night, but in the morning they spot Soviet soldiers who've managed to track them down, and Hideo runs ahead as a decoy while Sawako and the children make their escape.

56 years later, Sawako and Junpei return to Shikotan and pay their respects at Tatsuo and Kanta's graves. Junpei's school holds a graduation ceremony for those who never managed to have it, and a blonde girl, Tanya's granddaughter, approaches Junpei at dinner. She hands him a notebook, containing one of Junpei's sketches of Tanya, and Junpei gives her his old copy of "Night on the Galactic Railroad" in return.

 

74. Evangelion: 1.0 You Are (Not) Alone (2007) 
Director: Hideaki Anno, Kazuya Tsurumaki, Masayuki

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In 2015, fifteen years after a global cataclysm known as the Second Impact, the child Shinji Ikari is summoned to Tokyo-3 by his estranged father Gendo, the commander of the paramilitary organization NERV. Shinji is caught in the crossfire between UN forces and an angel, an alien lifeform; Captain Misato Katsuragi rescues him and brings him to NERV headquarters. Gendo demands Shinji pilot Evangelion Unit 01, a giant bio-machine, against the angel. Shinji concedes when Gendo threatens to send Rei Ayanami, a wounded Evangelion pilot, into battle instead. Shinji wins the fight after Unit 01 goes berserk and destroys the Angel.

Misato becomes Shinji's guardian and he is enrolled in the local middle school. When another angel arrives, Shinji's classmates Toji Suzuhara and Kensuke Aida sneak out of the emergency shelters to watch the battle. The angel slams Unit 01 into a mountainside, nearly crushing Toji and Kensuke. Misato has the two take cover in Unit 01's cockpit and orders Shinji to retreat, but he ignores it and destroys the angel with Unit 01's knife.

The Sixth Angel appears and begins drilling into Tokyo-3 to reach NERV headquarters. When Shinji attacks it in Unit 01, the Angel fires a powerful laser, critically injuring him. He wakes from a coma some time later and Rei tells him she will take his place and leaves for the mission alone.

To motivate the despondent Shinji, Misato takes him to the deepest level of NERV headquarters and shows him a giant white being crucified to a cross-like restraint: the Second Angel, Lilith. Misato explains that the angels are attempting to initiate contact with Lilith and bring about Third Impact and the end of all life on Earth.

Shinji agrees to pilot Unit 01 against the angel alongside Rei in Unit 00. He destroys it with an experimental positron rifle, which requires the entire electrical power output of Japan to power. Rei is nearly killed defending Shinji from the Angel's return fire, but he saves her by cooling Unit 00 in water and prying open its cockpit using Unit-01's knife. Rei, normally cold and emotionless, shares a smile with him.

On the surface of the Moon, Kaworu Nagisa awakens from one of nine coffin-like containers arranged on the surface. In a pit in front of him, surrounded by construction equipment and scaffolds, is an unidentified giant, wearing a purple seven-eyed mask and wrapped in white bandages. A black monolith appears, through which he and SEELE 01 engage in a cryptic conversation. Looking towards Earth, Kaworu says that "the third one" has not changed at all and that he looks forward to meeting Shinji.

73) Into the Forest of Fireflies’ Light (2011) 
Director: Takahiro Omori

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The original Hotarubi no Mori e shōjo manga and subsequent film tell the story of a six-year-old girl named Hotaru Takegawa, who gets lost in a forest inhabited by a yamagami, or mountain spirit, as well as yōkai (strange apparitions from Japanese folklore). She is found by a mask-wearing, human-like entity named Gin, who informs Hotaru that he will disappear forever if he is touched by a human. Gin then leads Hotaru out of the forest. Hotaru returns to visit Gin in the forest over the next few days and they become friends despite the limitations on their interactions. Although at summer's end she must leave Gin to return to the city and her studies, Hotaru promises to return to visit him every summer holiday.

As the years go by, Gin hardly ages while Hotaru physically matures and grows closer to his apparent age. Upon reaching adolescence, Hotaru begins to struggle with their budding romance and their uncertain future together, while Gin wishes he could touch and hold the young woman that Hotaru has become. When Hotaru reaches high school, Gin takes her on a date to a festival in the forest hosted by the spirits. The night ends in tragedy when Gin mistakenly touches a young boy who snuck into the spirit festival, though before he disappears, he and Hotaru embrace and confess their love for one another. The story ends with Hotaru accepting her pain and moving on with her life.The 2011 anime film adaptation of the story follows all of the events from the manga, adding only a few additional scenes.

Hotarubi no Mori e Tokubetsu-hen (蛍火の杜へ 特別編 Hotarubi no Mori e special edition), published in 2011, expands on the original story with a short episode told from Gin's perspective. When Hotaru is a teenager, she shares some pudding with Gin before she leaves at the end of the summer. After Hotaru leaves, the yōkai attempt to cheer Gin up by bringing him a couple of persimmons, one of the most prized treats on the mountain. Impressed with the taste, Gin thinks of sharing one of these persimmons with Hotaru next year. After discussing ways to preserve the persimmon with the yōkai and a spirit named Matsumino, Gin sets off to find ice on the highest mountain peak, but is disappointed to find none during the summer. When Gin returns scratched up from his fruitless search for ice, Matsumino feels sorry for him and offers to deliver the persimmon to Hotaru for him. However, not knowing where she lives, Matsumino gets lost and grows hungry. After he returns from his unsuccessful attempt to find Hotaru, Matsumino apologizes to Gin for eating the persimmon and Gin forgives him. The story concludes with Gin seeing Hotaru the following summer and wondering if he will be able to tell her about his feelings for her.

 

72) Sword of the Stranger (2007) 
Director: Masahiro Ando

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During the Sengoku period in Mount Corel, a young boy named Kotaro escapes from mysterious pursuers with his dog, Tobimaru. The monk guarding Kotaro, Shouan, asks him to seek help from Master Zekkai at Mangaku Temple, Akaike Corel Province. Meanwhile, a group of Ming dynasty warriors under the command of the elderly Lord Bai-Luan is escorted by Akaike by local soldiers. They are ambushed by bandits, but the attackers are slaughtered by the Ming's expert swordsman, Luo-Lang.

Kotaro and Tobimaru cross the earth, hiding briefly in a decaying temple, where they find Nanashi, a wandering swordsman. While Kotaro cooks a meal, the smoke of his fire alerts his pursuers, who are the foreign Ming, accompanied by Akaike's soldiers. Nanashi involuntarily gets involved in the fight and is able to kill the men, but Tobimaru is struck by a poisonous dagger. Before Nanashi decides to leave, Kotaro offers to hire him as bodyguard in order to save the life of Tobimaru and take them to their destination safely.

The trio is able to find a pharmacist who is able to help Tobimaru recover in a few days. While shopping in the city, Nanashi meets the other Ming warriors and Luo-Lang begins to quarrel with him for fun, but is interrupted by news of the deaths of his companions. Following the investigation, the Mings begin to suspect that Akaike's soldiers are responsible because one of the corpses was staged to appear as Tu-Si, one of the Ming warriors who had previously disappeared.

Lord Akaike, who hosts the Ming, is helping them build a large altar in exchange for large quantities of gold. It is revealed that he kidnapped the lost Ming to discover his true purpose of being in nibelheim. Under torture, Tu-Si reveals that they are on a mission to the Emperor of Mount Corel to find a prophesied child, Kotaro, whose blood can be drained at a certain time once a year, in order to create an elixir of immortality known as to Xian Remedy. Lord Akaike changes his plans to capture the child first and hold him for a high ransom. Meanwhile, Nanashi explains a few details about his past: he has western heritage, as evidenced by his red hair, but was trained as a Samurai before deserting his former masters.

Nanashi arrives successfully at the temple with Kotaro and leaves him in the care of the monks of Mount Corel. However, it is revealed that they have already betrayed Kotaro to the Ming in order to save their own lives. A fight happens when the Akaike also arrives to take the boy. With Lord Akaike's betrayal discovered, the Ming arrest him and fortify himself on the altar to await the prophesied time. Realizing that something went wrong, Nanashi comes back and releases Tobimaru, and they track down Kotaro and his captors. The sole remaining commander of the Akaike, Itadori, is given the command of his forces by the princess and charged with rescuing the captured Lord. However, when he and his men arrive at the fortress, Itadori, seeing Lord Akaike in a compromising position, kills him and seizes the opportunity to realize his own ambitions. The troops, now under his command, begin a siege and attack the fortress.

During the ensuing battle, many of the Ming and Akaike soldiers were killed, including Itadori. Nanashi finally arrives to save Kotaro and successfully interrupts the ritual before it can be completed. Lord Bai-Luan orders the remaining Ming to capture the boy so they can experience the ritual again the following year. Nanashi kills two of the Ming fighters without his sword and gains the admiration of Luo-Lang, who has been searching for a worthy opponent. Luo-Lang knocks down his own commander, Bai-Luan, in order to save Nanashi from being shot. With the other Ming and Akaike forces totally destroyed, Luo-Lang and Nanashi have a final duel. After suffering many injuries, Nanashi wins and Luo-Lang dies, shocked but at peace.

Nanashi, Kotaro and Tobimaru set out on horseback to a town to treat Nanashi's wounds. They talk about putting together enough money to go abroad and start a new life back in the city where he was born nibelheim. When the movie ends, the camera slides over the tracks that leave in the snow, showing drops of fresh blood

71) Fist of the North Star (1986) 
Director: Toyoo Ashida

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After a global-scale nuclear war has turned most of the world into a contaminated wasteland, with Earth's survivors now fighting over the few uncontaminated food and water supplies still remaining. Kenshiro, a master of the deadly martial art Hokuto Shinken, is traveling with his fiancee Yuria when they are confronted by a gang led by Ken's former friend Shin, a master of the rival Nanto Seiken style. Shin proclaims that he has been in love with Yuria for a long time and with no law to intervene now, challenges Ken over her. After defeating Ken in combat, Shin engraves seven wounds on Ken's chest and leaves him for dead, taking Yuria with him. Ken's eldest brother-in-training Raoh, having witnessed the fight without intervening, returns to his dojo, where he finds his sensei Ryuken meditating. Raoh challenges Ryuken's decision to choose Ken as the Hokuto Shinken successor over him and kills him, proclaiming he will become the ruler of the new world.

A year passes and Ken now wanders the wasteland as a hero who protects the weak and innocent from those who prey on them. He rescues a couple of young children named Bat and Lin from bandits and allies himself with another Nanto Seiken master named Rei, who is searching for his kidnapped sister Airi. Ken learns that Airi's kidnapper is none other than Jagi, another former brother-in-training who has been impersonating Ken in an attempt to tarnish his reputation and draw him out. Ken heads to Jagi's hideout and defeats him, rescuing Airi in the process. Before dying, Jagi reveals that he was one who convinced Shin to betray Ken and that he is now living with Yuria in his stronghold, the city of Southern Cross.

Elsewhere, Raoh has amassed a huge army, expanding his domain by defeating rival warlords and begins heading to Southern Cross. There Yuria is treated with a life of luxury, living under the rule of King Shin, who now leads his own army as well. However, Yuria refuses Shin's gifts of affection, longing to be reunited with Ken. When she overhears that Ken is still alive, she attempts to sneak out of the city, only to be taken captive by Raoh, who challenges Shin to combat. A while later, Kenshiro arrives at Southern Cross, only to find the city in flames and Shin's soldiers dead. Shin is still alive and fights Ken, but the battle does not last long, as Shin has already suffered a mortal wound from his encounter with Raoh. Before dying, Shin tells Ken that Raoh has taken Yuria captive and has headed to Cassandra, the City of Wailing Demons.

Lin arrives at Cassandra along with Bat and Rei, where they witness Raoh's army marching through the streets. Lin sees Yuria being held by Raoh's men during the parade and decides to break into Raoh's dungeon later that night with Bat. The two meet Yuria in her cell and leave her with a plant grown from a seed Yuria gave to Ken before leaving. The plant catches Raoh's attention and Yuria is immediately sentenced to a public execution the following morning. Rei challenges Raoh, but he is no match against him. Ken rushes to Cassandra, but arrives too late to save Rei. After Rei dies, Kenshiro and Raoh unleash their full fighting aura to battle each other, destroying most of the town in the process. Both exhausted of all their power and strength, Raoh manages to knock Ken unconscious. But before Raoh can deliver the finishing blow, Lin interrupts the fight and implores him to spare Ken's life. Raoh agrees to Lin's request and walks away, swearing to postpone the battle for another day. Ken leaves Lin and Bat, and continues his search for Yuria, who mysteriously vanished during the final battle.

 

70) Wicked City (1987) 
Director: Yoshiaki Kawajiri

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The existence of the "Black World" - an alternate dimension populated by supernatural demons - is known to very few humans. For centuries, a peace treaty between the Black World and the world of humans has been maintained to ensure relative harmony. Both sides of the continuum are protected by an organization of secret agents called the Black Guard, specifically from a group of radicalized members of the Black World.

Renzaburō Taki, a salaryman electrical goods salesman by day, and a Black Guard agent when needed, has casual sex with Kanako, a young woman who he has been meeting at a local bar for three months. Kanako reveals herself to be a doppelgänger from the Black World Radicals, and escapes with a sample of Taki's semen. The next day, Taki is assigned to protect Giuseppi Mayart, a two-hundred-year-old Italian mystic who is a signatory for a ratified treaty between the Human World and the Black World in Tokyo, and a major target for the Radicals. Taki is also informed that he will be working with a partner, a Black Guard from the Black World.

While awaiting Mayart's arrival at Narita, Taki is attacked by two Radicals, but is saved by his partner: a beautiful fashion model named Makie. Taki and Makie eventually meet Mayart, who quickly reveals his perverse behaviour to them. The trio take shelter in a Hibiya hotel with spiritual barriers to protect it from Radicals. While playing chess to pass time, the hotelier explains to Taki, who is unsure of his responsibilities within the Black Guard, that he will only value his position once he knows what he is protecting. During an assault on the hotel by a Radical, Mayart sneaks out.

Makie and Taki find him in a soapland in the grip of a Radical who has sapped his health, prompting a frantic trip to a spiritual hospital under Black Guard protection. Halfway there, Makie is taken prisoner by a tentacle demon, and Taki is forced to leave her behind. Upon their arrival at the clinic, Mayart begins his recovery, while Mr. Shadow - the leader of the Radicals - uses a psychic projection to taunt Taki into rescuing Makie. Ignoring Mayart’s threats that he will be fired from the Black Guard, he pursues Shadow to a dilapidated building far from the hospital, where he finds Makie being gang raped by Radicals. A female Radical attempts to seduce Taki, asking him if he ever copulated with Makie, but he kills her and the Radicals violating Makie, and wounds Shadow.

While tending to each other, Makie reveals to Taki that she was once romantically involved with a member of the Radicals, and that she joined the Black Guard because of her belief in the need for peace between the two worlds. Upon returning to the clinic, the pair are fired by Taki's superior, who deems Taki's romantic desires to be a liability to his Black Guard duties. While driving through a tunnel with a stowaway Mayart, they are ensnared by Kanako, who - having determined that Taki and Makie were partnered due to having "compatible" genes - attempts to kill them again. Bolts of supernatural lightning appear and kill Kanako, while Taki and Makie are wounded. They awaken inside a church, and engage in passionate lovemaking.

A final attack by Shadow comes against Taki and Makie, which is deflected by more lighting generated by a surprisingly healthy Mayart, who reveals that he was actually hired to protect his "bodyguards". Mayart and Taki almost succeed in defeating Shadow, but the final blow comes from Makie, whose powers have increased due to her being impregnated by Taki. Mayart explains that the two are essential to forming a new peace treaty; Taki and Makie were selected to be the first couple from both worlds that can produce half-human, half-demon children, and their bond will be instrumental in ensuring everlasting peace between the two worlds. Although angry with Mayart because they were not informed of the Black Guard’s plans, Taki implicitly admits that he has fallen for Makie and, as per the hotelier’s advice, wants to protect her and their child. The trio leave to attend the peace ceremony. Taki remains in the Black Guard to ensure the protection of both worlds and his loved ones.

  

 

70. Colorful (2010) 
Director: Keiichi Hara

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Upon reaching the train station to death, a dejected soul is informed that he is "lucky" and will have another chance at life though he does not want it. He is placed in the body of a 14-year-old boy named Makoto Kobayashi, who has just committed suicide by an overdose of pills. Watched over by a neutral spirit named Purapura in the form of a little boy, the soul must figure out what his greatest sin and mistake in his former life was before his six-month time limit in Makoto's body runs out. He also has a number of other lesser duties he must complete, such as understanding what led Makoto to commit suicide in the first place and learning how to enjoy his second chance at life.

He finds Makoto did not like his family and he greatly dislikes them for the same reasons. He is contemptuous of his father who is an underdog at work, forced to work lots of unpaid overtime. Despite her efforts, he hates his mother who had an affair with a dance instructor, something his father seems to be oblivious of. His older brother Mitsuru has given up on him because he is too moody and has no friends at school or anywhere else. He discovers that a girl (Hiroka) he fancies sells sex to older men so she can have the clothes and things she wants. Shoko is a weird girl from Makoto's class who becomes suspicious of his unusual behavior so he tries to stay away from her. After he gets mugged and beaten up by some delinquents, Shoko comes to visit Makoto at his house, but he scares her off. In one of their subsequent encounters Purapura explains that Makoto will really die this time after his six months expire. However, when he befriends Saotome, a boy in his class who accepts outcasts such as him and treats them as equals, Makoto sees the joy in life for the first time. They spend some time together and they even begin studying for their high school entrance exam, something for which neither of them had any ambition before.

Knowing that his brother will never get accepted to a public high school due to his failing grades and lack of interest, Mitsuru announces that he will postpone his college entrance exams in order to allow his parents to save some money so they can send Makoto to a private school. Makoto refuses and tells his parents and brother that he has already chosen Tamegawa High (a public school he and Saotome agreed on earlier). An aggravated Mitsuru is unable to comprehend his unwillingness to accept his family's help and asks him if he enjoys tormenting his own family. Makoto breaks in tears and says that he just wanted to go to the same school his only friend is going to apply which leads to his parents accepting his wish. With his deadline reaching its end, Makoto meets with Purapura for one last time. He announces that he has found out what his former life's mistake was. He reveals that the soul was Makoto to begin with and that the mistake was his suicide. Purapura tells him that he will keep on living, but that he will also erase his memories of Purapura and the spirit world in order to make Makoto not think that he has any more chances. Before wiping his memories, Purapura advises him to live a colorful life.

69. Angel’s Egg (1985) 
Director: Mamoru Oshii

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Angel's Egg follows the life of an unnamed young girl living alone in an undefined building near an abandoned city. She cares for a large egg which she hides under her dress, protecting it while scavenging the decrepit Neo-Gothic/Art Nouveau cityscape for food, water and bottles. In the prologue, an unnamed boy in militant garb watches an orb-shaped vessel covered with thousands of goddess-like sculptures descend from the sky. Awakened by the orb's whistles, the girl begins her day of scavenging, but soon crosses paths with the boy on a wide street traveled only by biomechanical roving tanks. Frightened by the boy, who carries a cross-shaped device over his shoulder, the girl runs off down an alley. When she returns to investigate, the boy has left. She resumes searching for food and glass bottles, avoiding the statuesque figures of men clutching harpoons.

Later, the girl spots the boy again and approaches him. He turns and surprisingly produces her egg from underneath his cape; she had abandoned it on the plaza where she was eating. He instructs the girl to "Keep precious things inside you or you will lose them," and returns the egg. When asked what she believes is inside the egg, the girl asserts that she can't tell him. The boy then suggests breaking the egg to find out, which incenses the girl and drives her away, only to be pursued by the boy.

Eventually the chase gives way to the pair bonding, as the stoic fishermen figures spring to life and frighten the girl. The fishermen race after enormous shadows of coelacanth-like fish that swim across the surfaces of streets and buildings. The animated men ineffectually lob their harpoons at the shadows, hitting only brick and stone. As the shadows swim away, the girl explains that while the fish are gone, the men persist in hunting. The pair wait out the commotion within a vast cathedral decorated with stained windows of fish.

Leaving the city and heading towards the girl's settlement, the pair stop within a massive structure which appears to be the carcass of a beached leviathan. Noticing an engraving of a tree on a pillar, the boy describes his memory of a similar tree which grew to hold a giant egg containing a sleeping bird. When the girl inquires as to what the bird dreams of, the boy flatly asks if the girl still won't tell him what's inside her egg. The pair ascend a staircase arrayed with bottles of water, like those the girl collects, on each step. Adding her newest tribute to the line of bottles, the girl and boy reflect on their amnesia, wondering about their identity and purpose. The boy begins to recount the biblical tale of Noah's Ark. The tale deviates when the boy claims that the dove never returned to the ark, and thus its passengers forgot why they were sailing, forgot about the civilization drowned below, forgot about the animals who, as a result, turned to stone.

The boy asks the girl if they themselves or if the strange world they live in really exists, or if it is merely a memory like his image of the sleeping bird. The girl suddenly insists that the bird does exist, and leads the boy down corridors of ancient fossils to arrive at an aerie. There they find the skeleton of a giant, angelic bird. The girl explains her intent to hatch the egg.

Later, the pair warm themselves within the girl's settlement. As the girl drifts off to sleep, she speaks to the creature inside her egg of their future together. Outside, the heavy rain consumes the city and floods the streets. While the girl is turned away from the egg in her sleep, the boy takes it and smashes it, leaving afterwards. The next day, the girl discovers the broken shell of her egg and shrieks out, utterly heartbroken. She starts to run away from her settlement into the woods, past a giant tree holding a huge egg, in pursuit of the boy. In her haste, she falls into a ravine. Beneath the chasm's water, the girl transforms into an adult woman before releasing a final breath, which rises to the surface as a multitude of bobbing eggs.

As the rain suddenly abates, trees holding eggs like those described by the boy are shown to be scattered throughout the landscape. The boy stands on a vast shore littered with white feathers as the orb-like vessel rises from underneath the ocean. Among the thousands of statues adorning the orb is a new feature: a figure of the girl, sitting serenely on a throne and caressing the egg in her lap. The screen slowly zooms out to reveal that the land of the beach, the forest, and the city is part of a small and lonely island within a vast sea, appearing not unlike the hull of an overturned ship.

68. A Letter to Momo (2011) 
Director: Hiroyuki Okiura

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Following the death of her father Kazuo, Momo Miyaura and her mother Ikuko travel from Tokyo to the Seto Inland Sea. Momo carries Kazuo's unfinished letter, which contains only the words "Dear Momo". At her mother's estate in Shio Island (汐島 Shiojima), they meet their relatives Sachio and Sae Sadahama, and Koichi, a postman and an old friend of Ikuko, who has always had a crush on her. Momo is devastated and misses Tokyo. In the attic, she opens a present containing a rare picture book about goblins and Yōkai, collected by Sachio's father. Three droplets from the sky enter Ikuko's estate and transform into yokai consisting of Kawa, Mame, and Iwa, the group's leader.

When Ikuko begins to take nursing classes, Momo reads the book and begins to hear some strange sounds from the house. She is chased out of the estate by the yokai, only to encounter a young boy named Yota. Oblivious to the house's strange noises, Ikuko and Yota assume that it is safe. The next morning, she meets Yota and his sister Umi. The three meet up with his friends and swim under the bridge, but Momo decides not to and runs to a shelter during a thunderstorm. Iwa, Mame and Kawa reveal themselves, having stolen some fruit from around the island. Frightened, Momo runs back to Ikuko's estate and discovers that Sachio's orchard was ransacked. Sachio then tells Momo that the yokai were originally gods, but they were transformed as a punishment for breaking the divine laws.

Momo attempts to prevent the yokai from stealing the local vegetables, only for Kawa to break Ikuko's mirror. Later, she and Ikuko argue and Momo leaves. Shortly after, Ikuko suffers a near-fatal asthma attack while looking for Momo. Upon witnessing Ikuko being close to death, Momo realizes her mistake and asks the yokai to help look for a doctor on the other side of the island. However, the yokai decline and Momo leaves the house. Koichi and Yota pursue Momo, but she reveals her previous argument with Kazuo before his death and asks Koichi to help find the doctor. Meanwhile, the yokai realize they can escape punishment by allowing Momo and Koichi to cross over the newly completed bridge and find the doctor on the other side.

The next morning, Momo writes a letter to her father thanking him as Ikuko recovers. Having completed their mission to protect Momo, Iwa, Mame and Kawa transform back into the droplets and return to the sky. That night, Momo and Ikuko reconcile during the tōrō nagashi and the two realize that Kazuo wrote that he was proud of her. She begins her new life with Yota and the other children by swimming under the bridge.

67. Gyo: Tokyo Fish Attack (2012) 
Director: Takayuki Hirao

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Gyo opens with a crew of fisherman aboard a trawler dragging up a number of strange-looking fish in the boat's net. Upon trying to inspect the unusual creatures, they discover that the strange fish seem to have legs. The fish then suddenly scuttle away, diving back into the ocean.

Meanwhile, in Okinawa, Tadashi, a young man, and his girlfriend Kaori arrive on the island to enjoy a scuba-diving vacation. Encountering a fish with legs, Kaori, who has a hyper-sensitive sense of smell, becomes irritated by its smell and begs Tadashi to get rid of it. He seals it in a bag, but it manages to escape. The next day, large amounts of marine life with legs invade Okinawa, including a legged great white shark which menaces the protagonists. Tadashi and Kaori manage to return to Tokyo, although Kaori becomes irritated and paranoid, claiming to smell the fish. They both encounter the bagged fish they originally encased and present it to his uncle, Doctor Koyanagi.

A short while later, Tadashi returns to find Koyanagi missing an arm. As he was examining the machine in detail, it used a series of spikes and tubes to latch on to his arm, forcing him to amputate it. The walking machine scuttles into the room, now carrying Koyanagi's arm instead of the fish. Koyanagi is fascinated by this discovery, and then reveals that the fish was the result of the Japanese Army's World War II research into a virus that causes its host to produce a deadly and repulsive stench, in a desperate effort to turn the tide of the war. His father developed a "walking machine", which pumps the virus into a host and causes the host to release the gas which powers the machine's movement; walking machines were built to carry the hosts farther, allowing them to reach and sicken enemy troops. However, during the war, enemy aircraft sunk the ship carrying the prototypes for the walking machines. Soon, Kaori and Tadashi discover that hordes of marine life with legs are invading Tokyo, having gradually invaded the Kantō region. Infected by the gas, Kaori becomes depressed by her appearance and attempts to commit suicide. Tadashi takes her to Koyanagi in an effort to save her but plunges into a canal where he passes out after being injured by thousands of small walking fish. Awakening one month later, he discovers that Koyanagi has placed her into a custom-built walking machine. Upon switching the machine on, Koyanagi is mortally wounded by Kaori, who quickly escapes.

Searching for her, Tadashi notices that most of the walking fish have decayed, and that the walking machines are now carrying infected citizens instead. Journeying through Tokyo, he encounters a circus, where he learns from the ringmaster that the gas appears to be alive, taking on a soul-like appearance when ignited. Tadashi encounters Kaori and rescues her from one of the acts at the circus and takes her to Koyanagi's Lab. There Koyanagi's assistant, Ms. Yoshiyama, reveals that Koyanagi has died from his wounds. When she attempts to remove the walking machine from Kaori, Koyanagi appears, now mutated by the infection and attached to a modified walking machine that allows him to fly. Kaori notices Tadashi and Ms. Yoshiyama together and attempts to attack her. During the uproar, Koyanagi manages to capture Ms. Yoshiyama and fly away.

Large groups of walking machines attack Kaori, and Tadashi becomes lost in his attempt to save her. He continues to search for her, when he notices the circus troupe attack Koyanagi's flying machine, which quickly escapes. Tadashi encounters a group of students from Kyoto University, who explain that they are immune, and that the virus created the walking machines after synthesising them from shipwrecks. He joins the students in their research to defeat the virus and save humanity. As they walk together, he encounters Kaori's burnt remains and remarks that she is free from the smell.

66. Patlabor: The Movie (1989) 
Director: Mamoru Oshii

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Set in 1999, Tokyo is undergoing a huge re-development program: old suburbs are being demolished and man-made islands are being constructed in Tokyo Bay under the Babylon Project. Dominating the scene is the "Ark," a huge man-made island that serves at the Project's nerve center and chief Labor manufacturing facility.

However, several of the Labors being used in Tokyo, specifically those built by Shinohara Heavy Industries - suddenly go haywire even while unattended. The Tokyo Metropolitan Police Department's 2nd Special Vehicles Section (SV2) is assigned to help reel in the errant Labors, but only the SV2's Division II is on duty around the clock (with Division I already on training duties elsewhere). The GSDF is also preoccupied as they send their own forces to stop an HOS-equipped HAL-X-10 Labor tank prototype.

As Division II goes out on the field, team commander Captain Gotoh, Sgt Asuma Shinohara, and mechanic Shige Shiba work with police Detective Matsui to find further leads on the case. They discover that all the errant Labors, plus other Labors in the Greater Tokyo Area, were installed with the company's new Hyper Operating System (HOS) software and can be triggered by low-frequency resonance emanating from wind-struck high-rise buildings. To SV2 pilot Noa Izumi's relief, no copies of the software were installed in Division II's AV98 Ingram police Labors. They also learn that HOS programmer Eiichi Hoba - who committed suicide days before - was obsessed with the Babylon Project's Biblical references (the Ark being alluded to Noah's Ark, for example; his own name. E. Hoba--Jehovah--for another) and planted a self replicating virus in the code that would cause the Labor to malfunction. A computer simulation predicts that gale-force winds acting on the Ark could send all the Labors in Tokyo into a massive rampage, especially since the Ark's size and steel framework amplifies the resonance frequencies causing them to reach farther into the city. Worse, the weather bureau announces that a typhoon is expected to hit Tokyo within two days.

Gotoh discreetly gets clearance from the MPD leadership to destroy the Ark as Shige tries to dig up more evidence of Hoba's guilt to justify the operation. Kanuka Clancy returns from the US to help in the raid. Division II attaches flotation bags to their vehicles and head out to the Ark. Malfunctioning HOS-equipped Labors engage the team as soon as they land on the Ark. Ingram pilots Noa and Ohta, plus Kanuka in a hijacked AV-X0 Type Zero police Labor prototype, buys time for Hiromi, Asuma and Shinshi to break into the control room and activate the Ark's self-destruct sequence. However, Kanuka loses control over the Type Zero in the chaos because it runs on HOS as well. Trapped by the Type Zero in one of the last remaining ledges, Noa climbs out of her damaged Ingram and fires her shotgun into the Labor’s P-RAM system to finally shut it down. With the successful destruction of the Ark, SV2 sends choppers to rescue the team.

65. The Tale of Princess Kaguya (2013) 
Director: Isao Takahata

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A bamboo cutter named Sanuki no Miyatsuko discovers a miniature girl inside a glowing bamboo shoot. Believing her to be a divine presence, he and his wife decide to raise her as their own, calling her "Princess". The girl grows rapidly and conspicuously, causing her parents to marvel and earning her the nickname "Takenoko" (Little Bamboo) from the other village children. Sutemaru, the oldest among Kaguya's friends, develops a close relationship with her.

Miyatsuko comes upon gold and fine cloth in the bamboo grove in the same way he found his daughter. He takes these as proof of her divine royalty and begins planning to make her a proper princess. He relocates the family to the capital, forcing her to leave her friends behind. She finds herself in a mansion, replete with servants. She is also saddled with a governess who is tasked with taming her into a noblewoman. She struggles with the restraints of nobility, arguing that life should be full of laughter and struggle.

When the girl comes of age, she is granted the formal name of "Princess Kaguya" for the light and life that radiates from her. Miyatsuko holds a celebration in commemoration of her naming. At the celebration, Kaguya overhears partygoers ridiculing her father's attempts to turn a peasant girl into a noble through money. Kaguya flees the capital in despair and runs back to the mountains, seeking Sutemaru and her other friends, but discovers that they have all moved away. Kaguya passes out in the snow and awakens back at the party.

Kaguya grows in beauty, attracting scores of suitors. Five men of noble standing court her, comparing her to mythical treasures. Kaguya tells them she will only marry whoever can bring her the mythical treasure mentioned. Two suitors attempt to persuade her with counterfeits. The third abandons his conquest out of cowardice, and the fourth attempts to woo her with flattering lies. When one of the men is killed in his quest, Kaguya falls into depression. Eventually, the Emperor takes notice of her. Taken with her beauty, he makes advances toward her, revolting her. Kaguya then demonstrates the ability to disappear at will, surprising the Emperor. Understanding that he has been too forward, the Emperor takes his leave.

Kaguya reveals to her parents that she originally came from the Moon after it spoke to her. Once a resident of the Moon, she broke its laws, hoping to be exiled to Earth so that she could experience mortal life. When the Emperor made his advances, she silently begged the Moon to help her. Having heard her prayer, the Moon will reclaim her during the next full moon. Kaguya confesses her attachment to Earth and her reluctance to leave.

Miyatsuko swears to protect Kaguya and begins assembling defensive forces. Kaguya returns to her hometown in the mountains once more. She finds Sutemaru and tells him she would have been happiest with him; Sutemaru vows to protect her. The two run around the grass field and Kaguya demonstrates the ability to fly. However, she loses it when they fly by the Moon, and the two drop into the water. Sutemaru wakes up on the grass field, thinking it was a dream, while Kaguya is seen in a carriage going back to the palace.

On the night of the full moon, a procession of celestial beings led by the Buddha descends from the Moon, and Miyatsuko is unable to stop it. An attendant offers Kaguya a robe that will erase her memories of Earth. Kaguya begs the attendant to grant her a last moment with her parents.

The attendant assures her that upon returning to the Moon, she will be free of Earth's impurities. Kaguya rebuffs her, saying that Earth is full of wonder and life. The attendant then drapes the robe around Kaguya, and she appears to forget about her life on Earth. The procession ascends to the Moon, leaving Miyatsuko and his wife distraught. Kaguya looks back one last time, and tears run down her eyes as she recognizes the love from her parents. The film ends with an overlay of baby Kaguya over the moon, hinting the possibility of her memory remaining with her.

64. The End of Evangelion (1997) 
Director: Hideaki Anno, Kazuya Tsurumaki

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Teenager Shinji Ikari is the pilot of Evangelion Unit 01, one of several giant cyborgs designed to fight hostile supernatural entities called Angels. Distraught over the death of his friend Kaworu Nagisa, Shinji visits fellow pilot Asuka Langley Soryu in a hospital and masturbates to her comatose body.

The shadowy committee SEELE discovers that Gendo Ikari intends to use NERV, the paramilitary organization that deploys the Evangelion units, for his own plans. SEELE dispatches the Japanese Strategic Self-Defense Force (JSSDF) to seize control of NERV, killing most of the staff. NERV major Misato Katsuragi orders Asuka moved to the cockpit of Evangelion Unit 02 and placed at the bottom of a lake, then rescues Shinji from JSSDF troops. Determined to have Shinji defend NERV, Misato brings him to Unit 01's bay doors, but is shot in the process. Before her death, Misato implores Shinji to pilot Unit 01, kisses him, and forces him into the elevator. Shinji discovers Unit 01 immobilized in bakelite.

Concluding that NERV's defeat is inevitable, Gendo retrieves Evangelion pilot Rei Ayanami. He plans to use her to initiate Third Impact, a cataclysm which will kill everyone on Earth, and reunite Gendo with his deceased wife, Yui. Attempting to stop him, NERV scientist Ritsuko Akagi sends a computer command to destroy NERV. Casper, a computer core modeled on Ritsuko's mother, overrides her command and Gendo kills her. Meanwhile, inside Unit 02, Asuka overcomes her trauma and re-activates the unit. She destroys the JSSDF forces, but SEELE's new mass-produced Evangelion units disembowel her and Unit 02. Unit 01 breaks free of the bakelite and ascends above NERV headquarters. From the cockpit, Shinji sees the mass-produced units carrying the mutilated remains of Unit 02 and screams.

Gendo attempts to merge with Rei, who carries the soul of Lilith, an angel hidden beneath NERV headquarters, to begin Third Impact. Having merged with another angel, Adam, he will become a god if he merges with Lilith; however, Rei rejects Gendo, absorbs Adam and reunites with Lilith, and her body grows to gargantuan size. The mass-produced Evangelion units pull Unit 01 into the sky and crucify it, beginning the ritual to initiate Third Impact. After several dreamlike contemplations, including a fight with Asuka, Shinji decides that he is alone and everyone in the world should die. In response, Rei/Lilith dissolves humanity back into LCL, a conscious form of primordial soup, reforming the souls of humanity into a single consciousness. Shinji rejects this new state when he realizes that life is about experiencing joy as well as pain. Rei/Lilith dies and Asuka and Shinji rematerialize in an apocalyptic landscape. Shinji begins to strangle Asuka, but when she caresses his face, he stops and breaks down in tears.

63. Spriggan (1998) 
Director: Hirotsugu Kawasaki

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 An elite superhuman agent must stop a foreign military unit from seizing control of an ancient artifact that holds the key to ultimate power.

62. Macross Plus (1995) 
Director: Shoji Kawamori, Shinichiro Watanabe

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Three decades after the great war between the humans and the Zentradi, in January 2040, the U.N. government is developing new technologies to use in their transforming fighter aircraft by running tests on the colony planet Eden. Military test pilots and former childhood friends, loose cannon Isamu Alva Dysonand the Zentradi mixed race Guld Goa Bowman, are selected to each pilot a new aircraft (Shinsei Industries' YF-19 & General Galaxy's YF-21) for Project Super Nova, to choose the newest successor to the VF-11 Thunderbolt variable fighter which is currently still in use by the U.N. Spacy military forces. Their own personal grudges end up disrupting the tests, and begin to wreak havoc on the program.

Their rivalry heats up when a mutual friend, Myung Fang Lone, shows up. Myung was a childhood friend of both pilots, but the three of them had a falling out, and quickly grew apart. This is alluded to throughout the story, and evidence of the strained relationship between Myung and either of the two men is apparent, while their distaste for one another is obvious. When they meet again, they discover that Myung is now the producer of Sharon Apple, the hottest entertainer in the galaxy, who just happens to be an AI hologram. Unbeknownst to the public, the Sharon AI is incomplete and requires Myung to provide emotions during concerts.

During a testing session, Guld and Isamu finally face off against each other – and an all-out fight begins as each tries to best the other. Despite being in the middle of a testing area, they quickly proceed to tear the surrounding area to shreds in their fight to gain superiority over the other. Having turned off their communications equipment, both pilots fight using the test aircraft in a series of stunning dog-fight maneuvers before going into battroid form and finishing the fight on the ground. In the process, an "accidental" gun pod discharge injures Isamu and he is taken to the hospital, where he awakens to Myung standing watch over him. After returning to duty, a military tribunal questions Guld about their fight in the test area, but ultimately the decision is left up to the Admiral in charge of the project. Chief Miller, the station commander of New Edwards Test Flight Facility, reluctantly tells both pilots that their mission and the project has been scrubbed by the U.N. Spacy High Command – due to the completion of a newer, and previously unknown aircraft, the Ghost X-9 (ゴースト X-9), an advanced stealth UCAV prototype which was secretly being produced on Earth while two other prototypes (YF-19 and YF-21) were simultaneously being tested for Project Super Nova in planet Eden. With the Ghost X-9 completed, testing on the YF-19 and YF-21 was halted indefinitely, since the higher-ups believe that the new unmanned fighter is superior in every way.

Meanwhile, the AI Sharon Apple has developed a malevolent consciousness, due to an illegal bio-chip having been installed by lead scientist on the project, Marge Gueldoa. During her concert in the Atlantis Dome inside Earth's Macross City, Sharon quickly takes over both the Ghost X-9 and the SDF-1 Macross Fortress and hypnotizes her audience and the Macross' staff, while trapping Myung in the Macross itself.

Wanting to prove that man-made fighter units are a necessity and to prove his worth, Isamu and Yang (the YF-19's engineer) take the fighter jet and space-fold to Earth to beat the X-9 at its own game, while Guld gives chase in the YF-21. Sharon hacks into Earth's outer space defences, but both Isamu and Guld make it through. They then proceed to attack each other again, as they argue about childhood grudges. At the climax of the fight Guld, finally achieving a target lock, releases a large fury of missiles seemingly destroying the YF-19. As this happens, Guld is flooded by repressed memories. Now realizing it was truly his own jealous rage that had torn the friendship apart. Having saved himself and Yang by cutting engine throttle and gliding, the YF-19 then appears in the skies above Guld and the two old friends reconcile.

When discovering that Myung's life is in danger, Isamu and Guld quickly go to her aid. While Isamu goes after Sharon, Guld fights the X-9 and ultimately destroys it by removing the gravitational safety limiters on his aircraft, and matching the X-9's velocity/maneuverability until he achieves a target lock and shoots the X-9 down. However, removing the limiters allows Guld to achieve accelerations exceeding human (even Zentradi-Human) limitations, which ultimately leads to his death, the g-forces generated by his piloting literally crushing him even as he crashes the YF-21 into the X-9, destroying it.

While fighting the SDF-1 Macross, Sharon hypnotises Yang who shoots at Isamu but only hits his helmet. Isamu ejected Yang but then is hypnotized by Sharon's voice, and is left to crash to his death. At the last second, Myung's voice reaches him and brings him out back to consciousness. Dodging the Macross' fire, Isamu is able to destroy the central computer, effectively eliminating Sharon.

The story ends as the sun rises over the Macross Fortress, with Myung waving to Isamu, who has survived the destruction of Sharon's computer.

Eventually, the U.N. government banned all AI technology developments after the incident, and allowed the continuation of Project Super Nova. However, YF-21 was destroyed during Sharon Apple incident and YF-19 automatically become winner of the competition.

61. Phoenix: 2772 (1980) 
Director: Taku Sugiyama

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Phoenix 2772 is set in the distant future where the planet Earth is dying from a lack of energy resources and a disheartening political climate sees all human beings produced by computers to live out certain social roles, the colour of the eyes determining the baby's rank, from pilot to politician, etc. Godo is one such child brought up to be a cadet and nursed by the beautiful robot-maid Olga. After noticing his exceptional abilities, Rock, a dictatorial candidate for prime minister, selects Godo to fulfil his agenda and travel into deep space and capture the mystical Phoenix, its blood will manifestly heal the Earth (and selfishly make Rock prime minister). This eventually proves hard for Godo for many reasons, partly because he has a love of all living creatures and he detests his being trained for what appears to be that of a ruthless hunter. He is also to leave his one friend in his adolescence, Olga, to deletion. Most importantly he elopes with Rena, a "daughter of the elite" and bride-to-be of Rock when it is forbidden for his rank to communicate with such a woman.

For his crime, Godo loses his citizenship and is sent to a labour camp in Iceland where mining energy from the Earth's core is being harnessed in a bid to save the world (but adversely causing earthquakes and speeding up the process). While interned and heart-broken over losing Rena, he meets Doctor Saruta, a prison professor who wishes to counsel the young pilot, only to secretly plot with him a plan to escape, search for the Phoenix themselves and save the Earth. Eventually, Godo is saved by Olga and Pincho (a pet creature of Rena that had helped the lost Olga), and they set into space.

Godo and the crew of the ship find it almost impossible to subdue the Phoenix and it changes into many monstrous shapes and sizes, from dragons to tentacular leeches. After learning that Rena is to marry Rock, Godo had become stricken with misery and pushes away Olga's advances when she shows signs of love (and previously jealousy) for Godo. With the crew all killed one-by-one by the Phoenix and the secret of its weakness lost in Saruta's last words the Phoenix finally destroys Olga by burning her to death, and Godo finally surrenders. As he cradles Olga, realizing how selfish he had been towards his only friend in the world, the Phoenix is subdued by the power of love and thus boards the ship in the form of what appears the cross between an angel and a peacock.

Amazed at Godo's love of living creatures, the Phoenix, speaking with a female voice "herself", falls in love with Godo and grants his wish of reviving Olga on the condition he gives her anything she wants of him (not knowing that this involves his carnal love and the Phoenix possessing the body of Olga to obtain this). After being reunited with Olga and given a paradisal planet to live on, Godo still has feelings towards the dying Earth and sets out to return with vegetables and resources, only to be met with Rock (and a now content and promiscuous Rena) and is arrested. But what follows is a series of earthquakes that level the whole world and bring about final destruction, Rena dying in the advent by trying to escape on Godo's ship and Rock blinded by a lava emission. Godo gives Rock his last rites and he and Olga appear as lone survivors, he then grieves that so much life has been destroyed.

The Phoenix reveals itself to Godo through Olga and requests his wish to lay down his life for the revival of the Earth and its creatures. After the sombre night changes to a starry dawn and after Godo's death the casualties are resurrected. Olga then lays Godo's corpse on the shore and is freed of the Phoenix, only to have her own dead body (beside Godo's) change into a human being. Godo himself is changed into a newborn baby again, and taken by the new human Olga as her son.

60.  Blood The Last Vampire (2000)
Director: Hiroyuki Kitakubo

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The story is set in 1966. Its main protagonist is a girl named Saya, who hunts bat-like creatures called chiropterans. Saya is introduced on a subway train, where she assassinates a man in a suit. Her American contacts or handlers arrive. One of them, David, begins to brief Saya on another mission, while the other, Louis, discovers that the man Saya has just killed was probably not a chiropteran.

Saya's next mission begins at the American Yokota Air Base, which is active in the buildup to the Vietnam War. At least one chiropteran has managed to infiltrate the air base, and it is only a matter of time before they feed again, go into hibernation, and become untraceable. Saya is to pose as a school girl, infiltrate the high school adjacent to the base, and then track and kill the chiropterans.

At the school, Saya runs into a meek nurse, Makiho Amano, on the eve of the school's annual Halloween party. Two of Saya's classmates, Sharon and Linda, make a visit to Makiho at the nurse's office. Suddenly, Saya bursts into the room, killing Linda and wounding Sharon, breaking her sword in the process. Both girls are revealed to be chiropterans. Makiho goes into shock at the revelation. Meanwhile, a third chiropteran reveals itself and begins making its way to the base. Back at the school, Makiho regains her nerve and pursues Sharon into a room full of dancing Americans in costume, where she finds Sharon transformed. Saya saves her and both flee into a nearby motor pool. The chiropterans trap them inside and attack.

David delivers a new sword, and Saya uses it to kill Sharon. The final chiropteran then decides to flee, attempting to stow away on a departing cargo plane. David and Saya give chase and she manages to strike the chiropteran and mortally wound it. She then stands over the dying creature and lets some of her blood trickle into its mouth. Louis arrives and recovers Makiho before the local police reach her.

Afterwards, Makiho is seen at an interview with government officials who question her about the night's events. However, it's revealed that all evidence of the battle between Saya and the chiropterans has been covered up and both David and Saya have disappeared, leaving Makiho with nothing to prove the veracity of her story. Her interviewer then asks her to identify Saya in a picture which has a girl that looks identical to her, except the picture was taken in 1892. The only other description of the picture is the word "VAMPIRE". Makiho then returns to the school, where she narrates that she never really discovered the full truth behind Saya and the chiropterans, and wonders if she's still out there fighting them.

59. Dragon Ball Z: Broly – The Legendary Super Saiyan (1993) 
Director: Shigeyasu Yamauchi

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On his planet in the Otherworld, King Kai senses the destruction of the South Galaxy by an unknown Super Saiyan, and realizes that the North Galaxy will be next. To this end, King Kai contacts Gokutelepathically while he and Chi-Chi are sitting down having an interview inside a private school which they hope to send Gohan to. In the middle of the interview, Goku teleports to King Kai's planet and is told the entire story.

Meanwhile, on Earth, while the Z-Fighters are picnicking in an unknown peaceful area, a spaceship lands and an army of humanoids appear and greet Vegeta as their king. Their leader is a Saiyan, Paragus, who claims that he has created a New Planet Vegeta and wishes for Vegeta to accompany him in order to rule as the new king. Vegeta initially refuses, but agrees after Paragus tells him that a being known as the "Legendary Super Saiyan" is running rampant throughout the galaxy and must be destroyed before he comes to Earth. Skeptical of Paragus' story, Gohan, TrunksKrillinMaster Roshi and Oolong go along with Vegeta.

On New Vegeta, Vegeta meets Paragus' son, Broly, and the two leave together to hunt down the Legendary Super Saiyan. Gohan, Trunks and Krillin meet the planet's slaves and defend them from their abusive masters. During the struggle, Goku arrives via Instant Transmission, having followed their energy signals after King Kai's story. The slaves tell them that the Legendary Super Saiyan destroyed their planet, and they were found by Paragus, who made them into his slaves. That night, Vegeta and Broly return, having had no luck. While Vegeta receives Goku coldly, Broly appears agitated at the mere sight of him, and only calms down when Paragus raises his hand and a light shines on his bracelet. Despite this, Broly attacks Goku in the middle of the night. The two fight evenly matched for a while until Paragus appears and calms Broly down again. After the fight Goku suspects that Broly is the Legendary Super Saiyan due to their similar ki and also begins to doubt Paragus' claims. Paragus, for his part, has been controlling Broly with a mind control device, which he suspects may be malfunctioning. Paragus then realises that it is Broly's connection to Goku that has made him angry: Broly and Goku were born on the same day and were in neighbouring pods, and Goku's constant crying agitated Broly so much that it made him resent Goku for many years afterwards, and now, having come face to face with him, old wounds have begun to surface.

Vegeta soon loses patience with Paragus and decides to return to Earth with the others, but Goku and the others confront Paragus, having realised that Broly is in fact the Legendary Super Saiyan himself. The slaves, upon seeing Broly, also identify him as the one who destroyed their planet, but Broly again becomes fixated on Goku, and his rage erupts so much that he breaks free of the mind control device and transforms into a behemoth of a Super Saiyan: the Legendary Super Saiyan. Broly sets his eyes on Goku and begins fighting him and the others, while Vegeta, frightened of the Legendary Super Saiyan, loses the will to fight. Paragus taunts Vegeta for his naïveté and reveals his true story and intentions: many years ago, on Planet Vegeta, Broly was born with a power level of 10,000, (but Goku was born with a power level of 2), which was an impressive feat for anyone, let alone a baby to achieve. However, King Vegeta feared that the baby would grow up to become a threat to his royal family line and ordered him executed. Paragus barged into the court and begged King Vegeta to spare him, but he refused and severely wounded Paragus. Broly was stabbed in the stomach, and he and Paragus were left for dead. However, that same day, Frieza destroyed Planet Vegeta, and just before the explosion, Broly manifested his anger to blast him and Paragus away from Planet Vegeta only seconds before demolition. Because of Goku's crying, the attempted execution, and having to survive the Saiyan eradication, Broly grew into a severely unstable child. At one point, he even blinded Paragus in one eye, and Paragus only managed to pacify him via the mind control device. Since then, Paragus' goal has been revenge on King Vegeta through his son, Vegeta, and to take over the Earth as a new Planet Vegeta from which to rule the entire universe. Furthermore, a comet, Camori, is approaching New Vegeta, and will destroy it upon impact.

Broly makes quick work of Goku, Gohan and Trunks. Piccolo arrives with Senzu beans and is also beaten, but summons enough will power to forcibly bring Vegeta to the battlefield. Seeing Broly pummel his friends repeatedly eventually gives Vegeta enough incentive to join the fight, but he also proves to be no match for Broly. Paragus tries to escape from New Vegeta by himself, but Broly catches him in the act and kills him by crushing the space pod with his bare hands and throwing it towards the comet. However, despite Broly's power, Goku refuses to stay down, and takes every blow Broly lands on him, even with his friends offering him their remaining power. After much reluctance, Vegeta finally gives some of his energy, which gives Goku enough power to resist Broly and punch him in exactly the same place where he was stabbed as a baby, causing Broly to bleed profusely and apparently explode.

Just as Camori hits and destroys New Vegeta, the Z Fighters and the slaves escape in the spaceship Piccolo used to follow Goku and Vegeta. Goku and Gohan teleport straight to their garden, where they are confronted by an angry Chi-Chi, who is annoyed with Goku for leaving during the interview. Goku then comically recites what Chi-Chi told him to say for the school interview, causing her to faint.

58. Whisper of the Heart (1995) 
Director: Yoshifumi Kondo

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(Japanese耳をすませば HepburnMimi o Sumaseba, literally "If you listen closely") is a 1995 Japanese animated romantic drama film directed by Yoshifumi Kondō and written by Hayao Miyazaki based on the 1989 manga of the same name by Aoi Hiiragi. It was animated by Studio Ghibli for Tokuma ShotenNippon Television Network and Hakuhodo, and distributed by Toho. The film stars Yoko Honna, Issei Takahashi, Takashi Tachibana, Shigeru MuroiShigeru Tsuyuguchi and Keiju Kobayashi. It was the first theatrical Studio Ghibli film to be directed by someone other than Miyazaki or Isao Takahata.

Whisper of the Heart was Kondō's only film as director before his death in 1998. Studio Ghibli had hoped that Kondō would become the successor to Miyazaki and Takahata.

It was the only Ghibli film not directed by Miyazaki or Takahata for seven years until The Cat Returns was released in 2002, which focused on a minor character of the film, Baron.

57. The Disappearance of Haruhi Suzumiya (2010) 
Director: Tatsuya Ishihara, Yasuhiro Takemoto

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The Disappearance of Haruhi Suzumiya (涼宮ハルヒの消失 Suzumiya Haruhi no Shōshitsu) is a 2010 Japanese animated film based on the fourth Haruhi Suzumiya light novel of the same name written by Nagaru Tanigawa. It is produced by Kyoto Animation, written by Fumihiko Shimo and directed by Tatsuya Ishihara and Yasuhiro Takemoto. It was released in Japanese theaters on February 6, 2010 and on DVDand Blu-ray Disc on December 18, 2010. The film has been licensed by Bandai Entertainment in North America and Manga Entertainment in the UK. With a length of 162 minutes, the film is the second-longest animated film ever made (only surpassed by Final Yamato).

56. Night on The Galactic Railroad (1985) 
Director: Gisaburo Sugii

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Night on the Galactic Railroad (銀河鉄道の夜 Ginga Tetsudō no Yoru), sometimes translated as Milky Way RailroadNight Train to the Stars, or Fantasy Railroad In The Stars, is a classic Japanese fantasy novel by Kenji Miyazawa written around 1927. The nine-chapter novel was posthumously published in 1934 as part of Complete Works of Kenji Miyazawa Vol. 3 (『宮沢賢治全集』第三巻) published by Bunpodō (文圃堂).Four versions are known to be in existence, with the last one being the most famous among Japanese readers.

The novel was adapted as a 1985 anime film of the same title, as well as various stage musicals and plays.

55. Battle Angel (1993) 
Director: Hiroshi Fukutomi

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Battle Angel, known in Japan as Gunnm (銃夢 Ganmu), is an original video animation based on the Battle Angel Alita manga by Yukito Kishiro. The OVA comprises two episodes, Rusty Angel and Tears Sign, that serve as a compressed preview for the manga. They correspond respectively to volumes 1 and 2 of the manga, with some differences. According to Kishiro, only two episodes were originally planned. At the time, he was too busy with the manga "to review the plan cooly ", nor was he serious about an anime adaptation. He has no plans to revive the anime.A big budget Hollywood movie version of the story is scheduled to be released on December 21, 2018.

The OVA spawned a memorable soundtrack including the theme song and "Cyborg Mermaid". Although it received a lukewarm reception in Japan, U.S. critics held it to be one of the best anime to be translated and brought to America in the 1990s. Manga Entertainment's UK and Australian version is just a single movie.

54. Lupin III: The Castle of Cagliostro (1979) 
Director: Hayao Miyazaki

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On September 1968, master thief Arsène Lupin III and his colleague, Daisuke Jigen, flee the Monte Carlo Casino with huge quantities of stolen money. They escape in Lupin's Fiat 500, but Lupin recognizes the bills as distinctively high-quality counterfeits.[a] Deciding to seek out the source, they head to the Grand Duchy of Cagliostro, the alleged wellspring of the counterfeits.

Shortly after arriving, they rescue a young woman being pursued by a gang of thugs, with her and Lupin falling off a cliff while escaping. Lupin is knocked unconscious, and the woman captured, but she leaves him a signet ring. Lupin recognizes the woman as Clarisse, the princess of Cagliostro, who will soon be married to Count Cagliostro, the country's regent. The Count's arranged marriage will cement his power and recover the fabled ancient treasure of Cagliostro, for which he needs both his and Clarisse's ancestral rings.

A squad of assassins attack Lupin and Jigen at their inn but fail to kill them or recover the ring. Lupin leaves his calling card on the back of Jodot, the Count's butler and chief assassin, announcing he is going to steal Clarisse. Lupin summons Goemon Ishikawa XIII to aid their quest to rescue the princess and tips off his longtime pursuer, Inspector Koichi Zenigata, to his whereabouts to provide a distraction. Zenigata's presence and a party give Lupin enough time to sneak into the castle. There he finds his on-off lover, Fujiko Mine, posing as Clarisse's lady-in-waiting, who tells him where the princess is being held. Lupin makes his way to Clarisse and returns her ring, vowing to help her to escape. Before he can act, the Count drops Lupin down a trapdoor into the castle's catacombs, as Lupin had planned. Lupin mocks the Count through the ring he gave to Clarisse – a fake containing a transmitter – and the Count sends three assassins to retrieve the real ring.

Lupin encounters Zenigata, who was accidentally dropped down earlier, and they form a pact to help each other escape. After overpowering the assassins, they escape into a room full of printing presses — the source of the counterfeits. Zenigata wants to collect evidence, but Lupin points out they must escape the castle first. They start a fire as a distraction and steal the Count's autogyro. However, as they attempt to rescue Clarisse, Lupin is shot. Clarisse offers the ring to the Count in exchange for Lupin's life. After securing the ring, the Count's attempt at betrayal is foiled when Fujiko's actions allow her, Lupin, and Zenigata to flee. As Lupin recovers from his injuries, Zenigata attempts to convince his superiors at Interpol to prosecute the Count for counterfeiting, but fearing political repercussions, they halt the investigation and remove him from the case. Meanwhile, Lupin intends to stop the wedding and rescue the princess. He also reveals his reasons for rescuing Clarisse to Jigen, Goemon and her family's former gardener — as a young girl, she had saved his life during his unsuccessful first attempt to find the source of the counterfeit bills ten years earlier. Fujiko tips off Lupin on a way to sneak into the castle, and forms a plan with Zenigata to publicly reveal the counterfeiting operation under the cover of pursuing Lupin.

The wedding appears to go as planned with a drugged Clarisse until Lupin's "ghost" disrupts the ceremony, and despite the Count's precautions Lupin makes off with both Clarisse and the Count's rings. Meanwhile, Zenigata and his squadron arrive in the chaos and the inspector leads Fujiko, posing as a television reporter, to the Count's counterfeiting facility to expose the operation to the world. The Count pursues Lupin and Clarisse to the face of the castle's clock tower. Lupin is forced to surrender the rings to save Clarisse, and they are both knocked into the lake surrounding the tower. After using the rings to reveal the secret of Cagliostro, the Count is killed by the mechanism unveiling the treasure. Lupin and Clarisse watch as the lake around the castle drains to reveal exquisite ancient Roman ruins — the true treasure of Cagliostro. Lupin and his friends bid farewell to Clarisse, now the rightful ruler of Cagliostro. With Zenigata pursuing them again (for the crime of "stealing Clarisse's heart") and Fujiko fleeing with the plates from counterfeit printing presses, Lupin and the gang drive out of Cagliostro, with the police close behind them.

53. A Thousand and One Nights (1969) 
Director: Eiichi Yamamoto

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Aldin, a traveling water seller, falls in love with Mirium, a slave on auction in Baghdad, but Havahslakum, the son of the chief of police, buys her. Before he can take her home, a sand storm interrupts the auction. Aldin uses the opportunity to steal away the slave woman, rescuing her from slavery. They hide from pursuing guards in a seemingly empty mansion. They have sex there, and are secretly watched by the master of the mansion, Suleiman, who locks them in and commands them to continue. Havahslakum and his guards invade the mansion and find them. He takes Mirium. Budley, the right-hand man of the chief of police, murders Suleiman. Aldin is sent to prison by mistake for the murder of Suleiman, and is tortured. One year later, a heartbroken Miriam dies in childbirth.

After a time, Aldin is set free and meets Budley in the desert. Aldin threatens to kill him, but shows him mercy and lets him leave. Aldin finds the cave of Kamarkim and the forty thieves. Aldin follows a thief inside, and as the thieves are asleep, he begins stealing their treasure. Mardia, a young female thief, awakens and threatens to kill Aldin, who convinces her to see the world with him. The two fly away on a magic wooden horse. While they are over the ocean, living hair pulls them down. They swim to a nearby island, inhabited only by women. Their queen-goddess invites the two to stay, but Mardia does not trust them and leaves on the magic horse while Aldin stays and has sex with the women. The queen forbids Aldin from following her to her house in the woods at night, but he still does it, and witnesses her transforming into a large, white serpent. All the women change likewise and chase Aldin off the island.

Aldin is later picked up by sailors, and they travel to an island inhabited by a giant who eats much of the crew. Aldin finds a magical, sentient ship that will take him anywhere and fulfill almost any of his wishes. Meanwhile, 15 years later, two shapeshifters on a carpet come across a sheepherder named Aslarn, which the female shapeshifter falls for. The male shapeshifter in hopes of keeping the other shapeshifter from risking death by being seen by the sheepherder, brings a female princess from Baghdad and teleports Her away when things were going wrong. The male shapeshifter in a huff leaves the female, as She transforms into a horse when Aslarn hopes to go to Baghdad of course, when Aslarn and the Princess cross paths in the desert, the shapeshifter disappears from sight.

In the 15 years, Aldin uses the ship to become wealthy, and enters a competition in Baghdad, the winner of which will become king. He wins the competition by tricking his opponent onto his magic ship, and by commanding the ship to take him to the end of the world. Wanting a girl who looks like Mirium, Aldin tries to use his power as the king to make a girl named Jaris – who is Mirium's daughter – marry him, but she loves another man, Aslarn. Aldin commands the people to build a tower to Heaven. The people hate him and revolt, led by Aldin's second-in-command. Not prepared for the pressures of kingship, Aldin gives up the throne to travel the world as a poor man again, now seeing the value of freedom.

52. The Animatrix (2003) 
Director: Various

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The Animatrix (アニマトリックス Animatorikkusu) is a 2003 American–Japanese animated science fiction anthology film produced by the Wachowskis. It is a compilation of nine animated short films based on The Matrix trilogy, which was written and directed by the Wachowskis. Four of the shorts were also written by the Wachowskis. The film details the backstory of the Matrix universe, including the original war between man and machines which led to the creation of the titular Matrix.

51. Gundam Wing: Endless Waltz (2000) 
Director: Yasunao Aoki

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 It is the year After Colony 195, and the battles between Earth and the space colonies have ended. Treize Khushrenada is dead and OZ has come to an end. This gives birth to the Earth Sphere Unified Nation (ESUN) and the Preventers. Seeing they won't be needed anymore, the Gundam pilots (except Chang Wufei) send their suits into the sun. However, this peace would not last, for a rebellion occurs on the newly completed colony, L3 X-18999. Led by seven-year-old Mariemaia Khushrenada, Treize's illegitimate daughter, the rebellion kidnaps Relena Darlian, now the Vice Foreign Minister of the ESUN, during a diplomatic mission to X-18999. As the Gundam pilots investigate further, they discover that Mariemaia is merely a puppet controlled by her grandfather Dekim Barton, a former advisor to martyred colony leader Heero Yuy, who is using X-18999 to go through with the original Operation Meteor, as a contingency plan in case the ESUN doesn't comply. The Gundam pilots must prevent Dekim from seizing power over the ESUN. The Gundams are retrieved from their course to sun to Earth's orbit thanks to Quatre and the Maganacs. The pilots use their Gundams one last time to fight against Dekim's forces, not killing anyone. In the end, Dekim is killed by one of his own soldiers, Earth and its colonies are at peace once again and all mobile suits (including the Gundams) are forever destroyed.

50. 5 Centimeters Per Second (2007) 
Director: Makoto Shinkai

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The story is set in Japan, beginning in the 1990s up until the present day (2008), with each act centered on a boy named Takaki Tōno. The first act takes place during a time when cell phones are uncommon and email had not yet reached the general population.

49. My Neighbors the Yamadas (1999) 
Director: Isao Takahata

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The film is a series of vignettes following the daily lives of the Yamada family: Takashi and Matsuko (the father and mother), Shige (Matsuko's mother), Noboru (aged approximately 13, the son), Nonoko (aged approximately 5, the daughter), and Pochi (the family dog).

Each of the vignettes is preceded by a title such as "Father as Role Model", "A Family Torn Apart" or "Patriarchal Supremacy Restored". These vignettes cover such issues as losing a child in a department store, the relationships between father and son, or husband and wife, the wisdom of age, getting one's first girlfriend and many more. Each is presented with humour, presenting a very believable picture of family life which crosses cultural boundaries. The relationships between Matsuko, Takashi and Shige are particularly well observed, with Shige giving advice and proverbs to all the family members, and having a great strength of character which far outweighs Matsuko's. Takashi and Matsuko's relationship is often the focus of the episodes, their rivalries, such as arguing about who has control of the television, their frustrations and their difficulties, but the overriding theme is their love for one another despite their flaws, and their desire to be the best parents possible for their children

48. Cat Soup (2001) 
Director: Tatsuo Sato

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Nyāko (にゃーこ), the older sister of Nyatta (にゃっ太), lies very ill in her room. By accident, Nyatta drowns in the bathtub and, whilst being clinically dead, sees his sister leaving the house holding hands with the Japanese version of Ksitigarbha (known as Jizou in Japanese) and proceeds to follow them. Nyatta tries to take his sister back from Jizou but it holds on to her refusing to let go. Nyāko splits in two leaving Jizou with half of her soul while her brother runs away with the other half. Jizou sends a clue about a flower they must search for in order to retrieve the missing half-soul, then walks away with it.

Meanwhile, Nyatta's father finds his son in the bathtub and revives him. Then, all the family members gather in Nyāko's room to find out that she is dead. Nyatta gets closer with the half-soul in his arms and puts it back in his sister's body through her nose. Nyāko wakes up, but she remains despondent and semi-catatonic. After that Nyatta and Nyāko begin their journey (because their mother asks them to go and buy some fried tofu). During their outing they visit the 'Big Whale Circus', the final act of which is a giant penguin-looking bird "filled" with various weather, causes a flood of water which covers everything. The two of them end up on an Ark-esque boat with a pig, which they eventually begin to eat (by unzipping his stomach and pulling out butcher slabs). God drains the world of the oceans (by holding up the world so the water on it runs down his arm), leaving the cats and pig stranded in a desert. The pig is beaten to death and bites off Nyatta's arm, which is repaired by a desert-dweller who makes dolls from the pieces of other cats.

Traveling across the desert, they are brought to a house by the smell of food, and are invited inside by a man. They are fed, and when full the man attempts to turn them into soup, attacking them with a pair of scissors. He ends up falling into the cauldron, Nyatta cuts him into pieces with the scissors and the cats escape. Wandering further across the desert dehydrated, Nyatta digs and finds an elephant made of water, which cools them off and travels with them, though the elephant eventually evaporates from the heat. God accidentally stops the flow of time and disrupts space, and the cats play with the time-frozen scenes. Father Time turns time back on, shooting it forward and reversing it, showing various scenes of random events either rapidly going forth in time or back. Eventually the cats find themselves back on their boat in the ocean. They drift into a marsh of metallic plants and creatures, coming across the flower they were seeking. Nyatta places the flower on Nyākos face, which restores her to normal. Together, they go back home.

In the end, the entire family of cats are gathered in their house leisurely watching TV. Nyatta leaves them to visit the toilet, and while he is gone, the other family members disappear one by one into thin air. The show on the TV also disappears, leaving only a flashing screen behind. Nyatta returns to find everyone gone. Outside the nearby lamppost extinguishes leaving the house in darkness. Finally the movie also "turns off", leaving behind a flashing screen of static before the credits roll.

47. Howl’s Moving Castle (2004) 
Director: Hayao Miyazaki

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Sophie, a young milliner, encounters a wizard named Howl on her way to visit her sister Lettie. Upon returning home, she meets the Witch of the Waste, who transforms her into a ninety-year-old woman. Seeking to break the curse, Sophie leaves home and sets off through the countryside; she meets a living scarecrow, whom she decides to call 'Turnip Head'. He leads her to Howl's moving castle, where she meets Howl's young apprentice Markl, and the fire-demon Calcifer, who is the source of the castle's magic. When Howl appears, Sophie announces that she has hired herself as a cleaning lady.

Meanwhile, Sophie's nation is caught up in a war with a neighboring kingdom, who is searching for their missing prince. The King summons Howl to fight in the war; however, Howl decides to send Sophie to the King (under the pretense of being his mother) to tell him that Howl is too much of a coward to fight. Before leaving, he gives Sophie a charmed ring that connects her to Calcifer. Sophie meets Suliman, the king's advisor, and also the Witch of the Waste, whom Suliman punishes by draining all of her power, causing her to regress into a harmless old woman. Suliman warns that Howl will meet the same fate if he does not fight. Howl arrives to rescue Sophie; Suliman tries to trap him, but with Sophie's help, they escape along with the former witch.

Sophie learns that Howl's life is somehow bound to Calcifer's, and that Howl has been transforming into a bird-like creature in order to interfere with both sides in the war, but each transformation makes it more difficult for him to return to human form. Howl then has the castle magically-linked to Sophie's home, parking the castle itself on the town's outskirts. A few days later, the town is bombed by enemy aircraft and Suliman's henchmen attack the abode. Howl heads out to protect the group; Sophie then moves everyone out of the abode and removes Calcifer from the fireplace, which collapses the castle. The witch realizes that Calcifer has Howl's heart, and grabs the fire demon; Sophie panics and pours water onto the witch, which douses Calcifer. The castle then splits in two; Sophie falls down a chasm and is separated from the group.

Following the charmed ring, Sophie wanders into a scene from the past: she sees a young Howl catch a falling star — Calcifer — and give him his heart. Sophie calls for them to find her in the future as she is teleported away. She returns to the present and finds Howl, and they reunite with the others. The witch returns Howl's heart, and Sophie places it back inside Howl, reviving him and freeing Calcifer, though he decides to stay. Sophie's curse is broken, and after she kisses Turnip Head on the cheek he reverts back to human form — revealed to be the missing prince from the enemy kingdom, who promptly heads for home. Suliman, watching through a crystal globe, decides to end the war. As the bombers are seen flying away, Howl and the others are seen high in the air in a new flying castle.

46. Dead Leaves (2004) 
Director: Hiroyuki Imaishi

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Retro and Pandy, two unlikely renegades, awaken naked on Earth with no recollection of their past, but with superior physical abilities. After embarking on a brief but devastating crime spree for food, clothing and transportation in downtown Tokyo, they are captured by authorities and sent to the infamous prison called Dead Leaves, on the half-destroyed Moon.

Once incarcerated, Retro and Pandy are subjected to the activities taking place inside the prison facility, such as forced labor, straitjackets and mandatory defecation. During one such time, Retro meets Chinko, an inmate with a drill for a penis. 666 and 777, the super-powered prison guards, demonstrate their power when 777 flicks an inmate in the face, killing him along with everybody else behind him.

Back in their cell, Retro and Pandy orchestrate a mass prison break and discover the secret work being carried out at the facility. Over the course of the film, it is discovered that Pandy and Retro were spies working at the facility and the crazed warden is trying to get revenge on Pandy by re-creating a deranged fairy tale she remembers from her childhood.

In the finale, Pandy has Retro's child, who comes out with twin machine guns and blows the warden away. A giant caterpillar (part of the demented fairy tale) begins consuming the station until the mutant baby sacrifices himself so that his two parents can live. The film ends with Pandy and Retro crashing in the middle of Earth's dystopian metropolis in their escape pod, crushing a previously-victimized bystander and presumably restarting the events from the beginning of the film.

45. Ghost in the Shell 2: Innocence (2004) 
Director: Mamoru Oshii

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The story is loosely based on Ghost in the Shell manga chapter "Robot Rondo" (with elements of "Phantom Fund"). Opening in 2032, Public Security Section 9 cybernetic operative Batou is teamed with Togusa, an agent with very few cybernetic upgrades, following the events of Ghost in the Shell.

After a series of deaths due to malfunctioning gynoids—doll-like sex robots—Section 9 is asked to investigate. As the gynoids all malfunctioned without clear cause, the deaths are believed to be premeditated murders; Batou and Togusa are sent to investigate possible terrorist or political motives. Additionally, the most recent gynoid's remains show they all contained an illegal "ghost". Section 9 concludes human sentience is being artificially duplicated onto the dolls illegally, making the robots more lifelike, and possibly acting as a motive in the murders.

Called to a homicide scene, information warfare/technology specialist Ishikawa explains the victim is Jack Walkson, a consignment officer at gynoid company LOCUS SOLUS, who may have been killed by the Yakuza. A previous Yakuza boss was recently killed by a gynoid, so Ishikawa concludes Walkson was held responsible and killed in an act of revenge. Batou and Togusa enter a Yakuza bar to question the current boss, only to be threatened by the bar occupants. Batou opens fire, killing and wounding numerous gang members, including the cyborg that murdered Walkson. The current boss then admits his predecessor was somehow involved in LOCUS SOLUS, but insists he doesn't know how.

Entering a store on his way home, Batou is then seemingly warned by the Major and shot in the arm by an unseen assailant. Caught in a firefight, Batou nearly kills the store owner in confusion, but is subdued when Ishikawa appears. While having his damaged arm replaced, Batou is informed by Ishikawa that his e-brain was hacked, causing him to shoot himself and attack the store occupants. Ishikawa explains that Batou was hacked to try and cause further scandal following his Yakuza assault in an attempt to stop the Section 9 investigation.

Batou and Togusa then head for the mansion of Kim, a soldier-turned-hacker with an obsession with dolls. Seemingly dead, Kim soon reveals he "lives" inside the shell of a human-sized marionette, and discusses philosophy with his visitors. Kim admits ties to LOCUS SOLUS, divulging that the company has secret headquarters in international waters. Warned again by the Major, Batou realizes that Kim has secretly hacked into his and Togusa's e-brains, and is currently trapping them in a false reality. Resetting Togusa's brain, Batou subdues Kim, noting he knows Kim hacked his brain in the store.

Resolved to gather material evidence, Batou infiltrates the LOCUS SOLUS headquarters ship while Togusa remotely hacks its security systems using an unaware Kim as a proxy. The ship's security becomes aware of the hacking and retaliates with a virus that fries Kim's cyberbrain. Simultaneously, a hidden virus loads a combat program into the production-line gynoids, causing them to attack everyone aboard. As Batou fights to the ship's center, the Major then appears by controlling a gynoid remotely, helping Batou fight the gynoids and hack the ship's security.

Taking control of the ship, the Major then reveals to Batou the truth about the gynoids. Hiring the Yakuza to traffick young girls, LOCUS SOLUS duplicated their consciousnesses into the gynoids, giving them human "ghosts" to make them more realistic. Batou rescues a young girl from a "ghost dubbing" machine, and she explains that Jack Walkson, learning the truth about LOCUS SOLUS, promised to save the girls by tampering with the ghosting process; this caused the gynoids to murder their owners, allowing Walkson to attract police attention and indirectly kill the Yakuza boss. Despite Walkson's actions saving the girls, Batou objects that he also victimized the gynoids as well, causing them severe distress by giving them damaged ghosts. Having solved the case, Batou asks the Major if she's happy now, and she notes that she'll always be beside him on the network, before disconnecting from the gynoid.

44. Voices of a Distant Star (2002) 
Director: Makoto Shinkai

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Voices of a Distant Star (Japaneseほしのこえ HepburnHoshi no Koe, lit. "Voices of a Star") is a Japanese science fiction drama original video animation (OVA) short film created and animated by Makoto Shinkai. It follows the lives of two close childhood friends, a boy and a girl, who get separated once the girl is sent into space to fight in a war against aliens. As the 15-year-old girl goes deeper and deeper into space, the texts she sends take longer to reach the Earth; the film simultaneously follows her battles and the boy's life as he receives her texts over the years.

The OVA premièred in Japan in February 2002 in an advanced screening. It was followed by two DVD releases on April 19 and October 6, 2002. ADV Films licensed the OVA for release in North American and the United Kingdom, Madman Entertainment licensed it for Australasia and Anime Limited, for the United Kingdom. In 2002, it won the Animation Kobe award for packaged work. It also won the 2003 Seiun Awardfor Best Media. It was very positively received by critics, who praised its artistic dimension, plot, and music; the English-language version, however was criticized for its dubbing.

The OVA was adapted into a drama CD by Pioneer LDC and a novel was written by Waku Ōba, illustrated by Makoto Shinkai and Kou Yaginuma, and published by Media Factory's imprint MF Bunko J. Makoto Shinkai adapted a manga from the OVA, illustrated by Mizu SaharaKodansha serialized it in its manga magazine, Afternoon, from April 2004, and released the manga as a one-shot on February 23, 2005. The manga was licensed for a North American release by Tokyopop, which published it on August 1, 2006.

43. Jin-Roh: The Wolf Brigade (1999) 
Director: Hiroyuki Okiura

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The story is set in a parallel 1950s Japan, in which Germany has conquered Japan. It focuses on Kazuki Fuse, a member of the elite Kerberos Panzer Cops, a metropolitan antiterror unit. Fuse confronts his own humanity when he fails to shoot a young female terrorist. The girl detonates a bomb in front of him, only killing herself. The incident damages the reputation of the unit and Kazuki is punished. He visits the ashes of the dead girl and meets Kei Amemiya, who claims to be the elder sister of the terrorist. They develop a relationship. Kei is eventually revealed to not be the suicide bomber's sister but instead a former bomb courier and a honey trap acting on behalf of the Special Unit's rival division Public Security.

A trap is set up where Kei calls Kazuki one night to say that strange men are following her. It is in fact a Capitol Police joint operation with the Public Security Division intended to discredit the Special Unit, showing a terrorist passing a satchel bomb to a Panzer Cop. Kazuki sneaks in, seizes Kei – neutralizing Capitol Police agents – and gets out of the place with the Public Security Division agents in hot pursuit. Eventually they throw off their pursuers.

They make their way to the sewers once more, where they are met by members of the Wolf Brigade – a secret, deep-cover unit in the Kerberos Corps led by Hajime Handa. They greet Kazuki and give him a full set of armor and weaponry, before leaving with Kei in tow. It is explained to Kei that the whole affair has been a plot within a plot, as the Wolf Brigade has used Public Security Division's plan to flush out those who were most active in trying to eliminate the Kerberos Corps, and eliminate them in turn. After following the tracking device, Public Security agents make their way to the sewers. They attempt to find Kazuki, without realizing that they are heading into a trap. Kazuki slaughters them all.

Eventually, the Wolf Brigade and Kei end up at a junkyard to dispose of the bodies. Kazuki interrupts an order to kill Kei given by his former drill sergeant, also a member of the Wolf Brigade, who intends to ensure she is never recaptured by Public Security. Kazuki's sergeant threatens him with expulsion from the unit. In desperation, Kei embraces Kazuki and recites the dialogue of Red Riding Hood, remarking on the grotesque appearance of the wolf disguised as a loved one. Kazuki is distraught, but kills Kei anyway, annihilating the last traces of his own humanity. Satisfied, the old sergeant solemnly compares Kei's fate to the demise of Red Riding Hood, alluding to the tale's main point: The inevitable ruination of naive girls.

42. Galaxy Express 999 (1979) 
Director: Rintaro

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An impoverished ten-year-old named Tetsuro Hoshino desperately wants an indestructible machine body, giving him the ability to live forever and have the freedom that the unmechanized don't have. While machine bodies are impossibly expensive, they are supposedly given away for free in the Andromeda galaxy, the end of the line for the Galaxy Express 999, a space train that only comes to Earth once a year.

The series begins with Tetsuro and his mother making their way to Megalopolis where they hope to get jobs to pay for passes for the 999. Along the way, however, Count Mecha and a gang of "human hunters" kill Tetsuro's mother. Before she dies, she tells him to continue the journey they started, and to get a machine body to live the eternal life she couldn't. Tetsuro tries to forge on toward the city alone, but is quickly overcome by the brutal cold and wind. As he succumbs, he cries out an apology to his mother for failing to fulfill her wish, and hopes that in his next life he will be born as a robot to begin with.

Tetsuro is surprised to awaken by the fireplace in the home of a beautiful woman, Maetel, who is the spitting image of his dead mother. Maetel tells him she had heard the entire incident with a long-range directional microphone she had been idly scanning around the area with. Maetel offers him an unlimited use pass for the 999 if he will be her traveling companion, to which Tetsuro agrees. She provides him with a gun and directs him to the Count's residence, telling him that the Count and his henchmen will be too distracted with their revelries to defend themselves against a surprise attack. Tetsuro bursts in on them in their meeting hall and cuts them down with a spray of gunfire. With the Earth police in hot pursuit, Tetsuro and Maetel flee the planet aboard the 999.

Along the way, Tetsuro has many adventures on many different and exotic planets and meets many kinds of people, both human and alien, living and machine. Increasingly, Tetsuro realizes that a machine body won't fix all of his problems. In fact, most of the machine people[a] he meets regret the decision to give up their humanity.

Eventually, Tetsuro and Maetel reach the Planet Prometheum, the final stop for the 999. He is shocked by the cruelty and indolence of the machine people there, and witnesses a mechanized human committing suicide, an event to which the others react with scoffs and derision. He asks the dying man why he wished to end his life, and is told that eternal life on Prometheum is utterly empty of joy or purpose. When Tetsuro mentions the name of his traveling companion, the man is horrified and tells him that Maetel is in fact the daughter of Queen Prometheum, the supreme ruler of the Machine Empire, and that she is thoroughly untrustworthy. Testuro is outraged at having been kept in the dark and rushes off to confront Maetel. Maetel is at a loss for words, but a government spokeswoman inserts herself into their conversation and begins giving answers on Maetel's behalf. Tetsuro is not impressed and he storms off in a blind fury.

Tetsuro doesn't understand why he has been betrayed by Maetel, but Maetel has plans of her own, and seeks to destroy the mechanized civilization. With the help of her father, Dr. Ban (only named in the film), whose consciousness resides in a pendant she wears around her neck, Maetel destroys her mother and the planet. Afterwards, Maetel and Tetsuro return to the penultimate station on the Planet of Bats where Tetsuro tells Maetel his intention to return to Earth and lead it toward a new future.

Maetel, proud of Tetsuro for his decision to reject mechanization, tells him she has something to take care of and that he should board first. However, Tetsuro finds a letter from Maetel telling him that it was time for them to part ways. Maetel had secretly boarded the 777 (three-seven), a nearby train, with the intention of "leading another boy to his future". However, it is unclear as to whether or not this means that the Mechanization Empire still exists elsewhere, or if Maetel will lead the boy to some other "future". The series ends as the trains both depart the Planet of Bats.

41. Steamboy (2004) 
Director: Katsuhiro Otomo

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In 1863, where an alternate nineteenth century Europe has made tremendous strides in steam-powered technologies, scientist Lloyd Steam and his son Edward have succeeded, after a lengthy expedition, in discovering a pure mineral water. They believe the water can be harnessed as an ultimate power source for steam engines (the main industrial engine of the time). An experiment in Russian Alaska goes terribly wrong, with Edward being engulfed in freezing gases, but results in the creation of a strange sphericalapparatus.

Three years later, back in England, Edward's son, Ray Steam, is an avid young inventor who works at a textile mill in Manchester as a maintenance boy, often working on a personal steam-powered monowheelat home. While he usually lives alone with his mother, his friend Emma and her brother Thomas have recently been sent over to stay until their mother returns from a business trip.

Ray's life is suddenly disrupted by the arrival of a package from his grandfather Lloyd; the metallic ball seen earlier, along with its schematics and a letter instructing him to guard it. Then, Alfred and Jason, two members of a company called "The O'Hara Foundation" arrive and attempt to steal the sphere, but Lloyd appears just in time to distract them, allowing Ray to escape with the package.

With Emma's help, he manages to activate his monowheel as more agents, operating a large steam automotive, give chase, succeeding in thwarting it on a railway line by putting it in the way of an incoming train. By coincidence, Robert Stephenson, who was the intended recipient of the Steam Ball, was on his way to Manchester to meet with the elder Dr. Steam, and happens to be on the train. However, as the train approaches the station, a zeppelin carrying Alfred descends over their compartment and kidnaps Ray, taking the ball with them.

Arriving in London sometime prior to the 1866 Great Exhibition, during a dining session Ray meets Scarlett O'Hara, the spoiled granddaughter of the Foundation's head chairman; Archibald Simon, an administrator of the company; and finally his father Edward, who has been partially mechanized for his severe injuries from the Alaskan experiment. He promptly takes Ray (and an insistent Scarlett) on a tour of the "Steam Castle"; an elaborate facility run by an army of engineers, and entirely powered by the compressed gas in three "Steam Balls", one of which was the one sent to Ray. He is enamored both by the castle, and his father's vision of using it to enlighten mankind. Ray is then quickly recruited to help complete the castle, and begins developing a love/hate friendship with Scarlett, who has become attracted to him.

Ray later encounters Lloyd again, who has escaped from his cell in the castle and is attempting to sabotage it from within, knowing that Eddie's intentions for it were evil. The Foundation's true intentions for the exhibition is to sell weapons to Britain's enemies. Upon discovering an arsenal of war machines in its underbelly, Ray struggles with the moral dichotomy of being a scientist - of how to contribute to the world without giving into vanity, conveying his conflict towards his father, and the one brewing between Eddie and Lloyd.

The two eventually reach the core section of the castle, and manage to pry away one of the Steam Balls before security surrounds them. Lloyd is shot by Alfred and recaptured, while Ray makes another elaborate escape with the ball. The next morning, the exhibition is underway, and Ray has reunited with Robert Stephenson, giving him the ball and the knowledge he acquired in captivity. An assault on the castle is then met with a demonstration by the Foundation of its new steam-powered weapons, which turn the exhibition into a war zone. Ray becomes aware of his folly when Stephenson uses the ball to enhance his own company's battle tanks (which resemble the real-life Hornsby Chain Tractor of 1905), leading him to realize that he had no better intentions than the Foundation's.

Eddie, eager to show the world the castle, enters the observation/control room and orders the engineers to "launch" it, causing the structure to rise and shed its decorative outer shell, revealing a monstrous floating fortress, the steam generated by the structure's gigantic propulsion jets flooding the city and freezing everything in its path.

Ray steals the ball again to create a makeshift rocket vehicle, and attempts to gain entry as the British Royal Navy attempts in vain to shoot it down. Stephenson attempts to hold back the castle by shooting chains at it and pulling it back with steam locomotives. This attempt works for a few moments, but eventually all the chains snap from the strain.

Scarlett has since become worried about Ray, and has found herself trapped in the castle whilst searching for him. She is in the control room with Eddie as Ray arrives, and Lloyd (having escaped again) confronts Eddie about his actions before shooting him with a stolen gun, and having his body disappear in a cloud of steam.

With the castle steered off course from the battle, the structure has become unstable and threatens to explode over the city. Lloyd and Ray rush to redirect the castle over the Thames, defeating Alfred, who is controlling a pair of gigantic construction claws in the process. At the last minute Eddie, whose metal body repelled the gunshot, appears alive and decides to lend a hand. Ray re-installs the stolen steam ball, and makes his way to the control room to make a final escape with Scarlett on an emergency jet pack, while Eddie and Lloyd halt the machine over the Thames and leave as well. The castle eventually detonates in a spectacular explosion, sparing the city of most of the destruction.

The ending montage reveals Ray returning home, and later becoming a global superhero (aka Steamboy) using the jet pack gear from the castle; his grandfather Lloyd introducing Ray to electricity and finally passing away; the Great War being fought with paratroopers and zeppelins; his father Eddie founding a corporate conglomerate; and Scarlett maturing and becoming a famous pilot.

40. Porco Rosso (1992) 
Director: Hayao Miyazaki

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Porco Rosso, a veteran World War I fighter ace and freelance bounty hunter, fends off an attack on a ferry liner by airborne pirates. Porco treats himself to dinner at the Hotel Adriano, which is run by his friend Gina.

At the hotel, the heads of the pirate gangs are contracting Curtis, an arrogant and ambitious American ace, to assist them in their next attacks. Curtis falls in love with Gina on the spot, but is frustrated to see his declarations rebuffed and her affection for Porco. After successfully executing a pirating mission, Curtis tracks down Porco, who is flying to Milan to have his plane serviced, and shoots him down as he experiences an engine outage, claiming to have killed him. Porco survives, though his plane is heavily damaged. Porco continues the trip by train with the remains of the plane, much to the irritation of Gina, who reminds him that there is a warrant for his arrest in Italy.

Porco arrives discreetly in Milan to meet Piccolo, his mechanic. He learns that Piccolo's sons have emigrated to find work elsewhere due to the great depression, and much of the engineering will have to be carried on by his young granddaughter Fio. Porco is initially skeptical of Fio's abilities as a mechanic, but after seeing her dedication in the repair project he accepts her as a competent engineer. Once Porco's plane is finished, Fio joins him on his flight home, with the justification that if the secret police arrest the team, they can say that Porco forced them to help and took Fio as a hostage. Stopping off to refuel on the way, Porco discovers that the new fascist government is beginning to hire seaplane pirates for their own use, thus putting him out of business.

Back at the Hotel Adriano, Curtis proposes to Gina but she turns him down, saying that she is waiting for Porco Rosso. Upon returning home, Porco and Fio are ambushed by the pirates, who threaten to kill Porco and destroy his plane. Fio talks them out of it, but Curtis appears and challenges Porco to a final duel. Fio makes a deal with him declaring that if Porco wins, Curtis must pay off his debts owed to Piccolo's company, and if Curtis wins, he may marry her.

That night, Porco tells a story from World War I. His entire squadron apart from himself was shot down in a dogfight with Austro-Hungarian aircraft. He recalls blacking out and awakening to find himself in complete stillness, with a white band hovering in the distant sky. Allied and enemy aircraft, flown by the airmen who died in the dogfight, fly past towards the band but ignore him. Porco soon sees that the band is in fact thousands of planes flying together. He blacks out again, and when he awakes he discovers that he has been turned into a pig. He believes this to be a divine punishment for fleeing from the fight.[note 1]

The next day, the duel is arranged and a large crowd gathers to observe. The indecisive dogfight between Porco and Curtis soon dissolves into a bare-knuckle boxing match. Gina appears and warns the crowd that the Italian air force has been alerted and are on their way. Porco barely wins the fight upon her arrival, and hands Fio over to Gina, requesting that she look after Fio. Before the plane takes off, Fio gives Porco a kiss. With the crowd gone, Porco and Curtis agree to delay the air force together. When Curtis sees Porco's face, he reacts with surprise. Fio narrates that in the end Porco outflies the Italian air force and is never hunted by them again; Fio herself became president of the Piccolo company, which is now an aircraft manufacturer; Curtis became a famous actor; and the pirates continued to attend the Hotel Adriano in their old age. She does not divulge whether Gina's hope about Porco Rosso was ever realized.

After the credits, a familiar red seaplane appears soaring in the sky before disappearing into the clouds.

39. The Girl Who Leapt through Time (2006) 
Director: Mamoru Hosoda

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At Kuranose High School in Tokyo, Japan, Makoto Konno discovers a message written on a blackboardand inadvertently falls upon a walnut-shaped object. On her way home, Makoto is ejected into a railroad crossing when the brakes on her bicycle fail and is hit by an oncoming train, but finds herself transported back to the point in time when she was riding her bicycle right before the accident. After entering the Tokyo National Museum to meet with Kazuko Yoshiyama, she explains to Makoto that she has the power to "time-leap", to literally leap through time. At first, Makoto uses her powers to avoid being late, getting perfect grades, and even relive a single karaoke session for several hours, but soon discovers that her actions can adversely affect others.

Consequently, Makoto uses most of her leaps frivolously, to prevent undesirable situations from happening, including an awkward love confession from her best friend Chiaki Mamiya. Makoto realizes that she has a numbered tattoo on her arm indicating the limited amount of times she can time leap. Using her remaining time leaps, Makoto attempts to make things right for everyone. When Chiaki calls Makoto to ask if she has been time-leaping, she uses her final time leap to prevent Chiaki's call. In the meantime, Makoto's friend Kōsuke Tsuda and his new girlfriend, Kaho Fujitani, borrow her faulty bike. Makoto attempts to stop them, but because she had just used her final leap, she is unable to rescue them from the train.

A moment later, Chiaki freezes time, telling Makoto that he is from the future. He explains that the walnut-shaped object is a time-traveling device, and he used it to leap through time hoping to see a painting that is being restored by Kazuko, as it has been destroyed in the future. While walking with Makoto in the frozen city, Chiaki also explains that he stayed longer in her time frame than he originally planned. Consequently, he has used his final leap to ensure Kōsuke's existence and has stopped time only to explain to Makoto what the results will be. Having revealed his origins and the nature of the item that allowed Makoto to leap through time, and now unable to return to his own time period, Chiaki must leave. Makoto then realizes that she loves him.

True to his words, Chiaki disappears once time resumes. Initially distraught by Chiaki's disappearance, Makoto discovers that Chiaki's time-leap had inadvertently restored her final time-leap: Chiaki had leaped back to the time before Makoto used it. Makoto uses it to safely leap back to the moment right after she gained her powers, at which point Chiaki still has one remaining time-leap, and recovers the used up time-travel device. Makoto explains her knowledge of everything and shows the device to Chiaki. Makoto vows to ensure the painting's existence so Chiaki can see it in his era. Before Chiaki departs, he tells Makoto that he will be waiting for her in the future. When Kōsuke asks her where Chiaki went, she says that he went to study abroad, and that she made a decision about her own future.

38. The Place Promised in Our Early Days (2004) 
Director: Makoto Shinkai

 

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After the Separation in Japan in 1974 the northern island, Hokkaidō (or Ezo, as it is called in the anime), was occupied by the "Union" (referring to the Soviet Union). Also in that same year, the Union began the construction of a strange tower on Hokkaido designed by a scientist named Ekusun Tsukinoe. The anime follows the story of three friends living in Aomori, in northern Japan: two boys, Hiroki Fujisawa and Takuya Shirakawa, both child prodigies; and one girl, Sayuri Sawatari. In 1996, the three are in ninth grade, their last year of middle school, and they are fascinated by the Hokkaido Tower visible across the Tsugaru Straitto the north. Sayuri becomes close friends with the two boys.

The boys find a crashed Maritime Self-Defense Force drone plane and work on rebuilding the plane with the support of Mr. Okabe, their boss at a military plant. The three teenagers promise to one day fly to Hokkaido to visit the Tower. However, before they can do this, Sayuri mysteriously disappears during the summer.

Three years later, Takuya and Hiroki have stopped working on the plane, having taken different paths after the grief they suffered at Sayuri's disappearance. Takuya is working as a physicist at an Alliance scientific facility sponsored by the United StatesNational Security Agency, researching parallel universes alongside Ms. Maki Kasahara under the supervision of Professor Tomizawa. They know that the Hokkaido Tower, which began operating in 1996, replaces matter around it with matter from other universes, but they do not yet know why it does this for only a 2-km radius. Takuya becomes involved with the Uilta Liberation Front after he learns that Mr. Okabe is its leader; his factory workers are the other agents of the organization. Okabe signs Takuya on for an excursion to Ezo with Uilta.

Sayuri is revealed to have been hospitalized over the past three years, having developed an extreme form of narcolepsy; she has been sleeping continuously for most of the three years. Her mind is trapped in an unpopulated parallel universe, where she is all alone. Tomizawa has discovered that she is somehow connected to the Union's research into parallel universes and the Hokkaido Tower's ability to change the surrounding land into alternate possibilities, but Tomizawa keeps this information, as well as her whereabouts, secret from Takuya initially. Tomizawa is secretly working with the Uilta Liberation Front and lets Mr. Okabe know about Sayuri, while Mr. Okabe reveals that the Uilta Liberation Front plans to bomb the Hokkaido Tower to incite war against the Union, hoping that this will lead to the reunification of Japan.

Takuya finally learns of the most likely scenario through his coworker – that Sayuri was used by her grandfather, a Union physicist, to channel all of the Tower's unstable dimension-creating energy somewhere other than Earth, the implication of him not having done so likely having resulted in the dimension creating chain reactions around the tower to continue growing in area until it enveloped the whole world. Saddened, he goes back to the old warehouse where he and Hiroki were working on the plane, only to find Hiroki, who wants Takuya to help him complete the plane to save Sayuri. He coldly points a gun at Hiroki and has him choose between Sayuri and the World without waiting for an answer – walking away in pain.

With Okabe's guidance, Takuya locks up his coworker and takes Sayuri away from the NSA compound – Takuya and Hiroki finally come back together to work on the plane. Takuya helps to finish the final programming of the plane, as they plan, using the cover of the soon coming declaration of war against Ezo, to fly to the tower and destroy it before its rays affect everything on Earth, which in turn will save Sayuri.

The plane only seats two, so Takuya allows Hiroki to pilot the plane and fulfill their childhood promise. Hiroki manages to fly the plane across the strait to the Tower carrying Sayuri and a missile provided by the Uilta Liberation Front. When Sayuri finally awakens while the plane circles the Tower, the Tower activates and immediately begins to transform the surrounding area; the area under transformation grows to encompass much of Hokkaido. In the last few minutes of her coma, Sayuri realizes that when she awakes she will lose all her memories of her dreams of the past 3 years, and thus upon waking she weeps because, unknowingly, she lost the memory of her love for Hiroki. Flying back, Hiroki fires the missile, destroying the Tower and stopping the matter transformation. The film ends with Hiroki vowing to Sayuri that they will start their relationship anew.

37. Interstella 5555 (2003) 
Director: Kazuhisa Takenouchi

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The main points of the story coincide with the Daft Punk tracks on their Discovery album. On an alien planet, a band is playing to a packed audience; keyboardist Octave, guitarist Arpegius, drummer Baryl, and bass player Stella. ("One More Time"). A military force invades the planet and kidnaps the band ("Aerodynamic"). A space pilot called Shep is awoken from a dream about Stella by a distress call about the kidnapping and pursues the kidnappers through a wormhole, where he crashes on Earth ("Digital Love").

The band is taken to an underground facility, where their memories are removed to disks and their blue skin changed to make them resemble humans. They are fitted with mind-control devices hidden in sunglasses ("Harder, Better, Faster, Stronger"). Their captor, Earl de Darkwood, poses as their manager and presents them as a new band called The Crescendolls, who take the world by storm ("Crescendolls"). The fame has its disadvantages as the exhausted members of the band are forced to sign large amounts of marketing material. Meanwhile, Shep finds his way to the city and discovers what has happened to the band ("Nightvision").

During a stadium concert, Shep flies in with a jet pack and fires a beam at each band member, freeing all of them from the mind control except Stella. In the escape, Shep is mortally wounded, and Darkwood's bodyguards are revealed to be androids ("Superheroes").

Still under the Earl's control, Stella finds a card with the address of the Earl's home, Darkwood Manor, which she hides in her dress. She is taken to a “Gold Record Award” ceremony, where the Crescendolls win the Gold Record. Baryl is concealed in the audience and frees Stella with the beam, and they make their escape with Octave's help ("High Life"). The band returns to Shep, who reveals their true identities before he dies ("Something About Us"). They bury Shep and his spirit rises into space. While driving away, they use the card Stella took earlier to find their way to Darkwood Manor, and decide to investigate ("Voyager").

Whilst exploring Darkwood's mansion, the band finds their way into a secret room, in which they find a journal revealing Darkwood's plans. He has been kidnapping musicians from various worlds to acquire 5,555 gold records, with which he can rule the universe. Darkwood captures them and attempts to sacrifice Stella to complete the ritual, but Arpegius manages to throw the final gold record into a chasm, and Darkwood follows it into the abyss ("Veridis Quo"). The band travels back to the record company to retrieve the memory disks. Octave sneaks in to steal them, but while escaping from the building, he is tasered by a guard, and his skin reverts to its blue state ("Short Circuit").

The authorities find Shep's ship and mount an operation to return the Crescendolls to normal, and get the quartet back to their home planet ("Face to Face"). On the way back to the wormhole, Darkwood's spirit appears and attacks the ship. Shep's spirit also appears and fights Darkwood, which frees them. The band returns to their home planet to great acclaim, and a statue of Shep is erected ("Too Long"). At the end, it is implied that the whole story was the dream of a young boy, inspired by the Discovery album and toys in his room.

During the end credits, a remix of "Aerodynamic" plays.

36. Vampire Hunter D (1985) 
Director: Toyoo Ashida

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D wanders through a far-future post-nuclear Earth that combines elements of pulp genres: western, science fiction, horror, high fantasy, H. P. Lovecraftian mythos, folklore and occult science. The planet, once terrified by the elegant but cruel Nobles (vampires), ancient demons, mutants and their technological creations, is now slowly returning to a semblance of order and human control — thanks in part to the decadence that brought about the downfall of the vampire race, to the continued stubbornness of frontier dwellers and, to the rise of a caste of independent hunters-for-hire who eliminate supernatural threats.

The year is approximately 12,090 AD. Some time in 1999, a nuclear war occurred. The Nobility were vampires that planned for a possible nuclear war and sequestered all that was needed to rebuild civilization in their shelters. They use their science combined with magic to restore the world in their image. Nearly all magical creatures are engineered, with a very small number being demons who survived the holocaust. Despite their technology being great enough to create a blood substitute as food, they still prefer to feed on humans. As such, they create a civilization where vampires and humans coexist, eventually developing the planet into parklands and cities. The society eventually stagnates when vampire technology perfects scientific prophecy, which determines they are at their zenith of existence and thus are doomed to fall, overthrown by humans. The human race was also transformed at this time, with fear for the vampires being woven into the genetic level, and the inability to remember vampire weaknesses such as garlic and crucifixes.

Unlike vampires from traditional lore, the Nobility have the ability to reproduce sexually, although their offspring will permanently cease aging after reaching physical maturity, having inherited their vampire parent's immortality.

D is a dhampir, the half-breed child of a vampire father and human mother, the ideal vampire hunter. He is renowned for his consummate skill and unearthly grace, but feared and despised for his mixed lineage: born of both races but belonging to neither. Often underestimated by his opponents, D possesses surprising power and resourcefulness, having most of the strengths of the Nobility and only mild levels of their common weaknesses. It has been seen in both movies that his power is not only physical, but extends into the magical realm as well. His supernatural powers make him one of the strongest beings in the world, if not the second strongest (second only to his father). However, D prefers his physical abilities, only using his magic in times of great need. Unlike most dhampirs, D is able to live as a "normal" human; however, he is marked by his unearthly beauty and exceptionally powerful aura, and thus rarely accepted by human settlements. In terms of weaknesses, he is randomly susceptible to sun-sickness, a severe type of sunstroke, about once every five years (far less than most dhampirs). D also recovers from it at a rate far greater than other dhampirs. Usually it takes several days to recover from sunlight syndrome, longer if the dhampir is exceedingly powerful, but D recovered in a few hours (around 1–6 hours approximately) despite being one of the strongest if not the strongest dhampir alive. Otherwise, D does not appear to suffer from other vampiric weaknesses usual to dhampirs, being able to physically restrain opponents with his aura and having godlike reflexes surpassing even those of Nobles.

His symbiotic left hand states, in Vampire Hunter D: Bloodlust: "Dracula became impatient with the Bloody Countess, and your father, The Vampire King, became impatient with her gluttony. And impaled her on 'The Sword'". Speculation on whether "The Sword" is D's sword or not is debatable. It is important to note here, however, that the movie differs sharply from the book it takes its story from, Vampire Hunter D: Demon Deathchase, and future entries in the novel series do not differentiate between Dracula, The Vampire King and D's father, proposing that they are one and the same.

The symbiote that resides in D's left hand

D is the host for a sentient symbiote, Left Hand, a wise-cracking human face residing in his left palm, who can suck in massive amounts of matter through a wind void or vacuum tunnel. Left Hand enjoys needling the poker-faced D, but only appears as needed, rarely witnessed or heard by anyone other than D, yet aware of many of D's thoughts and actions. At all other times, D's left hand appears normal. Besides providing a contrast to D's reserved demeanor, Left Hand is incredibly useful, possessing many mysterious powers such as psychometry, inducing sleep, determining the medical condition of a victim, and the ability to size up the supernatural powers or prowess of an enemy, even beyond D's keen senses. In the first and second novels, Left Hand can also revive D when his physical condition is suffering, by consuming the four elements and converting the resulting energy into life force. This ability even saved D from the usually fatal stake through the heart he received from Rei-Ginsei in the first novel. Left Hand has its own mind and will, and acts as D's guide and sole permanent companion, providing a reservoir of knowledge pertaining to the lost Noble culture. So far, Left Hand's origins are unknown, and it is unclear how they came to be joined. However, some of its nature is revealed in the third book, which features a similar creature; it is implied he was one of the Barbarois (human/monster hybrids) who served in the personal retinue of Count Dracula.

D rides a cybernetic horse with mechanical legs and other enhancements, wields a crescent longsword which looks similar to Yoshitaka Amano's scimitarsword design found in many of his works of art, but the sword has a hefty length, similar to that of a Japanese nodachi. D always wears a mystical blue pendant; it prevents many of the automatic defenses (such as laser fields and small nuclear blasters) created by the Nobility in past millennia from working properly, and allows him to enter their sealed castles. In the novels and game, he also uses wooden needles which he can throw with super speed. He protects his milk-white face from the noonday sun with long black hair, flowing black clothing and cape, and the shadow of a wide-brimmed hat. Though he appears to be only 17 or 18 in the first novel (slowly aging as the series goes on), D's age is unknown (although in the novel Pale Fallen Angel parts I and II, it is made known that he is at least 5,000 years old). His beauty is mesmerizing, often unintentionally wooing women and sometimes flustering men.

Very little is known of D's past and the identity of his parents is ambiguous, but his innate power suggests that his father is an extraordinarily powerful vampire. Regarding D's birth, some Nobles whisper dark rumours about their vampire progenitor, the Sacred Ancestor known as Count Dracula, bedding a human woman called "Mina the Fair" (implied to be Mina Harker). Dracula conducted bizarre crossbreeding experiments involving himself and countless human women or even other vampires, with the only successful product of the experiments being D. D, wanting nothing to do with his father save for killing him, refuses to go by his true name. Instead, he shortens it to the first letter. In Twin Shadowed Knight it is revealed that D has a twin who goes unnamed. The twin states that he and D were born from the same woman in exactly the same conditions.

Dracula's role in the novels is very mixed, appearing both as bane and savior to isolated towns, and deified as a legendary god-king to the vampires, many of whom have never even met him in person. D quotes Dracula's precepts ("Transient guests are we" — implied to refer to the Nobility) in the first novel. Dracula appears both as a lawgiver honored for his intelligence, who showed some interest in preserving humans, and as a ruthless scientist (in the second novel), conducting hybrid breeding experiments with humans in order to perpetuate his own dwindling species. D appears to have encountered his alleged father on at least one occasion, as when at times D reaches a place where the imprint of Dracula's power remains, D remembers Dracula telling him that "You are my only success." Like D, Dracula is portrayed as a mysterious and handsome young wanderer who deals out both life and death. However, in the English dub of the anime, D states that Dracula respected humanity and did not feed on innocent people.

35. Castle in the Sky (1986) 
Director: Hayao Miyazaki

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An airship carrying Sheeta, a girl who has been abducted by government agent Muska, is attacked by Captain Dola and her air pirate sons who are in search of Sheeta's crystal amulet. In the resulting struggle, Sheeta falls from the airship but her descent is slowed by a mysterious power within the amulet. She safely lands in a small mining town where she is discovered by a boy named Pazu, who takes her into his home to recover. Pazu tells her of a mysterious floating island named Laputa which is visible in a picture taken by his father. Later, they are pursued by Dola's pirates, and then by Muska's soldiers. Eventually, the two fall into an abandoned mine, where they encounter the local eccentric Uncle Pomme, who informs them that Sheeta's amulet is made of 'volucite' crystal ('Aetherium' in the American release), a material used to keep Laputa and the other flying cities aloft.[2]

Upon leaving the mines, Sheeta tells Pazu that her full name is 'Lucita Toel Ul Laputa'. They are then captured by Muska and taken to the fortress of Tedis, where Pazu is imprisoned in a dungeon tower while Sheeta is imprisoned in a more lavish room. Muska shows Sheeta a dormant Laputan robot and reveals his knowledge of her secret name, which he interprets to be that of the Laputan royal line. Muska then threatens Pazu's life to obtain Sheeta's cooperation. For his own safety, Sheeta orders Pazu to leave and Muska offers him money to leave and forget about Laputa.

A distraught Pazu returns home, where he is ambushed by Dola's sons. After hearing Pazu out, Dola and her sons prepare to intercept and capture the crystal, allowing Pazu to join them. As preparations proceed, Sheeta recites an apotropaic verse and unexpectedly activates the amulet and the robot, which follows Sheeta, destroying the fortress along the way until it is overcome by the military's airship Goliath. Pazu arrives and rescues Sheeta, but Muska obtains the amulet. The pirates, accompanied by Pazu and Sheeta, return to their airship, Tiger Moth. They pursue the Goliath, which is following directions indicated by Sheeta's amulet to locate Laputa. Both airships arrive at Laputa on the following day, with the Tiger Moth having been shot down by Goliath. The two children, separated from Dola's pirates, discover the city to be ruined and overgrown.

Dola's pirates are captured and Muska's soldiers plunder the city's treasures. Upon gaining entrance to the city's central sphere, a vast repository for all of Laputa's scientific knowledge, Muska captures Sheeta and his agents open fire upon Pazu, who escapes and frees Dola's pirates. In the center of Laputa, which contains the immense 'volucite' crystal keeping the city aloft, Muska identifies himself as "Romuska Palo Ul Laputa", another member of Laputa's royal line, and uses Sheeta's crystal to access the advanced Laputan technology. He betrays his own soldiers and destroys the Goliath by unleashing Laputa's weapon of mass destruction. During the mayhem, the horrified Sheeta retrieves the crystal amulet and flees, but Muska pursues her. Encountering Pazu, Sheeta gives the amulet to him through a gap in the wall and is cornered by Muska in Laputa's throne room.

During her confrontation with Muska, Sheeta explains that the people of Laputa left the castle because they realized that man was meant to live on earth and not in the sky. Muska refuses her arguments, shoots off her braids and threatens to kill her unless the crystal amulet is given to him. Pazu requests to be allowed to talk with Sheeta; Muska grants them one minute. Sheeta and Pazu recite a "Spell of Destruction", destroying much of the city, which breaks apart and crushes Muska to death. After surviving the collapse, Pazu and Sheeta reunite with Dola and her pirates and leave Laputa behind. When they part with the pirates, Pazu flies Sheeta home as he had promised her, to start a new life together.

During the end credits, the remnants of Laputa float in orbit, maintained by the volucite crystal embedded in the roots of the central tree.

34. Appleseed (2004) 
Director: Shinji Aramaki

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Deunan Knute, a young soldier and one of the Global War's last survivors, is rescued by Hitomi, a Second Generation Bioroid. Knute's escape attempt is stopped by her former lover Briareos Hecatonchires, now a cyborg. She realizes that the war had ended and she is in a Utopian city called Olympus. Its population is half-human and half-clone, a genetically-engineered species called Bioroids. Olympus is governed by three factions: Prime Minister Athena Areios; General Edward Uranus III, head of the Olympus Army; and a Council of Elders. Everything in the city is observed by an artificial intelligence named Gaia from a building called Tartaros. While there, Deunan joins the counter-terrorism organization ESWAT.

The Bioroids were created from the DNA of Deunan's father, Carl, making the Second Generation Bioroids her brothers and sisters. However, they have a much shorter lifespan than humans due to suppressed reproductive capabilities. The Bioroid's life extension facilities are destroyed by a secret faction of the Regular Army in a terrorist attack against the Bioroids. However, the Appleseed data, which contains information on restoring the Bioroids reproduction capabilities, still exists.

Olympus is plagued by conflicting factions. Along with a strike force, Deunan and Briareos head to the building where the Bioroids were originally created. She activates a holographic recording showing the location of the Appleseed data. Dr. Gilliam Knute, who created the Bioroids, entrusted Appleseed to Deunan, but was inadvertently killed by a soldier. After mourning the death, Leyton turns against his men. They then get cornered by the Regular Army. Deunan discovers from anti-Bioroid terrorist Colonel Hades that Briareos had intentionally allowed his Landmate, a large exoskeleton-like battlesuit, to escape. Kudoh then sacrifices himself to get Deunan and Briareos out of harm's way and escape to the rooftop. Uranus attempts to convince Deunan that Bioroids seek to control humanity, and he wants to destroy Appleseed and the D-Tank containing the Bioroid reproductive activation mechanism. Briareos tells Uranus that the Elders manipulated the Army into wanting to destroy the D-Tank, but Athena is trying to prevent them from doing so and protect humanity. Hades, who resents Carl, wounds Briareos. She and Briareos flee into the sea, killing Hades in the process. Despite Deunan's pleas not to leave Briareos behind, he persuades her to search for the Elders. Mechanic Yoshitsune Miyamoto arrives in his Landmate and begins repairing Briareos after receiving an SOS from him. Deunan flies back to Olympus in Yoshitsune's Landmate and uses the Appleseed data to fully restore Bioroid reproductive functions.

As Deunan encounters the Council of Elders, they reveal their involvement in Gilliam's death and also plan to use the D-tank virus to sterilize humans, which will leave the Bioroids the new rulers of Earth. They needed the Appleseed data to keep the Bioroids alive, but Gilliam hid the data so they could not move forward with their plan. Athena, stepping in to stop them and announcing that Uranus has surrendered, tells Deunan that the Elders had been acting on their own and had shut Gaia down once they realized humanity had softened their stance against Bioroids. The Elders state that they will soon die since Gaia kept them alive, but that they were ready to sacrifice themselves. They then activate the city's mobile fortress defenses, which begin marching towards Tartaros. Athena states that D-tank's security system is nearly impenetrable, but a shot from the fortresses' main cannons might puncture the tank, releasing the virus. ESWAT begins mobilizing, but suffer heavy casualties due to the fortresses' heavy weaponry.

Briareos arrives and asks Deunan to join the battle. Despite the Elders' objections, she goes with him to the seventh tower, and attempts to enter the password to shut the defenses down, but a malfunction makes it difficult. The final password letter appears by itself, and Deunan secures the D-Tank, shutting down the towers. She reveals that the sins of humanity will probably get worse, but that there is always the chance that future generations will learn from these mistakes; she vows to keep fighting for the children.

33. Panda! Go, Panda! (1972) 
Director: Isao Takahata

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The plot follows Mimiko (ミミ子), a bright little girl left alone when her grandmother leaves on a trip. Making a few stops at some local stores, Mimiko comes home to her house in a bamboo grove and finds a baby panda named Panny sleeping on the back doorstep. She quickly makes friends with the little panda, and invites him in for a drink. His father, PapaPanda, soon comes to visit, and they decide to become a family after PapaPanda offers to be Mimiko's father (Mimiko never had any parents). The three adjust to life together during their first night together, while Mimiko writes the first of many letters to her grandma (who she promised to write to every day).

The next day, Mimiko goes to school, reluctantly allowing Panny to tag along (even though she told him to stay home). In a close call, Panny ends up getting all of Mimiko's school (save for Mimiko) chasing after him. The next day, Mimiko gets an unexpected visit from a local policeman, who came to check on her. Expectedly, he freaks out after seeing PapaPanda. He goes to notify the local zoo staff, who invites the zookeeper (who lost PapaPanda and Panny after they broke out of the zoo). The zookeeper demands the safe return of his pandas, so he joins the police and zoo staff in the search.

Meanwhile, Mimiko and her family go out on a walk and, after scaring off some local bullies, they inadvertently lose Panny after he rolls down a hill. Mimiko and PapaPanda go searching for him, eventually gaining help from local police and the zookeeper in the search. They find Panny floating on a piece of wood, heading towards an open floodgate and hurry to save him. The handle, however, has rusted, leaving Panny in a dangerous situation. Mimiko comes very close to falling into dangerous waters after she jumps down to save Panny from death, but PapaPanda saves both of them by closing the floodgate. Mimiko, alongside Panny, PapaPanda, the zookeeper and the local police, cheer their success. PapaPanda, alongside Panny, return to work at the zoo, under the condition that they can leave after the visitors have left to spend time with Mimiko.

32. Robot Carnival (1987) 
Director: Various

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Robot Carnival (ロボット・カーニバル Robotto Kānibaru) is a Japanese anthology original video animation (OVA) released in 1987 by A.P.P.P.. In North America, it was released in theaters by Streamline Pictures with the order of the segments slightly rearranged. This OVA has gained a small cult following.

It consists of nine shorts by different well-known directors, many of whom started out as animators with little to no directing experience. Each has a distinctive animation style and story ranging from comedic to dramatic storylines. The music was composed by Joe Hisaishi and Isaku Fujita and arranged by Joe Hisaishi, Isaku Fujita and Masahisa Takeichi.

31. Mobile Suit Gundam: Char’s Counterattack (1988) 
Director: Yoshiyuki Tomino

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Set in March UC 0093, the film features the return of main antagonist Char Aznable, who has emerged after five years in hiding to lead the Neo-Zeon once more in the fight for supremacy over the Earth Federation. Still determined to make humankind fully colonize in space, he mobilizes the Neo-Zeon to drop the asteroid 5th Luna on the Federation headquarters in Lhasa, Tibet. Under the guise of surrendering all Neo-Zeon military forces, he plans to drop the Axis asteroid base on Earth as well.

However, the Federation has assigned its own anti-insurgent task force, the Londo Bell, to take him down. Among the Londo Bell's members are One Year War veterans Bright Noa and Amuro Ray, whom Char wants to kill in revenge for the death of Lalah Sune. A major battle around Axis breaks out as the Londo Bell struggle to stop Char before the asteroid enters Earth's atmosphere. A Londo Bell demolitions team blows up Axis from the inside but one half is still on course to strike Earth, In the midst of the battle, Amuro catches Char and tries to push Axis from reentry, with Federation and Neo Zeon mobile suits coming to help. As the group tries to carry out the impossible, Amuro's RX-93 Nu Gundam resonates and creates a psyco-wave around the asteroid, pushing it away from Earth while shoving all the other mobile suits from the area. Both Federation and Neo-Zeon forces look on as Axis veers off from reentry. Both Amuro and Char are presumed dead by their respective factions.

30. Kiki’s Delivery Service (1989) 
Director: Hayao Miyazaki

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It is traditional for 13-year-old witches to leave home for a year on the night of a full moon to pursue their skill through training. Thirteen-year-old trainee witch Kiki leaves home with her familiar spirit, a talking black cat named Jiji. She flies on her broomstick to the port city of Koriko. While trying to find somewhere to live, Kiki is pursued by Tombo, a geeky boy obsessed with aviation who admires her flying ability.

In exchange for accommodation, Kiki helps Osono, the kindly and heavily pregnant owner of a bakery. She opens a "Witch Delivery Business", delivering goods by broomstick. Her first delivery goes badly; she is caught in a gust and loses the black cat toy she is supposed to deliver. Jiji pretends to be the toy until Kiki can retrieve the real item. She finds it in the home of a young painter, Ursula, who repairs and returns it to Kiki so she can complete the delivery and rescue Jiji.

Kiki accepts a party invitation from Tombo, but is delayed by her work and, exhausted, falls ill. When she recovers, Osono clandestinely arranges for Kiki to see Tombo again by assigning her a delivery addressed to him. After Kiki apologizes for missing the party, Tombo takes her for a test ride on the flying machine he is working on fashioned from a bicycle. Kiki warms to Tombo but is intimidated by his friends, and walks home.

Kiki becomes depressed and discovers she can no longer understand Jiji, who has befriended a pretty white cat. She has also lost her flying ability and is forced to suspend her delivery business. Kiki has a surprise visit from Ursula, who determines that Kiki's crisis is a form of artist's block. Ursula suggests that if Kiki can find a new purpose, she will regain her powers.

While Kiki is visiting a customer, she witnesses an airship accident on television which leaves Tombo hanging from one of the drifting vessel's mooring lines. Kiki regains her flying power and manages to rescue him. She regains her confidence, resumes her delivery service, and writes a letter home saying that she and Jiji are happy.

29. Tokyo Godfathers (2003) 
Director: Satoshi Kon

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One Christmas Eve three people, a middle-aged alcoholic named Gin, a trans woman and former drag queen Hana, and a dependent runaway girl Miyuki, discover an abandoned newborn while looking through the garbage. Deposited with the unnamed baby is a note asking the finder to take good care of her and a bag containing clues to the parents' identity. The trio sets out to find the baby's parents. The baby is named Kiyoko (清子), based on the Japanese translation of Silent Night literally meaning "pure child", as she is found on Christmas Eve.

Outside a cemetery, the group encounters a high-ranking yakuza trapped under his car. The man happens to know the owner of the club Kiyoko's mother used to work in; his daughter is getting married to the club owner that day. At the wedding, the groom tells them that the baby's mother is a former bar girl named Sachiko. He gives them Sachiko's address, but the party is interrupted when a maid, revealed to be a Latin American hit man in disguise, attempts to shoot the bride's father. The hit man kidnaps Miyuki and the baby and takes them back to his home. There, Miyuki befriends the hit man's wife and shows her some pictures of her family.

Hana searches for Miyuki and Kiyoko while Gin takes care of an old homeless man who is dying in the street. After giving Gin a little red bag, the old man peacefully passes away. Some teenagers show up and beat Gin and the dead old man. Meanwhile, Hana finds the girls and they go off to find a place to stay.

They go to Hana's former club. Gin, who was rescued by another member of the club, is also there. The trio sets out to find Sachiko's house. They're informed of the unhappy relationship between Sachiko and her husband. The group rests at a store until they are told to leave by the clerk. Hana collapses, and Gin and Miyuki take her to the hospital. At the hospital, Gin finds his daughter, working as a nurse. Hana berates Gin in front of his daughter and storms out of the hospital. Miyuki follows with Kiyoko.

Hana and Miyuki find Sachiko about to jump off a bridge. Sachiko insists that her husband got rid of the baby without her knowledge, and they return it to her. Meanwhile, Gin finds Sachiko's husband, who reveals that Kiyoko is actually a baby that Sachiko stole from the hospital. They chase after Sachiko and the baby. After an intense car chase, Miyuki follows Sachiko to the top of a building. Sachiko reveals she became pregnant in hopes it would bring her closer to her husband. When the baby was stillborn, she decided to kidnap Kiyoko from the hospital, thinking, in her grief, the baby was hers. Sachiko tries to jump off the building, but her husband comes out of his apartment (just across the street) and begs her to start over with him. Sachiko jumps off nevertheless and Miyuki catches her but Sachiko accidentally drops the baby off of the building. Hana jumps after Kiyoko, catches the baby and lands safely due to a miraculous gust of wind.

Hana, Miyuki, and Gin are taken to the hospital. Miyuki hands Gin his cigarettes and drops the old man's small red bag on the floor, revealing a winning lottery ticket. Kiyoko's real parents want to ask the trio to become her godparents. When a police inspector introduces them to the trio, the inspector is revealed to be Miyuki's father.

28. Urusei Yatsura 2: Beautiful Dreamer (1984) 
Director: Mamoru Oshii

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Not all is normal in Tomobiki, even by its standards. The students have been preparing feverishly for the first day of the student fair, which is scheduled to go on the next day. However, problems arise when some begin to notice that the next day simply will not come. As the students begin to try to find the reason for the problem, their beliefs about reality and the world of dreams are challenged.

27. Roujin-Z (1991) 
Director: Hiroyuki Kitakubo

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Roujin Z is set in early 21st century Japan. A group of scientists and hospital administrators, under the direction of the Ministry of Public Welfare, have developed the Z-001: a computerized hospital bed with robotic features.The Z-001 takes complete care of the patient: it can dispense food and medicine, remove excretory waste, bathe and exercise the patient lying within its frame. The bed is driven by its own built-in nuclear power reactor—and in the event of an atomic meltdown, the bed (including the patient lying within) would become automatically sealed in concrete. The first patient to be "volunteered" to test the bed is a dying widower named Kiyuro Takazawa. He is an invalid who is cared for by a young nursing student named Haruko. The electronic elements within the Z-001 somehow manage to transcribe Takazawa's thoughts through Haruko's office computer, and he uses the communication to cry for help.Although she objects to such treatment of elderly patients, Haruko begrudgingly seeks the aid of a group of computer hackers in the hospital's geriatric ward to create and install a vocal simulation of Takazawa's deceased wife in the Z-001. However, once Takazawa wishes to go to the beach, the Z-001 detaches itself from its moorings and escapes from the hospital with the man in its grasp. Haruko's fears are then justified, as it is discovered that the bed is actually a government-designed, experimental weapons robot.

26. Tekkonkinkreet (2006) 
Director: Michael Arias

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While the manga follows multiple plot threads, the film adaptation consists of most plots shown in the manga, acting like a compilation film.

The film follows two orphans, Kuro (クロ "Black") and Shiro (シロ "White"), as they attempt to keep control of the streets of the pan-Asian metropolis of Takaramachi, once a flourishing town and now a huge, crumbling slum fraught with warring between criminal gangs. Kuro is a violent and streetwise punk, considering Takaramachi to be "his town". Shiro is younger and appears to be mentally impaired, out of touch with the world around him and often living in a world of illusions. They call themselves "the Cats". Despite their extreme differences, they complement and support each other, similar to the Chinese Taoist principle of yin and yang.

During one of their "missions", they take on thugs and Kuro ends up beating up three Yakuza gang members who are menacing a street gangster friend of his. The Yakuza work for Snake (蛇), the head of a corporation called "Kiddy Kastle". Snake plans to tear down and rebuild Takaramachi as a theme park to fit his own goals and dreams. When Kuro interferes once too often, Yakuza are sent to kill him, but fail. Angered, Snake then sends the deadly "three assassins" known as Dragon, Butterfly, and Tiger, near-superhuman hitmen, to finish the job.

In order to save Kuro and himself, Shiro has to kill the first assassin Dragon by tipping gasoline and setting it alight, burning him alive. The second assassin Butterfly pursues Shiro and stabs him with a samurai sword. Shiro is then sent to the hospital. The police, who have been watching both Snake and the two youngsters, decide to take Shiro into protective custody "for his own good", while Kuro watches Shiro go knowing he would be too hard to look after while being hunted. Kuro later falls into a depressive state.

Alongside the children's narrative is a story is told through the eyes of Kimura (木村), an average man who gets caught up in the Yakuza, leading him to have a violent encounter with Kuro. Eventually, Kimura is forced by Snake to kill his former boss and mentor, Suzuki (鈴木), to remove possible competition. While Kimura fulfills his mission, he is deeply shocked by having murdered his mentor. Summoned once again by Snake, Kimura rebels and kills the Yakuza boss, before attempting to flee with his pregnant wife from Takaramachi. He is gunned down in a drive-by shooting by Snake's men.

While the police feel it is for the best for Shiro to remain with them outside Takaramachi, Shiro feels empty without Kuro there for support. In parallel, without Shiro, Kuro soon begins to lose grip on reality and allows his violence to consume him. He soon develops a split personality, with his dark side manifesting as the "minotaur". Things reach a climax when Shiro is brought back to Takaramachi by one of the officers and taken to a local fair. There, a delusional Kuro is trying to show people that "Shiro", in reality a mocked-up doll, has returned to life. When Kuro is attacked by Snake's two remaining assassins, the doll is damaged and Kuro flies into a murderous rage, killing the assassins. It is then that he is confronted by the real Shiro, and is forced to fight the "minotaur", who wishes to completely consume him. Kuro manages to triumph over his dark side and reunites with Shiro, last seen playing in the beach.

25. Only Yesterday (1991) 
Director: Isao Takahata

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In 1982, Taeko is 27 years old, unmarried, has lived her whole life in Tokyo and now works at a company there. She decides to take another trip to visit the family of the elder brother of her brother-in-law in the rural countryside to help with the safflower harvest and get away from city life. While traveling at night on a sleeper train to Yamagata, she begins to recall memories of herself as a schoolgirl in 1966, and her intense desire to go on holiday like her classmates, all of whom have family outside of the big city.

At the arrival train station, she is surprised to find out that her brother in law's second cousin Toshio, whom she barely knows, is the one who came to pick her up. During her stay in Yamagata, she finds herself increasingly nostalgic and wistful for her childhood self, while simultaneously wrestling with adult issues of career and love. The trip dredges up forgotten memories (not all of them good ones) — the first stirrings of childish romance, puberty and growing up, the frustrations of math and boys. In lyrical switches between the present and the past, Taeko wonders if she has been true to the dreams of her childhood self. In doing so, she begins to realize that Toshio has helped her along the way. Finally, Taeko faces her own true self, how she views the world and the people around her. Taeko chooses to stay in the countryside instead of returning to Tokyo. It is implied that she and Toshio begin a relationship.

24. Nausicaä of the Valley of the Wind (1984) 
Director: Hayao Miyazaki

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One thousand years have passed since the Seven Days of Fire, an apocalyptic war that destroyed civilization and created the vast Toxic Jungle,[a] a poisonous forest swarming with giant mutant insects. In the kingdom of the Valley of the Wind, a prophecy predicts a saviour "clothed in blue robes, descending onto a golden field". Nausicaä, the princess of the Valley of the Wind, explores the jungle and communicates with its creatures, including the gigantic, trilobite-like armored Ohm.[b] She hopes to understand the jungle and find a way for it and humans to co-exist.

Late in the night, a massive cargo aircraft from the kingdom of Tolmekia crashes in the Valley despite Nausicaä's attempt to save it. Its sole survivor, Princess Lastelle of Pejite, pleads with Nausicaä to destroy the cargo and dies. The cargo is an embryo of a Giant Warrior, one of the lethal, gargantuan humanoid bioweapons that caused the Seven Days of Fire. Tolmekia, a military state, seized the embryo and Lastelle from Pejite, but their plane was attacked by insects and crashed. One of the insects emerges wounded from the wreckage and poises to attack, but Nausicaä uses a bullroarer to calm it and guides it away from the village.

Soon after, Tolmekian troops, led by Princess Kushana, invade the Valley, execute Nausicaä's father and capture the embryo. Enraged, Nausicaä kills several Tolmekian soldiers and is about to be overwhelmed when the Valley's swordsmaster, Lord Yupa, soothes the belligerents. Kushana plans to mature the Giant Warrior and use it to burn the Toxic Jungle. Yupa discovers a secret garden of jungle plants reared by Nausicaä; according to her findings, plants that grow in clean soil and water are not toxic, but the jungle's soil has been tainted by pollution.

Kushana leaves for the Tolmekian capital with Nausicaä and five hostages from the Valley, but a Pejite interceptor shoots down the Tolmekian airshipscarrying them. Nausicaä, Kushana and the hostages crash-land in the jungle, disturbing several Ohms, which Nausicaä soothes. She leaves to rescue the Pejite pilot Asbel, brother of Princess Lastelle, but both crash through a stratum of quicksand into a non-toxic area below the Toxic Jungle. Nausicaä realizes that the jungle plants purify the polluted topsoil, producing clean water and soil underground.

Nausicaä and Asbel return to Pejite but find it ravaged by insects. A band of survivors explains that they lured the insects to eradicate the Tolmekians, and are doing the same to the Valley. They capture Nausicaä to prevent her from warning the Valley, but with the help of Asbel, his mother, and a number of sympathizers, Nausicaä escapes on her glider. Flying home, she finds two Pejite soldiers baiting thousands of Ohms into the Valley using a wounded baby Ohm. The people of the Valley take shelter while the Tolmekians deploy tanks and the Giant Warrior, but tank-fire does not even faze the Ohms, and the Giant Warrior, hatched prematurely, simply disintegrates.

Nausicaä liberates the baby Ohm and gains its trust. She and the Ohm stand before the herd but are run over. The Ohms calm down and use their golden tentacles to resuscitate her. Nausicaä, her dress drenched blue with Ohm blood, walks atop golden Ohm tentacles as through golden fields, fulfilling the savior prophecy. The Ohms and Tolmekians leave the Valley, and the Pejites remain with the Valley people, helping them rebuild. Deep underneath the Toxic Jungle, a non-toxic tree sprouts.

23. Memories (1995) 

Director: Various

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Magnetic Rose

The Corona, a deep space salvage freighter, is out on a mission when it encounters a distress signal and responds to it. They come upon a spaceship graveyard orbiting a giant space station. The crew's two engineers, Heintz and Miguel, enter it to get a closer look.

Once inside, they discover an opulent European interior and several furnished rooms (in varying states of decay), but find no signs of life. They discover that the station belongs to a once famous opera diva named Eva Friedel who disappeared after the murder of her fiancé, Carlo Rambaldi, a fellow singer. Continuing the search for the source of the signal, the engineers split up, with each experiencing paranormal encounters, including strange noises and visions of Eva. Miguel enters the dilapidated underbelly of the station, and in a cavernous chamber he finds a broken piano playing the distress signal. He begins to hallucinate and Eva suddenly runs up to kiss him.

Heintz finds a theater stage and sees Eva, who stabs him when he approaches. Suddenly paralyzed, Heintz relives a memory of his family, with his wife and daughter Emily. The illusion disappears when Eva takes his wife's form and tells him that he "will never leave". Heintz rushes to save Miguel, only to find that he had been seduced by Eva into thinking he is Carlo. Eva reveals to Heintz that she murdered the real Carlo for refusing to marry her and has forced others to look like him. She makes Heintz relive his daughter's death and nearly convinces him to join her. He resists and shoots the massive computer embedded in the ceiling causing the AI hologram of Eva to malfunction.

The Corona has been struggling against a powerful magnetic field coming from the station, pulling the ship towards it. In desperation, they fire a powerful energy cannon, gouging the structure deep enough to reach the cavern. Heintz is ejected into space (along with Eva's past victims), as Eva hauntingly sings to a conjured audience. The Corona is crushed and becomes part of the rose-like shape around the station. The episode ends with the whereabouts of real (and deceased) Eva being shown, and a representation of Eva talking romantically with Miguel as the two now exist only in Eva's lingering memories. Heintz is last seen drifting in space, still alive.

Stink Bomb

This story is based in part on the Gloria Ramirez incident. In it, lab technician Nobuo Tanaka, battling the flu, mistakes some experimental pills for cold pills and swallows one. The pills are part of a biological weapon program, reacting to the flu shot already in his body. Tanaka soon develops a deadly body odor and becomes a walking weapon of mass destruction. While taking a nap, the odor he emits kills everyone in the Lab. Horrified, he reports the incident to headquarters, as they instruct him to deliver the experimental drug to Tokyo. Meanwhile, the odor he emits grows stronger to where it affects several miles of the surrounding area, killing every living thing that smells his odor, except flowers and plants. The Odor is so potent that Gas masks, and NBC Suits offer no protection against its effects. His odor kills everything in the Yamanashi Prefecture, including all 200,000 inhabitants of Kōfu city. Nobuo continues on to Tokyo unaware of the death his smell is causing, but the rest of the country is in a complete panic. The head of the research company and the Japanese military deduce that Tanaka is causing the poisonous gas and order him to be killed. The Japanese Military tries in vain to stop Nobuo, causing immense collateral damage to the Japanese countryside, but to no avail, as the chemicals on Nobuo smell cause interference on the targeting systems of its heat-seeking missiles.

The U.S. military, who have been observing the situation to that point, utilizes Japanese policy to take over the operation, and calls in a NASA unit with space suits to try and capture Nobuo alive. Unaware of this operation, the Japanese army collapses part of the bridge to prevent Nobuo from escaping, trapping him in a tunnel. They turn on wind generators loaded with liquid nitrogen in an attempt to freeze him. Tanaka becomes scared, disabling the machines while leaving the three astronauts unscathed. The soldiers force Tanaka into an exosuit and bring him back to military headquarters in Tokyo. Tanaka makes his way through the headquarters building, unaware that he is the source of the biological contamination. He then opens his exosuit, killing everyone.

Cannon Fodder

In a walled city perpetually at war, everyone's livelihood depends upon maintaining and firing the enormous cannons that make up most of the city. Nearly every building in the city is equipped with a cannon of varying size, able to fire huge artillery shells over the city walls. The story is centered on a young boy and his father, who works as a lowly cannon-loader.

The city is surrounded by clouds of smoke and dust provoked by the shots fired by the cannons. Despite news of successful bombardment of the "enemy moving city" by the local media, there is not any visual confirmation that it is true, or even if there is an enemy at all.

In the end, the boy comes home from school and hears a television news reporter talking about the near-destruction of the enemy city. The boy hops into his bed, saying that someday he wants to be the exalted officer who fires the cannons, and not be a simple worker like his father. As he sleeps, an air raid siren sounds and a blue light sweeps across the window.

22. Ninja Scroll (1993) 
Director: Yoshiaki Kawajira

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In Edo period-Japan, the Yamashiro clan mines gold in secret, and sends a shipment to the ToyotomiShogun of the Dark as payment for his protection. The Shogun of the Dark intends to use the gold to buy advanced Spanish weaponry and overthrow the current government, the Tokugawa Shogunate. The ship runs aground onto Mochizuki territory in a storm, and the Eight Devils of Kimon, a ninja team with supernatural powers in the employ of the Yamashiro, kill the people of the nearby village of Shimoda to keep the gold shipment a secret.

While investigating the deaths, a Mochizuki Koga ninja team is massacred by the Devils. The sole survivor, Kagero, is captured by a Devil, Tessai, who molests her. She is rescued by Jubei Kibagami, a mercenary ex-Yamashiro ninja, who fights and eventually kills Tessai. Dakuan, a Tokugawa spy, blackmails Jubei into helping him kill the remaining Devils. To ensure his compliance, Dakuan stabs Jubei with a poisoned shuriken, and promises to give him an antidote once the mission is complete. Jubei learns from Dakuan that the leader of the Devils is Himuro Gemma, the former Yamashiro ninja leader, who had ordered his team’s members to kill each other to cover up the location of the goldmine five years earlier. Jubei, who had been forced to kill his comrades to survive, decapitated Gemma in revenge; Gemma survived due to his immortality. Jubei is attacked by another Devil, Benisato, but he is saved by Kagero; before she can be questioned, Benisato is killed from afar by Yumimaru, Gemma's right-hand man, for failing her mission. Kagero agrees to work alongside Jubei and Dakuan, who informs Jubei that her body is infused with such deadly toxins that anyone who kisses or sleeps with her dies, which was why Jubei could kill Tessai.

The trio arrive in Shimoda, where they discover that the villagers died due to their water supply being poisoned, making it appear that they were killed by a plague. Jubei and Kagero fend off attacks from three of the Devils – Mushizo, Zakuro and Utsutsu Mujuro; Jubei succeeds in killing Mushizo and Utsutsu. After finding the beached ship, Kagero deduces that the gold has been taken to Kashima Harbour, where it will be transported to the Shogun of the Dark in another ship.

Jubei, Kagero and Dakuan arrive at Kashima, which has been evacuated due to the townspeople’s fear of the plague. While Jubei battles another Devil, Shijima, Kagero sends a message to Sakaki Hyobu, the Mochizuki chamberlain, to bring his army to the harbour. She also learns from Dakuan that Jubei’s poisoning will only be cured if he copulates with her – the poisons in her body will counteract his. Kagero is captured by Shijima, and Jubei kills him, rescuing her once more. Kagero asks Jubei to sleep with her to cure himself. He decides against it, and upon the arrival of the Shogun of the Dark's envoy in a ship, he leaves to prevent the gold reaching its destination.

Kagero arrives to meet Sakaki, but he stabs her, revealing himself to be Gemma in disguise. Enraged, Jubei fights through waves of ninjas, but is nearly killed by Yumimaru. A gunpowder-rigged rat, left as a trap by Zakuro for Yumimaru for rejecting her advances, kills him, allowing Jubei to escape. He finds Kagero; mortally wounded, she admits her love for him and they kiss, curing Jubei’s poisoning. Before dying, Kagero gives Jubei her headband.

Jubei and Dakuan board the departing ship. On board, Gemma reveals his true intentions to the Shogun of the Dark’s envoy (who he kills) – he intends to use the gold to raise a ninja army to terrorize Japan, rather than serve as an ally to the Toyotomi. During an altercation with Zakuro, Jubei and Dakuan set the ship ablaze. As Jubei and Gemma engage in a brutal fight, the gold becomes molten and engulfs Gemma, who sinks to the bottom of the sea. Afterwards, Dakuan thanks Jubei, and expresses admiration for his and Kagero’s humanity. Jubei resumes his vagabond lifestyle, with Kagero’s headband tied around his sword’s hilt.

21. Panda and the Magic Serpent (1958) 
Director: Taiji Yabushita, Kazuhiko Okabe

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Xu-Xian, a young boy, once owned a pet snake in West Lake until his parents forced him to give her up. Years pass and during a violent storm, the snake magically transforms into the beautiful princess Bai-Niang. Bai-Niang finds Xu-Xian, but the lovers are separated by a local monk, Fa-Hai, who believes that Bai-Niang is an evil spirit. Xu-Xian's two panda pets, Panda and Mimi, try to find Xu-Xian. In the end, Bai-Niang gives up her magical powers and remains in human form to prove that her love for Xu-Xian is genuine.

20. Mind Game (2004) 
Director: Masaaki Yuasa

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Nishi is a 20-year-old loser with dreams of becoming a comic book artist. One late evening he runs into his childhood crush, Myon, on the subway. She tells Nishi she is due to marry. Nishi has flashbacks of exchanging love letters and messages with Myon and ends up declaring that he has always loved Myon (but in an insincere fashion), which Myon brushes off.

They go to her father's yakitori restaurant, and see Myon's father and her elder sister Yan (who runs the restaurant). Nishi also meets Myon's fiancee, Ryo. Two yakuza gangsters enter, Atsu and a senior yakuza whom Atsu calls Aniki (lit. brother. A term used by Yakuza to refer to each other). They are looking for Myon's father, who seduced and stole Atsu's girlfriend, and now hides cowering behind a corner. It is later revealed through flashbacks that the senior yakuza is actually the first boyfriend of the girls' mother, who was also seduced away by her husband during a disco in their youth.

As Atsu threatens Myon with a gun, Ryo steps in and tries to punch Atsu, but instead gets knocked out. Atsu then prepares to rape Myon, who calls out Nishi's name. Atsu turns on Nishi, who is rolled in a ball, terrified, placing his pistol against Nishi's anus. Atsu fires when Nishi finally musters the courage to yell, "I will hurt you!", thus killing him instantly. The senior Yakuza, offended by Atsu's lack of control, shoots him dead, and then nonchalantly orders dinner.

Meanwhile, Nishi is in some sort of limbo where he encounters a being whose physical image changes every fraction of a second, Kami-sama (God). Kami-sama directs Nishi to walk into a red portal where he will disappear, but at the last moment Nishi runs for the opposite blue portal in order to return to life. Kami-sama becomes impressed by Nishi's sheer will to live, and so lets him escape.

Nishi returns to the moment just before Atsu pulled the trigger. This time, Nishi seizes Atsu's gun with his buttocks, and shoots him dead. He, Yan and Myon all pile into the yakuza's car, leaving the father and Ryo (still unconscious) behind. They speed off, followed by the massed yakuzas. The Yakuza boss rings (calls) Nishi using the yakuza's car phone and reveals that Atsu was a player on the Japanese national soccer team. Then after further chase the boss has his men force the trio in to a dead end on a bridge. However, Nishi steers the car off the bridge and they are swallowed up by an enormous whale.

Inside the whale, they meet an old man who was formerly yakuza and has been trapped in the whale for more than 30 years. (He is later shown through flashbacks to be the father of the senior Yakuza shown earlier). He shows them to the elaborate suspended house he has constructed over the 'sea' inside the whale's belly. Nishi attempts to escape the whale but he fails and they resign themselves to life inside the whale. Yan practices dancing and art, Myon practices swimming (a dream she gave up when her breasts got bigger), Nishi practices writing and drawing humorous manga and he and Myon finally become sexually intimate.

They attempt to leave the whale, again failing. And the old man reveals that the water level inside the whale is rising, and he believes the whale is probably dying. They concoct a plan to make a motor boat out using spare parts and fuel from the car they arrived in. On the day before the final match of the soccer World Cup, the whale returns to Osaka (their home town) and Yan, Nishi, Myon, as well as the Old Man, manage to escape.

As the four fly through the air, the film returns to its very first scene, with Myon running from the Yakuza, only this time she does not get her leg caught in the door of the train, and the Yakuza is left behind on the platform. This is followed by a lengthy montage, similar to that of the opening credits, showing the histories of the various characters. The movie ends ambiguously, with the phrase "This Story Has Never Ended" appearing before the credits roll.

19. Redline (2009) 
Director: Takeshi Koike

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On the planet Dorothy, human "Sweet" JP races in the Yellowline car race, the galaxy's famous final elimination race, despite two interplanetary wars, to the most popular race in the galaxy, the Redline. The crowd is watching the race on an outdoor giant monitor screen in the desert town of The Water Stop. JP's alien mobster mechanic, Joshua "Frisbee" Flathead, is watching the televised race with a mafia boss who constantly massages his gums with cocaine. The gambling boss is concerned that JP might attempt to win the fixed race but Frisbee reassures him that JP needs bail bond funds from the pay-off. JP attempts to win anyway while Frisbee resorts to using a remote detonator transmitter hidden in the palm of his hand, which the mob boss doesn't notice, causing JP's TransAM20000 to explode thereby making the 'Crab Sonoshee Sea' hovercraft, piloted by female racer Sonoshee "Cherry Boy Hunter" McLaren, the final winner.

While recuperating from the explosion in a planet Dorothy hospital, Frisbee tells JP he's off the hook with his bondsman. JP initially turns down the money but a crowd of reporters storms the hospital room where JP learns that he has been voted by popular demand for the Redline following the dropout of two qualifiers due to the revelation of the race's location as being on Roboworld—a planet dominated by militant zealot cyborgs whose President has threatened on interstellar television to hang all involved with the Redline mothership if it appears out of hyperspace over their planet. The broadcast (sent over the race's thousands of satellites) also exposes the secret weapons Roboworld has built-up against treaties.

Inside DEST Tower on Roboworld, the President asks Secretary of Defense Titan for a report about ships landing on Roboworld's moon, EUЯPSS (pronounced Europass) - a de-militarized zone that Roboworld signed away to refugees in the M-3 Nebula Federation, making it off limits to Roboworld's troops. The President obtains a verbal oath from Colonel Volton to fight to the death to protect Roboworld and the M-3 Nebula.

While the racers are staying on EUЯPSS before REDLINE under constant media coverage, Frisbee's alien junk dealer, Old Man Mole, wants to put weapons on the restored TransAM, which JP refuses despite his competitors being armed. Old Man Mole also protests the presence of Frisbee on their team and his insistence on using a rare uncontrollable hyper-powered engine, but eventually gives in to JP's convincing.

JP finds Sonoshee in the slow hours of the Oasis Restaurant on the moon. Shinkai, formerly of the Roboworld army, shows up at the Oasis when racer Little Deyzuna, a recently AWOL subordinate of Col. Volton, attacks Shinkai's partner, Trava. The Redline favorite, Machinehead, a tall menacing but ultimately well-mannered cyborg, appears, and is attacked by a sobbing Little Deyzuna, who is retrieved by Col. Volton. Machinehead confronts Volton for being in the de-militarized zone. Volton reminds the racer any Redline event will be repelled by the army and police before leaving the damaged restaurant.

Fireworks celebrations and bookmaker agent desks break out on Roboworld despite the threats from the military, and are raided by deadly android police robots. Miners on Roboworld use their power suits to sabotage the military base's power station while the Race Commission, which promotes gambling, hires Earth-native racing partners Lynchman and Johnny Boya to sabotage the Orbital Disintegration Cannon, which Secretary Titan plans to use to destroy the Redline mothership the instant it comes out of hyperspace.

While in hyperspace, the Princess from the planet Supergrass marks the race course on the military base with a pair of scout vessels, with the starting line to the north at the Knock-out Tower and the finish line to the south, east of DEST Tower. Unaware of the sabotage against the Orbital Disintegration Cannon, the President realizes the racers are on the planet after the cannon fails, and sends his troops en masse at the racers. The President becomes increasingly desperate as the racers evade them and approach the mine-laden Zone XXXXXXX (pronounced, "Seven-Ex"), lair of a secret illegal biological weapon named 'Funky Boy', who awakens from its stasis as the racers and the rebellious miners converge on it. With the several hundred foot tall Funky Boy awakening and subsequent destruction of the base coinciding with the orbital cannon coming back online, the President orders Funky Boy fired upon. The explosion takes out most of the Roboworld troops while JP pushes to right his overturned car off its side. Sonoshee, her vehicle totaled, agrees to ride with him to the finish line as Funky Boy regenerates. Funky Boy is taken out by Col. Volton, who had to dangerously merge physically with another bioweapon to do so.

Frisbee watches the race on several televisions parked atop a mesa in the mob boss's giant Cadillac hovercraft, where he revives the same deal as Yellowline. Frisbee however, refuses to detonate the explosive charge this time, wanting to see his friend win 'the big one' just one time. He is attacked by mobsters for his decision but is saved by Old Man Mole - who discovered Frisbee's sabotage - and shoots and kills the mob boss and his lackeys with a double barrel flechette firing shotgun.

As the race nears the finish line, Machinehead and JP race to the southern line boosted by their rare Steamlight boosters. As they come to a desperate neck-and-neck finish, a drunken Old Man Mole accidentally detonates Frisbee's remote detonator, propelling JP and Sonoshee towards the finish line, thrown from their vehicle. The boost is enough and JP wins by the length of his long duck tail pompadour.

As the racers rest at the end of the race amidst the ruins of Roboworld, JP and Sonoshee float back down to the ground kissing and thus declaring their love for each other. Machinehead (who vowed to win but comes in second) sees the romance and his rage turns to laughter, happy with the outcome anyway.

18. Belladonna of Sadness (1973) 
Director: Eiichi Yamamoto

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Jeanne and Jean are happy newlyweds in a rural village in France during the Medieval Period. Their idyll is promptly shattered when Jeanne, on her wedding night, is raped in a ritual deflowering by the local baron and his courtiers. She returns to Jean terrified and in pain, and he calms her, saying, "Let us forget everything in the past". She begins to see visions of a phallic-headed spirit encouraging her to take revenge on the baron; meanwhile, the couple's fortunes rise even as famine strikes the village and the baron raises taxes to fund his war effort. Jean is made tax collector, and the baron cuts off his hand as punishment when he cannot extract enough money from the village. After another visit from the spirit, Jeanne takes out a large loan from an usurer and sets herself up in the same trade, eventually parlaying it into becoming the true power in the village.

Then the baron returns victorious from his war, and his wife, envious of the respect and admiration accorded Jeanne, calls her a witch and has her driven out. Jeanne first tries to return to the home she shares with Jean, but he refuses to open the door for her and she flees into the forest nearby where she finally makes a pact with the spirit, who reveals himself to be the Devil. She is granted considerable magical powers, and returns to find the village has been been infected with the bubonic plague. Jeanne uses her powers to create a cure for the disease and wins the villagers' favor with her magic, presiding over orgiastic rites among the villagers. A page, who is in love with the baron's wife, begs Jeanne to help him seduce her. She gives him a potion that causes the baron's wife to accept his advances, but the baron catches his wife sleeping with the page and kills them both.

Perturbed by Jeanne's power, the baron sends Jean to invite her to a meeting, which Jeanne accepts. In exchange for sharing her cure for the plague, the baron offers to make Jeanne the second-highest noble in the land, but refuses, saying that she wishes to rule the entire world. The baron has Jeanne burnt at the stake, but as the film ends we see the faces of the villagers all transform into Jeanne's face, mimicking a priest's warning earlier in the film that, if a witch is burnt while her pride is intact, her soul will survive to influence everyone around her.

17. Millennium Actress (2001) 
Director: Satoshi Kon

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The film opens with a woman leaving to embark on a spaceship from the moon to Earth. An earthquake occurs and it is revealed that this is simply a scene from a movie being played out on a television. Genya Tachibana, a TV interviewer, and his cameraman Kyoji Ida head off to a new job: Ginei Studios, a prestigious but bankrupt movie studio is being torn down and its best known star Chiyoko Fujiwara has agreed to do a rare career retrospective interview. When they meet, Genya gives her a key he believes she lost at the studio, which causes Chiyoko to reflect on her career. As she's telling her life story, Genya and Kyoji are drawn in, literally, to Chiyoko's past, as they are blended into various scenes that concurrently reflect Chiyoko's filmography and life story at once.

Chiyoko, as a girl in 1930s Japan, is approached to become an actress by a famous director. While walking on the street, Chiyoko encounters a man running away from a certain scarred military policeman, and she manages to hide him away in a storage barn. It turns out he is a revolutionary against the war in China, as well as a painter; he escapes, but leaves a key behind. After his departure, she decides to become a film actress in hopes that he will see one of her movies, and heads to Manchukuo with the film crew for her first movie to try and give the key back to him. She meets Ginei Studios' lead actress, who treats her with contempt, as well as the director's young son, also planning to be a director. On a train however, local bandits attack. At this point, scenes are played from different movies from Chiyoko's career, ranging from samurai to kaiju: all with the theme of Chiyoko chasing down the mysterious painter. Various characters are seen again and again, such as the military policeman, and even Genya and Kyoji, who continually save Chiyoko and allow her to continue on her quest.

Through this narrative, it is seen that a younger Genya became an assistant at Ginei Studios. Chiyoko loses the key during filming one day, and resigns herself to marrying the director's son, who has become the lead director. Eventually, after the war, Chiyoko finds the key hidden away in one of the sets, and confronts her husband about it; the other lead actress reveals that she stole it for the director out of jealousy for her youth. Right after, the military policeman, now a crippled veteran, comes to the studio to apologize for his war crimes, and gives Chiyoko a letter from the painter. After Chiyoko leaves to resume her desperate search north, Genya hears from the scarred policeman that the painter was tortured and killed after his arrest.

As Ginei Studios begins filming the last scene of a movie, an earthquake shakes the studio and causes the roof to collapse on to the set, the spaceship from the first scene. Genya jumps in and saves Chiyoko by shielding her from debris with his body, but after the earthquake, she runs away inexplicably, leaving behind the key for Genya to pick up. Finally back in the present, Genya asks why Chiyoko abandoned her search, and she replies that she was no longer the girl of her youth; the painter would no longer recognize her now.

During the interview, another earthquake strikes as Chiyoko has a heart attack, and Genya once again shields her from debris as she collapses. He and the cameraman drive her desperately to the hospital, but despite their efforts are told that she won't make it. On her hospital deathbed, Chiyoko surprises them by saying that it doesn't matter if she finds the man or not. As the film returns to its opening scene, she explains that despite never seeing the man again, she realized that it wasn't the man she loved, but the chase for him – before blasting off in the spaceship to continue her search.

16. Super Dimension Fortress Macross: Do You Remember Love?(1984) 
Director: Shoji Kawamori, Noboru Ishiguro

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The film begins in medias res with the space fortress Macross trying to evade the Zentradi at the edge of the Solar System. The Macross houses an entire city with tens of thousands of civilians who are cut off from Earth, after it had executed a space fold on the first day of the Earth/Zentradi war - taking the city section of South Ataria Island with it. During the latest assault, Valkyrie pilot Hikaru Ichijyo rescues pop idol Lynn Minmay, but are both trapped in a section of the fortress for days. Even after their eventual rescue, this fateful meeting leads to a relationship between the singer and her number one fan.

The Zentradi, meanwhile, discover the debilitating and disruptive effect that human music has on the rank and file troops. Their supreme leader, Gorg Boddole Zer, suspects that the human culture is deeply related to an ancient music box he has kept with him for eons. Then, the Zentradi discover an opportunity to examine the humans further when Hikaru borrows a Valkyrie trainer unit without permission and flies Minmay across Saturn's rings. The Zentradi capture Hikaru and Minmay, along with Lieutenant Misa Hayase, Minmay's cousin/manager Lynn Kaifun, and Hikaru's superior Roy Föcker in the ensuing chaos.

Aboard Britai Kridanik's ship, the humans are being interrogated about their culture when a squadron of Meltrandi, led by Milia 639, invades the ship, giving the humans a chance to escape. Hikaru and Misa escape from the ship, but Föcker is killed and Minmay and Kaifun remain aboard while the two officers get caught in a space fold.

Exiting from the fold, Hikaru and Misa arrive on a desolate world that turns out to be Earth, as the entire population was wiped out by a prior Zentradi attack. As the two officers roam the remains of the planet, they become closer. They also discover an ancient city of the Protoculture, where the mysterious origins of the alien giants is revealed. In the city, Misa discovers an artifact that contains lyrics to an ancient song.

Many days later, the Macross arrives on Earth. Just as Hikaru and Misa are debriefing their story to Captain Bruno J. Global, the fortress is attacked by a Meltrandi fleet. During the battle, ace pilot Maximilian Jenius defeats Millia aboard the Meltrandi's main ship, which destroys the Macross' main cannons with one shot. The Meltrandi are forced to retreat when the Zentradi arrive - with Minmay's singing voice as their weapon.

Captain Global announces a truce and a military pact between the Macross and the Zentradi. Hikaru and Minmay reunite, but Minmay realizes he is now with Misa. Meanwhile, Misa works on translating the ancient song for use as a cultural weapon, as requested by Boddole Zer. However, when the Meltrandi return to attack, Boddole Zer loses patience and recklessly has his capital ship wipe out half the fleets of both factions.

Once again, the Macross finds itself in the middle of a brutal war. Hikaru persuades Minmay to perform the translated song. As the Macross flies across the battlefield, Minmay's song causes a union with Britai's fleet and the Meltrandi against Boddole Zer. After the Macross breaks into Boddole Zer's ship, Hikaru flies his Valkyrie into the supreme commander's chamber and destroys him with his entire arsenal. After Boddole Zer's ship is destroyed, Macrossbridge officer Claudia LaSalle asks why the song caused such a turnaround to the war. Misa explains that it is a simple love song.

The film ends with a concert by Minmay in front of the rebuilt Macross.

15. Metropolis (2001) 
Director: Rintaro

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Humans and robots coexist in the futuristic city of Metropolis, although robots are discriminated against and segregated to the city's lower levels. A lot of Metropolis' human population are unemployed and deprived, and many people blame the robots for taking their jobs.

Duke Red, the unofficial ruler of Metropolis, has overseen the construction of a massive skyscraper called the Ziggurat, which he claims will allow mankind to extend its power across the planet. A wayward robot disrupts the Ziggurat's opening ceremony, only to be shot down by Rock, Duke Red's adopted son and the head of the Marduk Party, a vigilante group whose aim is to promote anti-robot sentiments. Private detective Shunsaku Ban and his nephew Kenichi travel to Metropolis to arrest Dr. Laughton, a mad scientist wanted for organ trafficking. Unknown to Shunsaku, Duke Red has hired Laughton to build an advanced robot modeled and named after Red's deceased daughter Tima. Red intends for Tima to function as a central control unit for a powerful secret weapon hidden in the Ziggurat. However, Rock learns of Tima's existence and, not wanting a robot to overshadow Red, shoots Laughton and sets fire to his laboratory.

Shunsaku comes across the burning laboratory and discovers the dying Laughton, who gives Shunsaku his notebook. Meanwhile, Kenichi finds the activated Tima. The two fall into the sewers and are separated from Shunsaku. While Shunsaku searches for his nephew, Kenichi and Tima search for a way back the street level. They grow close as Kenichi teaches Tima how to speak. Neither are aware she is a robot. The two are hunted relentlessly by Rock and his subordinates, and encounter a group of unemployed human laborers who stage a revolution against Red.

The president and the mayor of Metropolis try to use the revolution to overthrow Red and gain control of Metropolis, but they are assassinated by the president's top military commander, General Kusai Skunk, who has sided with Red. The duke then imposes martial law to suppress the revolution. In the aftermath of the failed revolt, Kenichi reunites with Shunsaku, only to be wounded by Rock, who reveals Tima to be a robot. Rock, however, is disowned by Red and stripped of his command of the Marduks for attempting to kill Tima. Duke Red takes Tima away to the Ziggurat.

Still determined to dispose of Tima and regain his father's affection, Rock kidnaps and deactivates Tima, who is now confused about her identity. Shunsaku rescues her and, after following instructions from Laughton's notebook, reactivates Tima. The two discover Kenichi is being held in the Ziggurat, but are then captured by Duke Red and the Marduks on their way to save him. Brought to the top of the Ziggurat, Tima confronts Duke Red about whether she is a human or robot. Duke Red tells her she is a "superhuman" and destined to rule the world from her throne. Disguised as a maid, Rock then shoots Tima, exposing her circuitry.

The sudden shock of realizing she is a robot causes Tima to go insane. She proceeds to sit on the throne, where she orders a biological and nuclear attack on humanity. While the others flee, Kenichi tries to reason with Tima. Robots drawn by Tima's command attack Duke Red. Not wanting his father to die at the hands of "filthy robots", Rock kills himself and Duke Red in a massive explosion. As the Ziggurat starts to collapse around them, Kenichi finally reaches Tima and separates her from the throne. Seemingly lost, Tima tries to kill Kenichi, but falls off the tower in the struggle. Out of love for her, Kenichi tries to save Tima and pull her up using one of the cables still grafted to her. As the cable begins to fray, Tima remembers the time Kenichi taught her language and asks Kenichi, "Who am I?", before she loses her grip and falls to her presumed death. The Ziggurat collapses, destroying a large part of Metropolis.

In the aftermath, Kenichi searches the ruins and discovers a group of robots have salvaged some of Tima's parts in an effort to rebuild her. While Shunsaku and many other human survivors are evacuated, Kenichi chooses to remain behind; he eventually rebuilds Tima and opens a robot workshop.

Differences between manga and anime

In Tezuka's original manga, the story revolves around a humanoid named Mitchi, who has the ability to fly and change gender. Mitchi is pursued by Duke Red and his "Red Party" who intend to use Mitchi for destructive purposes. However, Shunsaku Ban and his nephew Kenichi find Mitchi after her creator, Dr. Charles Laughton, is killed and protect her as they search for her parents. Unlike Tima's desire to be human, the cause for Mitchi's destructive rampage in the manga's climax is the revelation that, as a robot, she does not have parents.

However, this cinematic adaptation of Tezuka's story integrates far more elements from the Fritz Lang film Metropolis. When making the original Metropolis manga, Tezuka said that the only real inspiration he got from Fritz Lang's Metropolis was a still image from the movie where a female robot was being born. In addition to adopting set designs of the original film, this version has more emphasis on a strong and pervasive theme of class struggle in a dystopianplutocratic society and expands it to examine the relationship of robots with their human masters. (This relationship was explored by Tezuka in great detail with his popular series Astro Boy.) The anime adaptation also removes many of the more fanciful elements out of Tezuka's manga, such as a flying, gender swapping humanoid. Here, Mitchi is replaced by "Tima", who is permanently female and cannot fly. In this version Kenichi is an assistant to his uncle, and he forms a very strong friendship with Tima even though neither know she's a robot. Tima and Kenichi seem to care for each other deeply, as seen when Tima is worried about Kenichi when he's unconscious. Kenichi even goes so far as to remove Tima from the throne in an effort to save her and not allow her to become a weapon of evil. Tima was taught language by Kenichi and that she was someone unique. She also considered him her only family because he was kind to her and protected her; it seems that she loved Kenichi very much. It can be assumed that Kenichi fell in love with Tima, shown in many scenes when he blushes when he sees her writing his name so she wouldn't forget him. Kenichi didn't seem to care if Tima was robot or not, showing that he was willing to rescue her because of how much he cared for Tima. Tima only remembered Kenichi when he tried to save her because of everything he taught her. Tima's relationship with Kenichi ends, however, when Tima accepts her identity as a robot over that of a female human, triggering a robot revolution.

Also, Duke Red is shown to be a cruel and evil man both as a leader and father; it is shown many times that he does not care about Rock or consider him his son even though he adopted him; the character Rock is also a deviation from the manga. He only sees Tima as a weapon to destroy humanity and even considers Tima and Rock inferior to him and anyone who is loyal to him. While his real daughter died and was also named Tima, he only rebuilt her humanoid self just to use her, and has no regard or affection for what she needs and ignores her questions about her being human or not, showing that he does not care if Tima feels emotions or not.

The movie's Ziggurat is a combination of the New Tower of Babel from Lang's original film and the Cathedral from the manga.

Portrayal of robots

The Shinto religion has a very abstract delineation between the animate and inanimate. Shinto kami can be spirits, humans, objects, or in this case, robots. Therefore, robots are viewed with a favorable view both in the manga and in the movie, but especially in the movie, where there is a nearly equal amount of robot and human characters. Most humans, like Kenichi and Shinsaku Ban, tend to be sympathetic to robots, causing the Marduks and their hostile attitude toward robots to be viewed as antagonistic by the audience.

14.  Barefoot Gen (1983) 

Director: Mori Masaki

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Gen Nakaoka and his family live in Hiroshima during the final days of World War II. The family struggles through food shortages and constant air raid warnings. Gen's mother, Kimie, is pregnant and suffering from malnutrition. His sister, Eiko, helps their mother. Gen and his brother Shinji help their father, Daikichi, in the family's wheat field and try to find food for Kimie. Daikichi and Kimie realize the war is unwinnable, though they wonder why Hiroshima has been spared from the air raids which devastated other Japanese cities.

On the morning of August 6th, Gen and a friend arrive at school just as a B-29 aircraft flies overhead. The plane releases a bomb which devastates the city. Gen's friend is killed in the blast while he is buried under rubble by the resulting shockwave. After Gen frees himself, he explores the ruined city and sees horribly burned and mutilated people wandering the streets. Gen finds Kimie and they try to rescue their family, who are buried alive under their collapsed house. They are unsuccessful and Gen reluctantly obeys Daikichi's order to take his mother and run just as the house goes up in flames.

Gen and Kimie are taken to safety by a neighbor, Mr. Pak. Some time later, Kimie goes into premature labor. Gen is unable to find help in the burnt out city and is forced to assist his mother in the delivery. Kimie successfully gives birth to a baby girl, Tomoko. Later that night, Gen and his mother find survivors in agony. They help them by giving them water, but the survivors die as soon as they drink it.

Gen spends the next few days searching for food for his family. He discovers that soldiers are distributing rice, but arrives to find them collecting corpses before burning them in mass graves. He finds a fireman's hat, which becomes a signature part of his character. A short time later, he finds a soldier suffering from radiation poisoning and losing his hair. Gen leaves him at a hospital, but they are unable to treat his then-unknown sickness. He later finds a ration storehouse containing rice, most of which has already been seared by the blast. He finds a few bags of intact rice and takes them to his mother to eat along with some fresh vegetables. Kimie notices Gen is losing his hair, which distresses him. Kimie comforts him.

On August 16th, Gen (who is now bald) and Kimie dig up the remains of their dead family members from their former home. They learn that Japan has surrendered to the Allies, ending the war. They later take refuge in a makeshift shack where they try to live on what little rice they have. A small boy, Ryuta, tries to steal their rice, but is caught by Gen. Gen is shocked to see that Ryuta resembles Shinji, and after they learn he was orphaned by the bomb, he and Kimie take him in. Ryuta comes to call Gen "big brother," which cheers him up

The next day, Gen and Ryuta look for food as Tomoko is suffering from malnutrition. A man gives them a job tending to his brother, another bomb surivor, for 10 yen a day. They accept the job despite the man's ill-temper. Eventually, the boys grow tired of the mistreatment, slap the man several times and quit. The man begs them to come back, explaining to them that he is grateful that the boys treated him like more than a rotting corpse. Gen tells Ryuta to tell his mother where they are, and he spends the night with the man, which inspires him to paint once again. The man's brother pays them 100 yen and the boys head out to find milk for Tomoko. When they return home, they find that Tomoko has already died. Tomoko's body is later burned in a pyre and Gen, angry and frustrated, cries out to his father for guidance.

Despite hearing that no grass would grow in Hiroshima for seventy years, Gen and Ryuta find that the wheat is starting to grow, and Gen is excited to discover his hair is also growing back. Gen remembers how his Father told them no matter how much wheat is beaten down, it always grows back, and that his sons should be like the wheat. In his newfound optimism, Gen remembers the promise he made to Shinji of taking him to the river after school, and so, he builds a new wooden boat, placing a candle on the top. Two weeks after the bomb, Gen takes Ryuta and his mother to the river, where they light the candle and release the boat. They then watch and pray as the boat gently sails into the sunset.

13. Pom Poko (1994) 
Director: Isao Takahata

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The story begins in late 1960s Japan. A group of tanuki are threatened by a gigantic suburban development project called New Tama, in the Tama Hills on the outskirts of Tokyo. The development is cutting into their forest habitat and dividing their land. The story resumes in early 1990s Japan, during the early years of the Heisei era. With limited living space and food decreasing every year, the tanuki begin fighting among themselves for the diminishing resources, but at the urging of the matriarch Oroku ("Old Fireball"), they decide to unify to stop the development.

Several tanuki lead the resistance, including the aggressive chief Gonta, the old guru Seizaemon, the wise-woman Oroku, and the young and resourceful Shoukichi. Using their illusion skills (which they must re-learn after having forgotten them), they stage a number of diversions including industrial sabotage. These attacks injure and even kill people, frightening construction workers into quitting, but more workers immediately replace them. In desperation, the tanuki send out messengers to seek help from various legendary elders from other regions.

After several years, one of the messengers returns bringing a trio of elders from the distant island of Shikoku, where development is not a problem and the tanuki are still worshipped. In an effort at re-establishing respect for the supernatural, the group stages a massive "ghost parade" to make the humans think the town is haunted. The strain of the massive illusion kills one of the elders, and the effort seems wasted when the owner of a nearby theme parktakes credit for the parade, claiming it was a publicity stunt.

With this setback, the unity of the tanuki finally fails and they break up into smaller groups, each following a different strategy. One group led by Gonta takes the route of eco-terrorism, holding off workers until they are wiped out in a pitched battle with the police. Another group desperately attempts to gain media attention through television appearances to plead their case against the habitat's destruction. One of the elders becomes senile and starts a Buddhist dancing cult among the tanuki who are unable to transform, eventually sailing away with them in a ship that takes them to their deaths, while the other elder investigates joining the human world as the last of the transforming kitsune (foxes) have already done.

When all else fails, in a last act of defiance, the remaining tanuki stage a grand illusion, temporarily transforming the urbanized land back into its pristine state to remind everyone of what has been lost. Finally, with their strength exhausted, the tanuki most trained in illusion follow the example of the kitsune: they blend into human society one by one, abandoning those who cannot transform. While the media appeal comes too late to stop the construction, the public responds sympathetically to the tanuki, pushing the developers to set aside some areas as parks. However, the parks are too small to accommodate all the non-transforming tanuki. Some try to survive there, dodging traffic to rummage through human scraps for food, while others disperse farther out to the countryside to compete with the tanuki who are already there.

In a touching coda, one day, Shoukichi, who also joined the human world, is coming home from work when he sees a non-transformed tanuki leaping into a gap in a wall. Shoukichi crawls into the gap and follows the path, which leads to a grassy clearing where some of his former companions are gathering. He joyfully transforms back into a tanuki to join them. In an emotional final scene, Shoukichi's friend, Ponkichi addresses the viewer, asking humans to be more considerate of tanuki and other animals less endowed with transformation skills, and not to destroy their living space; as the view pulls out and away, their surroundings are revealed as a golf course within a suburban sprawl.

12. Princess Mononoke (1997) 
Director: Hayao Miyazaki

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In Muromachi Japan, an Emishi village is attacked by a demon. The last Emishi prince, Ashitaka, kills it before it reaches the village, but its corruption curses his right arm. The curse gives him superhuman strength, but will eventually spread through his body and kill him. The villagers discover that the demon was a boar god, Nago, corrupted by an iron ball lodged in his body. The village's wise woman tells Ashitaka that he may find a cure in the western lands Nago came from, but he cannot return to his homeland.

Heading west, Ashitaka meets Jigo ("Jiko-bō" in the original Japanese version), a wandering monk, who tells Ashitaka he may find help from the Great Forest Spirit, a deer-like animal god by day and a giant "nightwalker" by night. Nearby, men herd oxen to Irontown ("Tataraba" in Japanese), led by Lady Eboshi, and repel an attack by a wolf pack led by the wolf goddess Moro. Riding one of the wolves is San, a human girl. Ashitaka discovers two injured Irontown men and carries them through the forest, where he encounters many kodama and glimpses the Forest Spirit. In Irontown, Ashitaka learns that Eboshi built the town by clearcutting forests to claim ironsand and produce iron, leading to conflicts with the forest gods and Asano, a local daimyō. Irontown is a refuge for social outcasts, including lepers employed to manufacture firearms; it was one of these guns that had wounded Nago. Eboshi also explains that San was raised by the wolves as one of their own and resents humankind.

San infiltrates Irontown to kill Eboshi, but Ashitaka intervenes, knocking them both unconscious. As he leaves, he is shot by a villager, but the curse gives him the strength to carry San out of the village. San awakens and prepares to kill the weakened Ashitaka, but hesitates when he tells her that she is beautiful. She takes him to the forest, and decides to trust him after the Forest Spirit saves his life. A boar clan, led by the blind boar god Okkoto, plans to attack Irontown to save the forest. Eboshi prepares for battle and sets out to kill the Forest Spirit with Jigo, who is working for the government; she intends to give the god's head to the Emperor in return for protection from Lord Asano. According to legend, the Forest Spirit's head grants immortality.

Ashitaka recovers from his wound but remains cursed; he returns to Irontown to find it besieged by samurai, and heads out to warn Eboshi. The boar clan is annihilated in battle, and Okkoto is corrupted by his wounds. Jigo's men disguise themselves in boar skins and trick the rampaging Okkoto into leading them to the Forest Spirit. San tries to stop Okkoto, but is swept up in his demonic corruption. Moro intervenes and Ashitaka dives into the corruption, saving San. The Forest Spirit euthanizes Okkoto and Moro. As it transforms into the nightwalker, Eboshi decapitates it. It bleeds ooze which spreads over the land, killing anything it touches as the nightwalker searches for its head, which Jigo steals. The forest and kodama begin to die; Moro's head comes alive and bites off Eboshi's right arm, but she survives.

After the samurai flee and Irontown is evacuated, Ashitaka and San pursue Jigo and retrieve the head, returning it to the Forest Spirit. The Spirit dies as the sun rises, but its form washes over the land and heals it, and Ashitaka's curse is lifted. Ashitaka stays to help rebuild Irontown, but promises San he will visit her in the forest. Eboshi reunites with the townspeople and vows to build a better town. The forest begins to regrow, and a kodama emerges from the undergrowth.

11. Royal Space Force: The Wings of Honnêamise (1987) 
Director: Hiroyuki Yamaga

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On an alternate Earth, an industrial civilization is flourishing amid an impending war between two bordering nations: the Kingdom of Honneamise and "The Republic".

Shirotsugh Lhadatt is an unmotivated young man who has drifted into his nation's lackadaisical space program. After the death of a fellow astronaut, he nurtures a close acquaintance with a young religiouswoman named Riquinni Nonderaiko. Seeing Lhadatt as a prime example of what mankind is capable of, and understanding the godliness and ground-breaking nature of his work, she inspires him to become the first man in space.

His training as an astronaut parallels his coming of age, and he and the rest of the members of the space project overcome technological difficulties, doubt, the machinations of their political masters, and a botched assassination attempt by the enemy nation. Amidst the debacle, Lhadatt becomes worn out by the overbearing publicity, prompting him to stay with Riquinni for a while; he then comes close to raping her one night while catching her undressing, causing a temporary rift between them that is later mended, thanks to Riquinni's kindness.

These events culminate in the eventual space launch, which is taking place in a demilitarized zone, with the government's hope that the launch of the rocket will provoke the enemy nation into war. As planned, the Republic military launches an invasion, resulting in fighter planes dueling high above an armored advance towards a defensive trench network. Despite calls to pull out, Lhadatt — already in the space capsule and determined to finish what he started — convinces the frightened and vulnerable ground crew to complete the launch. The spectacular launch stuns both sides into inaction as Lhadatt goes into orbit. As his capsule orbits the earth, Lhadatt prays for humanity's forgiveness.

In a symbolic moment, Lhadatt's capsule is suddenly bathed in sunlight, and a montage of his own life and his world's history and achievements are shown. Meanwhile, on the planet's surface, Riquinni witnesses the first snow fall and gazes into the sky.

10. Neo-Tokyo (1987) 
Director: Various

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Labyrinth Labyrinthos

The short follows Sachi (Hideko Yoshida/Cheryl Chase), a girl locked in a game of hide-and-seek with her cat Cicerone. Her search leads her to an old longcase clock which doubles as a doorway to a labyrinthworld. The world is filled with supernatural oddities and characters, such as cardboard working class citizens, an invisible dog, a skeleton-led train and a weird circus. Eventually, Sachi and Cicerone arrive at a circus tent where a viewing screen is displayed, leading to the following segments.

Running Man

Zack Hugh (Banjō Ginga) is the titular "Running Man," the undefeated champion of the "Death Circus" racing circuit and has raced for 10 years. Competitors race in high-speed Formula One-like craft, and spectators bet on the lives of these people for huge winnings. A Marlowe-esque reporter (Masane Tsukayama/Michael McConnohie) is sent to interview the mysterious Zack outside of the track and watches one of his races. He soon discovers Hugh has telekinetic abilities which he uses to destroy the other racers, after quietly observing him in the dark, chronically over-using a training interface inside his penthouse. As the race ends in his favor, the monitors in the pit displays "LIFE FUNCTIONS TERMINATED." Mysteriously, though seemingly dead, Hugh continues around the track and is overtaken by a spectral racer. He attempts to employ the same strategy, straining to destroy the opponent, but in truth it is against his own mind. The force of the telekinesis is directed inward which rapidly tears both Hugh and his car apart. The Death Circus is permanently shut down afterwards; the reporter believing the event's true draw was the spectators' need to see how long Hugh could beat death.

Construction Cancellation Order

A revolution in the fictional South American country of the Aloana Republic has resulted in a new government being installed; this new government refuses to accept a contract detailing the construction of Facility 444. The company responsible for the construction has begun to lose millions, so salaryman Tsutomu Sugioka (Yū Mizushima/Robert Axelrod) is sent to stop production. The work is completely automated, carried out by robots programmed to finish the job no matter the consequences and led by a robot identified as 444-1 (Hiroshi Ōtake/Jeff Winkless). Witnessing the destruction of several robots and Robot 444-1's refusal to cease operations, Tsutomu begins to lose his patience and is nearly killed by 444-1 who was programmed to eliminate anything that poses a threat to the project. He retaliates by destroying 444-1 and follows its powercord that leads to the energy source of the robots in an attempt to finally end the production. Unknown to Tsutomu, the old government has been restored and they have agreed to honor the contract once more.

 

9. My Neighbor Totoro (1988) 
Director: Hayao Miyazaki

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In 1958 Japan, university professor Tatsuo Kusakabe and his two daughters, Satsuki and Mei, move into an old house to be closer to the hospital where the girls' mother, Yasuko, is recovering from a long-term illness. Satsuki and Mei find that the house is inhabited by tiny creatures called susuwatari—small, dark, dust-like house spirits seen when moving from light to dark places.[note 1] When the girls become comfortable in their new house and laugh with Tatsuo, the soot spirits leave the house to drift away on the wind and find another empty house.

One day, Mei sees two white, rabbit-like ears in the grass and follows the ears under the house. She discovers two small spirits who lead her through a briar patch and into the hollow of a large camphor tree. She meets and befriends a larger version of the same kind of spirit, which identifies itself by a series of roars that she interprets as "Totoro". She falls asleep atop the large totoro, but when Satsuki finds her, she is on the ground in a dense briar clearing. Despite her many attempts, Mei is unable to show her family Totoro's tree. Tatsuo comforts her by telling her that this is the "keeper of the forest," and that Totoro will reveal himself when he wants to.

Satsuki and Mei's house (ja:サツキとメイの家) at the Expo 2005 site.
Closeup view of Satsuki and Mei's house

One rainy night, the girls are waiting for Tatsuo's bus and grow worried when he doesn't arrive on the bus they expect him on. As they wait, Mei eventually falls asleep on Satsuki's back and Totoro appears beside them, allowing Satsuki to see him for the first time. He has only a leaf on his head for protection against the rain, so Satsuki offers him the umbrella she had taken along for her father. Totoro is delighted at both the shelter and the sounds made upon it by falling raindrops. In return, he gives her a bundle of nuts and seeds. A giant, bus-shaped cat halts at the stop, and Totoro boards it, taking the umbrella. Shortly after, Tatsuo's bus arrives.

The girls plant the seeds. A few days later, they awaken at midnight to find Totoro and his two miniature colleagues engaged in a ceremonial dance around the planted nuts and seeds. The girls join in, whereupon the seeds sprout, and then grow and combine into an enormous tree. Totoro takes his colleagues and the girls for a ride on a magical flying top. In the morning, the tree is gone, but the seeds have indeed sprouted; it is left unclear whether or not the girls were dreaming.

The girls find out that a planned visit by Yasuko has to be postponed because of a setback in her treatment. Satsuki, disappointed and worried, tells Mei the bad news, which Mei does not take well. This leads to an argument between the two, ending in Satsuki yelling at Mei and stomping off. Mei decides to walk to the hospital to bring some fresh corn to Yasuko.

Mei's disappearance prompts Satsuki and the neighbors to search for her. Eventually, Satsuki returns in desperation to the camphor tree and pleads for Totoro's help. Delighted to be of assistance, he summons the Catbus, which carries her to where the lost Mei sits. Having rescued her, the Catbus then whisks her and Satsuki over the countryside to see Yasuko in the hospital. The girls perch in a tree outside of the hospital, overhearing a conversation between their parents and discovering that she has been kept in hospital by a minor cold, but is otherwise doing well. They secretly leave the ear of corn on the windowsill, where it is discovered by the parents, and return home on the Catbus.

Eventually, Mei and Satsuki's mother returns home, and the sisters play with other children, while Totoro and his friends watch them from afar.

8. Your Name (2016)

Director: Makoto Shinkai

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High school girl Mitsuha lives in the town of Itomori in Japan's mountainous Hida region. Bored, she wishes to be a handsome boy in her next life. She begins switching bodies intermittently with Taki, a high school boy in Tokyo when they wake up. They communicate by leaving notes in Mitsuha's notebook and memos on Taki's phone, and sometimes by writing on each other's skin. Mitsuha causes Taki to develop a relationship with his coworker Miki, while Taki causes Mitsuha to become popular in school.

Taki, as Mitsuha, accompanies her grandmother and sister to leave the ritual alcohol kuchikamizake, made by Mitsuha, as an offering at the shrine on a mountaintop outside the town. The shrine is believed to represent the body of the village guardian god who rules human experiences and connections. Mitsuha's latest note tells Taki about a comet expected to pass Earth on the day of her town festival.

One day, Taki wakes up in his body. After an unsuccessful date with Miki, he tries to call Mitsuha, but cannot reach her, and the body switching ends. He decides to visit Itomori, but does not know its name, his memories of it are fading, and Mitsuha's messages have disappeared. A restaurant owner in Hida finally recognizes Itomori from Taki's sketch and tells him it was destroyed by a fragment of the comet. Taki finds Mitsuha's name in the records of fatalities and discovers the date of the disaster. He realizes their timelines were separated by three years.

Taki goes to the shrine to drink Mitsuha's kuchikamizake, hoping to reconnect with her body and warn her of the comet strike. Through a vision, Taki discovers that Mitsuha, having fallen in love with him, met his past self while trying to meet him personally. He wakes in her body on the morning of the town festival; Mitsuha's grandmother deduces his identity, and tells him the body switching is part of the Miyamizu family history as caretakers of the shrine. He convinces Mitsuha's friends Tessie and Sayaka to help evacuate the town by cutting the power and broadcasting a false emergency alert, but the plan fails. He realizes that Mitsuha must be in his body at the shrine and goes back to find her.

Mitsuha wakes up in Taki's body at the shrine. Although they sense each other's presence, they are separated by three years. However, when twilight falls,they return to their own bodies and meet. They attempt to write each other's names on their hands so they will remember each other, but twilight passes and Mitsuha disappears before she can write hers.

As Mitsuha races back to town to convince her estranged father, the Itomori mayor, to evacuate the town, her memories of Taki start to fade. She realizes that Taki wrote "I love you" on her hand instead of his name. The comet piece splits into two, one kept moving but the other one crashed onto to Earth, destroying Itomori. Taki wakes up in his own time at the shrine, remembering nothing.

Five years later, Taki has graduated from university and is searching for a job. He senses he is missing something important and learns that inhabitants of Itomori survived by following the mayor's order. He recognizes Tessie and Sayaka in a Tokyo restaurant, now engaged, but cannot identify them, and both Taki and Mitsuha's friends and family are shown to be pursuing their own paths. One day, Taki and Mitsuha see each other when their trains draw parallel, and are compelled to disembark and search for one another, finally meeting on a staircase. Feeling they have met before, they simultaneously ask for each other's name.

7. Perfect Blue (1997) 
Director: Satoshi Kon

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Mima Kirigoe, the lead singer of the fictional J-pop idol group "CHAM!", decides to leave the group to become an actress, believing that the idol group life is a dead end job. Her first project is a crime dramaseries, Double Bind. Some of her fans are upset by her change in career, including a stalker known as "Me-Mania". Shortly after leaving CHAM!, Mima receives an anonymous fax calling her a traitor. She also finds a website called "Mima's Room", which features public diary entries that seem to be written by her that discuss her life in great detail. She brings the site to the attention of her manager, ex-pop star Rumi Hidaka, but is advised to ignore it.

On the set of Double Bind, Mima succeeds in getting a larger part. However, the producers decide to cast her as a rape victim in a strip club. Rumi warns Mima that it will damage her reputation, but Mima accepts the part, wanting to be taken more seriously as an actress. The scene traumatizes Mima (as well as Rumi, who leaves the production control room crying). Mima increasingly becomes unable to distinguish reality from her work in show business.

Several people involved in creating Double Bind, including the show's writer and photographer, are found murdered. Mima finds evidence that makes her a suspect in those murders, based on entries on the Mima's Room website, and her increasing mental instability makes her doubt her own innocence. Meanwhile, Me-Mania is constantly shown standing amongst the Double Bind filming crew, and his obsessive home life is revealed when he is shown receiving emails from Mima's pop idol persona through the Mima's Room website. It is at this point that reality starts breaking down for the viewer as well: in one scene, Mima is revealed by a police psychiatrist to be the split personality delusion of a woman named Yoko Takakura, only for the Double Bind camera crew to yell "Cut"; in another, Me-Mania finally confronts and attempts to rape Mima, stopped only when Mima knocks him unconscious with a hammer; this too is hinted as being part of a Double Bindfilm shoot. Rumi finds Mima backstage immediately afterward, and Me-Mania's blood and body are not found on the now-empty set.

Rumi offers to drive Mima home. Upon arriving, Mima tries to place a call, but stops upon realizing that she is actually in a room decorated to resemble her own pop idol apartment at the beginning of the film. When Mima encounters Rumi, however, her manager is wearing a replica of Mima's CHAM! costume and fully believing, in a psychotic break, that she is Mima herself. Rumi is in fact the false diarist of Mima's Room, who believes she is the "real Mima". Rumi is angry that Mima—who has been suffering from folie à deux throughout the film—has been ruining the "real Mima's" reputation, and decides to save "Mima's" pristine pop idol image by murdering the original, who she believes is an imposter. Mima manages to incapacitate Rumi in self-defense after a chase through the city despite being wounded herself, then saves Rumi from an oncoming truck. Severely wounded and fully delirious, Rumi mistakes the truck's headlights for stage lights. Both parties collapse as the truck's occupants call for an ambulance.

Mima, now an accomplished actress, shows up at a mental institution to visit Rumi, who, believing the flowers Mima leaves for her as from her adoring fans, seems to now permanently exist in her "Mima" delusion. As Mima leaves, she overhears the nursing staff believing that she is a Mima imposter, as she would have no reason to visit an institution. Mima enters her car and, looking into the rear view mirror, declares "I'm the real thing" and smiles.

6. The Wind Rises (2013) 
Director: Hayao Miyazaki

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In 1918, a young Jiro Horikoshi longs to become a pilot, but his nearsightedness prevents it. He reads about the famous Italian aircraft designer Giovanni Battista Caproni, and dreams about him that night. In the dream, Caproni tells him that he has never flown a plane in his life, and that building planes is better than flying them.

Five years later, Jiro is traveling by train to study aeronautical engineering at Tokyo Imperial University and meets a young girl, Naoko Satomi, traveling with her maid. When the Great Kanto Earthquake of 1923 hits, Naoko's maid's leg is broken and Jiro carries her to Naoko's family, leaving without giving his name.

In 1927, Jiro graduates with his friend Kiro Honjo and both are employed at aircraft manufacturer Mitsubishi and are assigned to design a fighter plane, the Falcon, for the Imperial Army. During tests, the Falcon breaks apart in mid-air and the Army rejects it. Dispirited about the seeming backwardness of Japanese technology, Jiro and Honjo are sent to Germany in 1929 to carry out technical research and obtain a production license for a Junkers G.38 aircraft. Jiro sees Hugo Junkers, argues with German guards and witnesses a minor Jew hunt. He dreams again of Caproni, who tells him that the world is better for the beauty of planes, even if humankind might put them to ugly purposes.

In the spring of 1932, Jiro is promoted to chief designer for a fighter plane competition sponsored by the Imperial Navy, but his design, the Mitsubishi 1MF10, fails testing in 1933 and is rejected. Disappointed, Jiro goes to a summer resort in Karuizawa to rest, where he meets Naoko again. They become engaged, but Naoko has tuberculosis and refuses to marry until she recovers. Castorp, a German visitor privately critical of the Nazi regime, assists in the romance before fleeing arrest by the Japanese secret police.

Wanted in connection with Castorp, Jiro hides at his supervisor's home while he works on a new navy project. Following a lung hemorrhage, Naoko recuperates in an alpine sanatorium but cannot bear being apart from Jiro, and returns to marry him. Jiro's sister Kayo, a doctor, warns Jiro that his marriage to Naoko will end badly as tuberculosis is incurable. Though Naoko's health deteriorates, she and Jiro enjoy their time together.

Jiro leaves for the test flight of his new prototype aircraft, the Mitsubishi A5M. Knowing that she will die soon, Naoko returns to the sanatorium, leaving letters for Jiro, her family, and friends. At the test site, Jiro is distracted from his success by a gust of wind, suggesting Naoko's death.

In the summer of 1945, Japan has lost World War II and has been devastated by air raids. Jiro again dreams of meeting Caproni, telling him he regrets his aircraft was used for war. A group of Zeros fly past and their pilots salute Jiro. Caproni comforts him, saying Jiro's dream of building beautiful aircraft was nonetheless realized. Naoko appears, exhorting her husband to live his life to the fullest.

5. Paprika (2006) 
Director: Satoshi Kon

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In the near future, a revolutionary new psychotherapy treatment called dream therapy has been invented. A device called the "DC Mini" allows the user to view people's dreams. The head of the team working on this treatment, Doctor Atsuko Chiba, begins using the machine illegally to help psychiatric patients outside the research facility, using her alter-ego "Paprika", a sentient persona that she assumes in the dream world.

Paprika counsels Detective Toshimi Konakawa, who is plagued by a recurring dream. Its incompleteness is a great source of anxiety for him. At the end of the session, she gives Konakawa a card with a name of a website on it. This type of counselling session is not officially sanctioned, so Chiba, her associates and Konakawa must be cautious that word does not leak out regarding the nature of the DC Mini and the existence of Paprika. Chiba's closest ally is Doctor Kōsaku Tokita, a genius man-child and the inventor of the DC Mini. Because they are unfinished, the DC Minis lack access restrictions, allowing anyone to enter another person's dreams, which poses grave consequences when they are stolen. Almost immediately, the chief of the department, Doctor Toratarō Shima, goes on a nonsensical tirade and jumps through a window, nearly killing himself.

Upon examining Shima's dream, consisting of a lively parade of objects, Tokita recognizes his assistant, Kei Himuro, which confirms their suspicion that the theft was an inside job. After two other scientists fall victim to the DC Mini, the chairman of the company, who was against the project to begin with, bans the use of the device completely. This fails to hinder the crazed parade, which manages to claim Tokita, who went inside Himuro's dream trying to find answers and intruded into Konakawa's dream. Paprika and Shima take matters into their own hands and find that Himuro is only an empty shell. The real culprit is the chairman, with the help of Doctor Morio Osanai, who believes that he must protect dreams from mankind's influence through dream therapy. Paprika is eventually captured by the pair after an exhausting chase. There, Osanai admits his love for Chiba and literally peels away Paprika's skin to reveal Chiba underneath. However, he is interrupted by the outraged Chairman who demands that they finish off Chiba; as the two share Osanai's body, they battle for control as they argue over Chiba's fate. Konakawa enters the dream from his own recurring dream, and flees with Chiba back into his. Osanai gives chase through Konakawa's recurring dream, which ends in Konakawa shooting Osanai to take control of the dream. The act actually kills Osanai's physical body with a real bullet wound.

Dreams and reality have now merged. The dream parade is running amok in the city, and reality itself is starting to unravel. Shima is nearly killed by a giant Japanese doll, but is saved by Paprika, who has become an entity separate from Chiba thanks to dreams and reality merging. Amidst the chaos, Tokita, in the form of a giant robot, eats Chiba and prepares to do the same for Paprika. A ghostly apparition of Chiba appears and reveals that she has been in love with Tokita this whole time and has simply been repressing these emotions. She comes to terms with her own repressed desires, reconciling herself with the part of her that is Paprika. The chairman returns in the form of a living nightmare, reveals his twisted dreams of omnipotence, and threatens to darken the world with his delusions. Paprika returns to Tokita, throwing herself into his body. A baby emerges from the robotic shell and sucks in the wind, aging as she sucks up the chairman himself, becoming a fully-grown combination of Chiba and Paprika. In this new form, she is able to consume the chairman's dream form and end the nightmare he created before fading away.

In the final scene, Chiba sits at Tokita's bedside as he wakes up. Later on, Konakawa visits the website from Paprika's card and receives a message from Paprika: "Atsuko will change her surname to Tokita...and I suggest watching the movie Dreaming Kids." Konakawa enters a movie theater and purchases a ticket for Dreaming Kids.

4. Ghost in the Shell (1995) 
Director: Mamoru Oshii

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In 2029, with the advance of cybernetic technology, the human body can be "augmented" or even completely replaced with cybernetic parts. Another significant achievement is the cyberbrain, a mechanical casing for the human brain that allows access to the Internet and other networks. An often-mentioned term is "ghost", referring to the consciousness inhabiting the body (the "shell").

Major Motoko Kusanagi is an assault-team leader for the Public Security Section 9 of "New Port City" in Japan. Following a request from Nakamura, chief of Section 6, she successfully assassinates a diplomat of a foreign country to prevent a programmer named Daita from defecting.

The Foreign Minister's interpreter is ghost-hacked, presumably to assassinate VIPs in an upcoming meeting. Believing the perpetrator is the mysterious Puppet Master, Kusanagi's team follows the traced telephone calls that sent the virus. After a chase, they capture a garbage man and a thug. However, both are only ghost-hacked individuals with no clue about the Puppet Master. The investigation again comes to a dead end.

Megatech Body, a "shell" manufacturer with suspected close ties to the government, is hacked and assembles a cybernetic body. The body escapes but is hit by a truck. As Section 9 examines the body, they find a human "ghost" inside its computer brain. Unexpectedly, Nakamura arrives to reclaim the body. He claims that the "ghost" inside the brain is the Puppet Master himself, lured into the body by Section 6. The body reactivates itself, claims to be a sentient being and requests political asylum. After the Puppet Master initiates a brief argument about what constitutes a human, a camouflaged agent accompanying Nakamura starts a diversion and gets away with the body.

Having suspected foul play, Kusanagi's team is prepared and immediately pursues the agent. Meanwhile, Section 9 researches "Project 2501", mentioned earlier by the Puppet Master, and finds a connection with Daita, whom Section 6 tries to keep from defecting the country. Facing the discovered information, Daisuke Aramaki, chief of Section 9, concludes that Section 6 created the Puppet Master itself for various political purposes. This is why Section 6 is desperately trying to reclaim the body.

Kusanagi follows the car carrying the body to an abandoned building. It is protected by a large walking tank. Anxious to face the Puppet Master's ghost, Kusanagi engages the tank without backup and is nearly killed. Her partner Batou arrives in time to save her, and helps connect her brain to the Puppet Master's.

The Puppet Master explains to Kusanagi that he was created by Section 6. While wandering various networks, he became sentient and began to contemplate his existence. Deciding the essence of humanity is reproduction and mortality, he wants to exist within a physical brain that will eventually die. As he could not escape Section 6's network, he had to download himself into a cybernetic body. Having interacted with Kusanagi (without her knowledge), he believes she is also questioning her humanity, and they have a lot in common. He proposes merging their ghosts, in return, Kusanagi would gain all of his capabilities. Kusanagi agrees to the merge.

Snipers from Section 6 approach the building, intending to destroy the Puppet Master's and Kusanagi's brains to cover up Project 2501. The Puppet Master's shell is destroyed, but Batou shields Kusanagi's head in time to save her brain. As Section 9 closes in on the site, the snipers retreat.

"Kusanagi" wakes up in Batou's safe house with her previous shell's head attached to a new cyborg child body. She tells Batou that the entity within her body is neither Kusanagi nor the Puppet Master, but a combination of both. She promises Batou they will meet again, leaves the house and wonders where to go next.

3. Grave of the Fireflies (1988) 
Director: Isao Takahata

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On September 21, 1945, shortly after the end of World War II, a teenage boy, Seita, dies of starvation in a Kobe train station. A janitor sorts through his possessions and finds a candy tin, which he throws into a field. The spirit of Seita's younger sister, Setsuko, springs from the tin and is joined by Seita's spirit and a cloud of fireflies. They board a train.

Some months earlier, Seita and Setsuko's house is destroyed in a firebombing along with most of Kobe. They are unharmed, but their mother dies from burns. Seita and Setsuko move in with a distant aunt, who convinces Seita to sell his mother's kimonos for rice. Seita retrieves supplies he buried before the bombing and gives everything to his aunt but a tin of Sakuma drops. As rations shrink and the number of refugees in the house grows, the aunt becomes resentful of the children, saying they do nothing to earn the food she prepares.

Seita and Setsuko leave and move into an abandoned bomb shelter. They release fireflies into the shelter for light. The next day, Setsuko is horrified to find that the insects have died. She buries them in a grave, asking why they and her mother had to die. As they run out of rice, Seita steals from farmers and loots homes during air raids, for which he is beaten. When Setsuko falls ill, Seita takes her to a doctor, who explains that she is suffering from malnutrition but offers no help.

In a panic, Seita withdraws all the money in their mother's bank account. As he leaves the bank, he becomes distraught when he learns that Japan has surrendered. He also learns that his father, a captain in the Imperial Japanese Navy, is probably dead, as most of Japan's navy has been sunk.

Seita returns to the shelter with a large quantity of food, but finds Setsuko hallucinating. He hurries to cook, but she dies as he finishes preparing the food. Seita cremates Setsuko's body and her stuffed doll in a straw casket. He carries her ashes in the candy tin along with his father's photograph.

Seita and Setsuko's deceased spirits arrive at their destination, healthy and happy, and sit on a bench surrounded by fireflies overlooking present-day Kobe.

2. Spirited Away (2001) 
Director: Hayao Miyazaki

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Ten-year-old Chihiro Ogino and her parents are traveling to their new home when her father takes a wrong turn. They unknowingly enter a magical world that Chihiro's father insists on exploring. While Chihiro's parents begin to devour the food at an empty restaurant stall, Chihiro finds an exquisite bathhouse and meets a young boy named Haku who warns her to return across the river before sunset. However, Chihiro discovers too late that her parents have turned into pigs and she is unable to cross the flooded river, becoming trapped in the spirit world.

After finding Chihiro, Haku has her ask for a job from the bathhouse's boiler-man, Kamaji, a spider yōkai commanding the susuwatari. Kamaji refuses work for her because he already has soot spirits working for him; out of sympathy, he asks the worker Lin to send Chihiro to the witch, Yubaba, who runs the bathhouse. Yubaba tries to frighten Chihiro away, but she persists, so Yubaba gives Chihiro a contract to work for her. Yubaba takes her name and renames her Sen (). While visiting her parents' pigpen, Sen finds a goodbye card addressed to Chihiro and realizes that she has already forgotten her name. Haku warns her that Yubaba controls people by taking their names and that if she forgets hers like he has forgotten his, she will not be able to leave the spirit world. Sen faces discrimination from the other workers, and while working, she invites a silent masked creature named No-Face inside, believing him to be a customer. A 'stink spirit' arrives as Sen's first customer. She discovers he is the spirit of a polluted river. In gratitude for cleaning him, he gives Sen a magic emetic dumpling. Meanwhile, No-Face tempts a worker with gold, then swallows him. He demands food and begins tippingextensively. As the workers swarm him, hoping to be tipped, he swallows two other greedy workers.

Sen discovers paper shikigami attacking a dragon and recognizes the dragon as Haku transformed. When a grievously-injured Haku crashes into Yubaba's penthouse, Sen follows him upstairs. When she reaches Haku, a shikigami that stowed away on her back transforms into Zeniba, Yubaba's twin sister. She transforms Yubaba's baby son, Boh, into a mouse, creates a decoy baby and turns Yubaba's bird creature into a tiny bird. Zeniba tells Sen that Haku has stolen a magic golden seal from her, and warns Sen that it carries a deadly curse. After Haku dives to the boiler room with Sen and Boh on his back, she feeds him part of the dumpling which she intended to save her parents with, causing him to vomit both the seal and a black slug, which Sen crushes with her foot.

With Haku unconscious, Sen resolves to return the seal and apologize for Haku. Before she leaves the bathhouse, Sen confronts No-Face, who is now massive, and feeds him the rest of the dumpling. No-Face chases Sen out of the bathhouse, steadily regurgitating everything he has eaten. Sen, No-Face, and Boh travel to see Zeniba. Yubaba orders that Sen's parents be slaughtered, but Haku negotiates freedom for Sen and her parents after revealing that Boh is missing and offering to retrieve him. But if Sen fails Yubaba's final test, the deal will be broken.

Sen, No-Face and Boh meet with the now benevolent Zeniba, who reveals that Sen's love for Haku broke her curse and that Yubaba used the black slug to control Haku. Haku appears at Zeniba’s home in his dragon form and flies Sen and Boh to the bathhouse. No-Face decides to stay behind and becomes Zeniba's spinner. In midflight, Sen recalls falling in her youth into the Kohaku River and being washed safely ashore, thus revealing Haku's real identity as the Kohaku River. When they arrive at the bathhouse, Yubaba forces Sen to identify her parents from among a group of pigs in order to break their curse. After Sen answers that none of the pigs are her parents, her contract combusts and she is given back her real name. Haku takes her to the now dry riverbed and vows to meet her again. Chihiro crosses the riverbed to her restored parents, who do not remember anything. They quietly walk back to their car (which is now covered in dust and leaves). Before getting in, Chihiro takes a last look behind as the ribbon given to her by Zeniba glows in the sun. The movie ends when the three of them drive out and leave this mysterious world behind them.

 

1) Akira (1988) 
Director: Katsuhiro Otomo

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In July 1988, a gravitational singularity destroys Tokyo, which leads to World War III. By 2019, Japan suffers a crime wave and government corruption, especially in the rebuilt "Neo-Tokyo". One night, during massive protests, hot-headed Shōtarō Kaneda leads his bōsōzoku gang, the Capsules, against their rivals, the Clowns. During the brawl, Kaneda's best friend, the sullen Tetsuo Shima, inadvertently crashes his motorcycle into Takashi, who is a psychic esper just recently escaped from a secret government laboratory with the aid of a resistance organization. Japan Self-Defense Forces (JSDF) Colonel Shikishima, assisted by esper Masaru, escorts Takashi home and hospitalizes Tetsuo. Later, as Kaneda and his gang are interrogated by the police, he spots Kei, an activist belonging to the resistance movement, and tricks the authorities into releasing her along with his gang, taking an interest in her.

Shikishima and Doctor Ōnishi discover that Tetsuo possesses powerful psychic abilities similar to Akira, the esper responsible for causing Tokyo's destruction. Meanwhile, Takashi's fellow esper, Kiyoko, forewarns Shikishima of Neo-Tokyo's impending destruction to Shikishima. Neo-Tokyo's parliament, however, dismisses Shikishima's concerns, so he considers killing Tetsuo to prevent this. Returning from the hospital, Tetsuo steals Kaneda's motorcycle accompanied by his girlfriend Kaori, but the Clowns attack them. When the Capsules arrive and easily defeat them, Tetsuo suffers headaches and hallucinations during the attack, and he is once again hospitalized. Seeking answers about what has happened to his friend, Kaneda rescues Kei and joins the rebels after overhearing their plan to capture Tetsuo. At the hospital, the espers unsuccessfully attempt to kill Tetsuo, and he fights back with his newfound psychokinetic powers to confront them. Kaneda, Kei, and Shikishima converge on the espers' quarters to stop Tetsuo, turning him egomaniacal and unstable. He overpowers them and escapes after learning from Kiyoko that he can gain help from Akira, located in cryonic storage beneath the Olympic Stadium's construction site.

Using Kei as a medium, Kiyoko helps her and Kaneda to escape to stop Tetsuo, while Shikishima stages a coup d'étatagainst the corrupt parliament and orders the JSDF to kill Tetsuo. Returning to the local bar for some pills, Tetsuo ambushes two of the Capsules, Yamagata and Kai, after they arrive, killing the former in the process; Kaneda vows to avenge Yamagata. Tetsuo travels through Neo-Tokyo, wiping out Shikishima's forces, and eventually arriving at Akira's cryogenic storage dewar in the stadium. Kiyoko has Kei fight Tetsuo, but he easily defeats her and exhumes Akira's remains: dissected, and preserved for future studies. Using a laser rifle, Kaneda fights Tetsuo in a duel; meanwhile, Shikishima fires an orbital weapon at him but is unsuccessful. After Tetsuo destroys the satellite, he psychically builds a prosthetic arm to replace the one he lost.

Shikishima and Kaori separately approach the stadium, where Tetsuo is in immense pain. Shikishima offers Tetsuo the espers' drugs to control his abilities, while Kaori attempts to restrain Tetsuo. However, Kaneda arrives and duels with Tetsuo once again. Losing control of his powers, Tetsuo mutates into a gigantic mass consuming all matter, engulfing Kaneda and killing Kaori. The mass continues to grow, and the espers awaken Akira. After reuniting with his friends, Akira creates another singularity that draws Tetsuo and Kaneda into another dimension. The espers teleport Shikishima to a safe distance as the singularity destroys Neo-Tokyo in a mirror of Tokyo's destruction, and three agree to help rescue Kaneda, knowing they will not be able to return to this dimension.

In the singularity, Kaneda experiences Tetsuo's and the espers' childhood, including how much Tetsuo trusted Kaneda and how the children were trained and altered before Tokyo's destruction. The espers appear and return Kaneda to his world, informing him that Akira will take Tetsuo to safety and that Kei is developing psychic powers. The singularity suddenly disappears and water floods the city's remains. In the aftermath, Kaneda discovers that Kei and Kai have survived, and they drive off into the ruins, while Shikishima watches the sunrise. Finally in control of his powers, Tetsuo triggers a big bang in an alternate universe.

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